SIX CRIMSON CRANES by Elizabeth Lim is a Y/A whose protagonist, Shiori, is princess in a fantasy analog of China. Magic is banned so it’s a shock for Shiori to realize not only does she have powers — she’s able to bring a paper bird to life as her sidekick — but so does her stepmother. And those powers may be why Shiori and her six brothers all love stepmommy so much …
Stepmother is, of course, not happy with these discoveries and takes steps: turning the brothers into cranes, exiling Shiori and putting an added curse on her, that if she speaks her brothers will die. Now the princess has to find her brothers, find a cure, break the curse on her and settle with her stepmother.
Although one big reveal was obvious from the first chapter, this worked for me. However the characters come off awfully contemporary — make Shiori and her brothers rich kids from Beverly Hills and it wouldn’t change much. Still, I’m up for reading more in the series eventually.
CANNIBALISM AND THE COMMON LAW: The Story of the Tragic Last Voyage of the Mignonette and the Strange Legal Proceedings to Which It Gave Rise by A.W. Brian Simpson recounts how in 1884, Captain Thomas Dudley and two crewmen were rescued from a lifeboat after the wreck of the yacht Mignonette, which they’d been crewing for a trip to Australia. Recounting their ordeal, they freely admitted they’d engaged in “the custom of the sea,” killing and eating the fourth member of the crew. They had no reason to think this would be a problem for them; as Simpson shows, it happened a lot in the 19th century and the British simply shrugged — tough situation, tough choices, “doctrine of necessity” applies. And for much of the century, the British court system had little say in what happened at sea, though by 1884 that had changed some. The only real objection to the trio’s cannibalism was that according to some versions of their story (they retold it several times) they hadn’t drawn lots to pick the victim but had just killed the weakest link.
What was also changing was that the government was increasingly uncomfortable with a legal doctrine that said killing was okay if it was necessary. Having tried a few years earlier to make a case against cannibalism and failed (it bogged down in imperial bureaucracy) they decided this time they’d succeed. To the surprise of Dudley and his men, they were charged with murder and sort-of found guilty (the judge put his thumb heavily on the scale) so the case could then be kicked up high enough to get a definitive ruling. Everyone involved did this with the intention of getting the trio pardoned — the goal was to establish a principle, not to punish them for their actions — but there was less enthusiasm at higher levels of government. The men ended up serving six months, then went free.
Unlike, say, the book Honor Killing, this is surprisingly lacking in drama. Simpson is approaching this as a legal historian covering a landmark case, not as a true-crime writer. It is not, however, lacking in interest. The book covers the rise of recreational yachting in the 19th century, multiple earlier cases of cannibalism, legal theories as to when cannibalism was justified, land-based cannibalism cases (I learned more about American cannibal Alf Packer than I ever did before), the frequency of shipwrecks (I can see why the Titanic being unsinkable made it such a big deal) and the complexities of the British legal system. Obviously not for everyone but it fits my particular tastes in nerdy reading.
DC Comics continuity has been in disarray ever since the Crisis on Infinite Earths, or more precisely, the endless reboots that followed it. Back in the 1990s, Dan Jurgens tried stabilizing it with the Zero Hour crossover event but reboots kept happening, both system wide (Infinite Crisis, Flashpoint, Convergence) and individual (John Byrne had the Doom Patrol’s history erased so he could start them over from scratch). With THE NEW HISTORY OF THE DC UNIVERSE, Mark Waid and multiple illustrators are giving it another shot.
This gathers the various additions and retcons that have accumulated over the years and turns them into a single timeline. As many of them occurred in the last 15 years or so, and I haven’t been following comics closely (precisely because endless reboots make it hard to get attached to a character), this was interesting to see. Waid also has to account for the multiple reality resets since Infinite Crisis rebooted the post COIE world but explains that the disruptions have finally ceased and stability has been achieved. I’ll be delighted, but I’ll believe it when I see it.
This is obviously not something to read unless you’re seriously curious about this stuff; like Cannibalism and the Common Law this is a book giving you information, not drama. I was glad to have read it, though — and like I said, I hope this does set the stage for a DCU where continuity is no more tangled than it always is.
All rights to images remain with current holders. COIE cover by George Perez.




























