More than a decade ago, I listed Steve Englehart’s Captain America run as one of my top 10 favorite comics. It was an unpleasant shock when he left the book, Cap-creator Jack Kirby took over and proceeded to ignore everything Englehart had developed in favor of doing his own thing (for reasons explained here, Kirby wanted to ignore the rest of the Marvel Universe as much as possible). I’ve been following Alan Stewart’s recounting of the Kirby run and I can safely say I don’t like it any better than I did at the time. While I admire a lot of Kirby’s Silver Age and Fourth World work, at this point nothing he was doing impressed me (e.g., Devil Dinosaur).
Discussion on Alan’s blog got me to check out CAPTAIN AMERICA’S BICENTENNIAL BATTLES, one of the big treasury-edition books DC and Marvel were putting out back then — bigger size, bigger price, more profit per issue.
The story, such as it is, has the mystical Mr. Buda challenging Captain America about his belief in America, then sending him across time to experience it: the Chicago fire, a boxing bought with heavyweight legend John L. Sullivan, helping John Brown’s son protect a runaway slave, inspiring Betsy Ross in her design for the new flag she’s working on. There’s no plot, just a set of set pieces followed by an uninspired Why America Is Cool message. Like most of Kirby’s work after his return to Marvel, this had my wondering why people thought Kirby was such a genius.
I had more fun with ULTIMATE OZ UNIVERSE: The Lost Lands by Cullen Bunn and Mike Deodato. It’s the kick off of a new Oz series, adapting Land of Oz with Ozma of Oz to follow (I’m curious if they thought the ur-book was done too much, worried about flak from MGM which made the ’39 movie or what). It looks good —

— stays close enough to the story to satisfy me and the changes (adding a special ops Oz team working for Glinda, amping up Mombi’s powers) don’t annoy me. The exception is that I’d have preferred the Hungry Tiger and Cowardly Lion as animals rather than biped beast-men, and that in stripping Wogglebug of his personality as pompous academic, they’ve made him utterly blad. I’m also surprised given the reveal, that they don’t lean into the trans overtones. Still, a solid start.
Art by Kirby and Deodata, all rights to images remain with their owners.


















