I’m finally working my way through John Byrne’s Wonder Woman run and so far it’s not as bad as I remembered. However it’ll be a while before I have any posts on those issues so I thought I’d look at two of the three most important supporting characters in Wonder Woman’s world, Steve Trevor and Etta Candy. First up: Steve.
Steve Trevor was literally there from the first story, a backup feature in All-Star Comics #8 that preceded Diana’s series in Sensation Comics. Shot down over Paradise Island, he’s the first man Diana ever saw. She saves his life by developing new Amazon healing technology. Having fallen in love with him she opts to become Wonder Woman, travel with him to “Man’s World” and fight injustice there (Robert Kanigher was one of several authors to drop the idea she’s only leaving her home out of love for a man). It’s a good origin though I don’t think it’s as classic as Batman’s or Spider-Man’s — and it’s retold way too often.
As Trina Robbins once put it, Steve was the Lois Lane of the series. He’s a military officer, brave and daring but his primary role is to get himself in trouble so Wonder Woman can come and save him. I’ve known fans who think he’s useless; others love him precisely because he’s willing to play second fiddle to a woman who’s stronger, braver and more heroic than he’ll ever be. As witness “The Lawbreaker’s League” in which a device makes Steve stronger than his sweetie; when WW says she could never be happy with a man who can dominate her physically Steve smashes it without a second thought.
In a later Kanigher story Steve tells Wonder Woman he’s such a screw-up he needs around full-time to save his life; she agrees that if she has to save him three times that day, she’ll marry him. That’s amusing but it’s also typical of Silver Age Steve, forever trying, like Lois, to trick Wonder Woman into marrying him. She’s Superman, determined to stay single; her duty to fight evil takes precedence. That’s cool but by the end of Kanigher’s run things got a lot more annoying, with Diana constantly mooning over Steve (Kanigher imported a lot of romance comics tropes) and Steve’s tricks getting creepier. In one issue he traps her in her lasso and forces her to go with him to a Justice of the Peace to get married. It doesn’t work but still!
Then came the radical reboot that depowered Wonder Woman and killed off Steve. After her powers returned, 
along with Kanigher, we had several stories showing Steve alive again, without explanation (as noted at the link, this brief period was a mess). It wasn’t until 1976 that the gods, and author Marty Pasko, resurrected Steve in #223 (yep, that’s him under the hood). It was an awkward resurrection: Steve took a new identity (Steve Howard) and felt much more frustrated at being WW’s Lois Lane. He’s arguing with her more, gets a new job as a spy and clearly Pasko had some ideas about their relationship … but then the Linda Carter series took off and we were back with Diana and Steve in WW II. When that was over and we returned to the present, new writer Jack C. Harris killed Steve again.
This time he stayed gone until 1980, when a parallel-world Steve Trevor crossed over to Earth-One and became Diana’s new/old love (she’d chosen to forget Steve to ease her pain so the relationship felt new). They stayed together until 1986 when they married right before Crisis on Infinite Earth erased them in favor of George Perez’ reboot.
Perez’ Steve was an older man, tough and smart and soon a friend and mentor to Diana, but never a lover; romance was, for better or worse, not a thing for her in the Perez years. Eventually they saw themselves as siblings, when Diana learned Steve’s mother had landed on Themyscira years earlier and died a hero, inspiring both Diana’s costume and Hippolyta’s choice of what to name her daughter. Steve did fall in love with Etta and Perez’ run was supposed to end with their wedding. Due to some confusion, after Perez had finished the issue he had to redraw it so new writer William Messner-Loebs could handle the wedding — but he never did, for whatever reason.
A few years ago, Greg Rucka finally paired off Steve and Diana again (Etta’s now gay) and I believe that’s still the status quo. However I’m not up on recent developments so don’t hold me too that.
#SFWApro. Covers by Edward Hibbard and Ernie Chan, all rights remain with current holders.
After Mike Sekowsky’s final issue, #196, we got two issues of reprints and then Denny O’Neil took over the writing with Don Heck on the art (Jeffrey Catherine Jones provides the cover). “Tribunal of Fear” opens with someone making the mistake of puling a gun on Diana and giving her orders. Doesn’t go well for him. It turns out it’s Jonny Double, a PI who previously appeared in a tryout issue of Showcase but without doing well enough to launch a series. Jonny explains his client wants to meet Diana, but first directed the detective to see how she handles trouble, hence pulling the gun. A second later, an old woman picking up Diana’s dropped umbrella dies — someone shot a poisoned dart at Jonny but hit the umbrella instead.
dog shows up with a cask of brandy — then attacks and almost blows them up; the cask actually held nitro. They find refuge at a cabin filled with paintings of beautiful women, the faces torn by knives. Tribunal soldiers arrive in a VTOL so our heroes fight them, take the plane but discover its being flown by remote control. Arriving at a fortress, they fight through several more perils and traps before being captured.
To get the money for a trip to Tibet,Diana sells her boutique. After an arduous journey she and I Ching arrive in a lost Tibetan valley (the kind that’s miraculously warm amidst the ice and snow outside) where Diana encounters an unexpected obstacle: Catwoman, who’s after the gem herself, even though it doesn’t fit her usual cat-motif crimes. Captured by the Fist-worshippers, the two women have to battle over a fiery pit, but Diana saves them both. Catwoman explains she hired Jonny to find the Fist of Flame, but he ran into an obstacle — a gang run by a woman named Lu Shan. As Selina, Diana and I Ching learn this, the Flame magically transports them to Nehwon, home of Fritz Leiber’s Fafhrd and the Grey Mouser. 
In “Fangs of Fire,” written by SF grandmaster Samuel Delaney, the two sets of heroes fight, then team up against a sorcerer, Gawron; Mouser and Fafhrd want to rob him of another gem, the Eye of the Ocean but he’s also devised a dimensional gate that can get the Earthers home. They sneak into his fortress, action erupts, then the Fist of Flame brings Jonny and Lu Shan from Earth. Jonny, I Ching and Catwoman go home through the gate; Lu Shan remains behind in Nehwon, trapped forever. Fafhrd and the Mouser go with the heroes, take one look at modern civilization and go home (to star in their short-lived 
The Diana Prince era wraps up with “The Grandee Caper,” Delaney’s 
—and also has the sniper kill 
Wonder Woman #194, “The Prisoner,” has Diana vacationing in Europe, sans I Ching, in a small kingdom where everyone’s treating her like royalty — except some goons who make the mistake of trying to kidnap her. It turns out it’s because she looks exactly like Princess Fabiola. Which inevitably means that the princess gets captured and, just like the classic Prisoner of Zenda, Diana has to replace her or the next in line to the throne will use Fabiola’s disappearance as an excuse to seize power. This is really awkward as the princess is getting married tomorrow, but of course Diana sees it through. It’s a departure from the usual spy thriller/neighborhood hero style of this era, but it works.
frequently they can materialize. Despite their ghostly powers, the owner’s son makes the mistake of under-estimating Diana; that and I Ching’s occult knowledge lead to their destruction.
#SFWApro. All covers by Sekowsky, all rights remain with current holders.
Detour in Wonder Woman#190 launches a three issue sword-and-sandal tale, though #191 was actually a reprint with a few new pages added as a framing sequence (Diana’s companion asks who she is and how she came to be, so she recaps the transition from Amazon to Ordinary Woman). Diana goes to visit Paradise Island in its otherworldly home again, but a dimensional storm blows her and her guide Leda off-course, landing them in the world of Chalandor. The local queen’s forces capture Diana for the arena — she doesn’t go down easily, of course — and she ends up thrown in a dungeon with the barbarian prince Ranagor. Diana, however, has some of the spy gadgets she acquired during one of her previous adventures and busts her chains using a button that conceals a powerful acid. She and Ranagor escape … but their getaway path just leads the to the arena. The queen unleashes her nastiest beast, the reptilian gnarth, but Diana finds a way to beat it, then she and Ranagor bust out.
It’s a mixed bag. “Hey, I know how to make gunpowder” is a resolution I’ve seen in god knows how many adventure tales of heroes trapped in lost cities and the adventure as a whole is too stock to work for me. Sekowsky’s art, however, is great and the story shows off Diana’s formidable abilities at their best. This time out, she doesn’t need a man, not even I Ching, to do the heavy lifting.
went into a coma after someone spiked the food at a party with “funny seasoning.” Eddie Dean, Tony’s buddy from ‘nam was at the party and Tony accuses him of being the culprit, given his history of practical jokes that went wrong. Eddie denies it, pointing out he got sick from the stuff himself. Mrs. Petrucci explains that Tony has never given up searching for the person responsible; his increased frustration has led to him lashing out and beating up the local homeless population simply as a convenient target. Now he’s found a fresh lead and his mother is terrified, with good reason obviously, that he’s going to cross a line.
We open #187, Earthquaker, with someone having gunned down I Ching (the story inside follows directly from the cover scene). I Ching gets a call for help from an old friend in Hong Kong and arranges passage with Patrick McGuire, a roguish Irishman he knows from back before he lost his sight. Diana, of course, insists on going along; on the flight they meet Lu Shan, an attractive Chinese woman. Mid-flight, stowaways with guns sneak out and try to steal something from Lu Shan, confident two women and a blind guy can’t be much of a challenge …
The first two parts are a good spy/action thriller, the third more a war comic very much in the commie-smashing mode of the Cold War, plus some uncomfortable White Savior elements (just look at the cover). It’s noteworthy for being the first story in which Di wears the all-white pantsuit outfit most associated with this period, and for turning the formidable Cyber into a 
In Superman’s Girlfriend Lois Lane #93, by former WW scribe Robert Kanigher, it turns out Lois has been nagged for years by fear about Wonder Woman winning Superman, but fortunately she’s now powerless so no problemo! Nevertheless, when Wonder Woman asks for help regaining her powers, Lois agrees (contrary to the new canon in Wonder Woman, everyone knows Diana Prince is the superhero formerly known as Wonder Woman). Before long, Diana and Superman are having a torrid affair then headed for the altar. Fortunately it turns out the villain is a Phantom Zone escapee out to kill Superman, and he’d decided not to go through with it anyway. It is not a good story.
Denny O’Neil turns in a forgettable story in World’s Finest #204, “Journey to the End of Hope.” A future computer asks Superman and Diana to change Earth’s doom by averting a man’s death at a protest. They save one man, but another dies — how can they know if they saved the right one? It’s clunky and the thugs they’re dealing with aren’t worth of Diana’s time, let alone the Man of Steel’s.
Returning again, to Wonder Woman’s late Silver Age depowered years, now written, drawn and edited by Mike Sekowsky … At the end of 
(beautifully visualized by Sekowsky) and shrugging off Diana’s attempts to stop her. Finally I Ching uses his magic (which is a new thing — up to that point he’s been mystical, but not magical) to block Morgana working magic on Diana’s turf. Diana thinks this will turn the tables but Morgana kicks her butt in hand-t0-hand combat too. However I Ching’s magic impresses her enough she takes a powder. The frog’s girlfriend restores him to normal with a kiss.
Following the 
in gems from Cyber to work for her but absconds with the jewels after selling out Diana and Ching. They win out anyway and track Cyber to London.
#SFWApro. All art by Mike Sekowsky, all rights remain with current holder.
WONDER WOMAN: Diana Prince: Celebrating the ‘60s Omnibus by Mike Sekowsky, Denny O’Neil and several others is a massive hardback collection the Amazing Amazon’s years as a mortal woman (which I started blogging about in detail 
Wonder Woman’s Rival by Denny O’Neil and Mike Sekowsky opens with police arresting Steve Trevor for the murder of someone named Alex Block; Steve claims he has an alibi — a girl he met at a hippie nightclub called the Tangerine Trolley — but he didn’t get her name and can’t locate her. At the trial we learn Block met Wonder Woman and Steve at a party where the creep told WW she was a disgusting freak, then tried to grope her. Steve decked the dude. Later an emergency needing Amazon involvement ended a Steve/WW make-out session so he went to the club and flirted with the girl.
All of which is almost certainly modeled on Cornell Woolrich’s The Phantom Lady, a noir novel involving a wrongly accused man, an unnamed woman alibi and the guy’s lover trying to find her. And just as in Woolrich, someone’s determined to stop Diana cold. Eventually Diana does track down the girl, Tina, with the help of Steve’s best friend, Roger Seely. Unfortunately it turns out Roger is the killer, having murdered Block to cover his embezzlement of company funds. He tries to eliminate Diana and Tina to ensure Steve’s conviction stands, but of course, he doesn’t know he’s dealing with Wonder Woman …
At the end Steve, as you can see, reconciles with Wonder Woman but tells her he’s so impressed with Diana, he wants to date her (one of the few times someone’s found the secret identity more desirable than the superhero). Wonder Woman worries that if he’s going to date other woman, his next pick might be someone who isn’t her secret identity.
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