If you know a man by his enemies … well, Mayor Mamdani is making the right ones

The ever vapid right-wing windbag Newt Gingrich, for instance, is shocked and appalled that Mamdani is asking New Yorkers to voluntarily keep their a.c. turned up high to conserve power. Other Republicans pile on.

Mamdani says he’s cool that as an immigrant, he can’t run for president. The New York Post claims he “weighs in on changing the Constitution.”

Sen. Tommy Tuberville wants Mamdani locked up in Gitmo. In the same spirit, Fox talking head Cheryl Casone pretends that Mamdani would have supported 9/11. Republican Rep. Randy Fine, anti-LGBTQ and anti-Muslim bigot, says Mamdani is a Muslim terrorist.

Israeli’s corrupt, ethnic-cleaning leader Benjamin Netanhayu unsurprisingly claims Mamdani criticizing him is anti-Semitic.

Mamdani continues to make good moves, too. Rejecting a city council-approved pay raise. Moving to eradicate piled trash bags on NYC sidewalks.

As I’ve said before, it shows how strongly rightward the Overton window extends that Mamdani is controversial — he’s a millstone around the whole Democratic Party for doing things like bringing food to food deserts. Meanwhile conservative Democrat and former senator Joe Manchin, whose opposition sunk a lot of legislation, was never considered a handicap. Now Manchin is launching a political group intended to push Democrats further to the right — okay, technically he says it’s to “bring our country and the people who are participating in politics today more towards the center” but I’ve yet to see any group like that focus on pushing MAGA into stances akin to 1950s Eisenhower Republicans. It’s always the Democrats who have to shift.

For an unrelated note, here’s LGM looking at why Kentucky Gov. Andy Beshear won’t and probably shouldn’t be replacing Mitch McConnell right now.

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A closer look at some cover art

I posted this 1955 Lu Kimmel cover back in June. It occurred to me last week that I had more to say about it.

First, of course, we have the Sex Sells aspect — just how much is the protagonist seeing? Then there’s his body language: obviously focused on her but clutching the satchel defensively (though the Amazon synopsis makes me think it’s a safety deposit box). She’s sending an invitation; he’s not sure it’s a good idea.

The cover copy gives it context. It tells us he’s a thief and a womanizer, not some innocent. That suggests to me he was walking out with his prize when he discovered he wasn’t alone in the house. Maybe not, but it does inject some added drama into the scene. I don’t see lines like that on covers any more but there’s something to be said for them.

We don’t know anything about the woman from the cover art. However any woman whose posing in front of a man like that qualifies as a bad girl by 1955 standards. Typically in a paperback thriller she’ll be part of the conflict — love vs money, wanting a woman he shouldn’t have, etc. I don’t have the urge to hunt for more information but if I saw it cheap in a used bookstore, I might pick it up.

All rights to image remain with current holder.

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Undead sexist cliche: being a misogynist jackhole is cool and edgy!

The point of the “undead sexist cliche” label is that sexist and misogynist beliefs shamble on, refusing to die no matter how often they’re disproved. Case in point, the idea that being a dick to women — or a dick, period — makes you cool.

Until I started this post, I didn’t realize how much I’ve already blogged about this. For example, idea that if you’re a genius, you’re entitled to be a jackhole (and many geniuses and great men were jackholes to their wives). And geniuses certainly shouldn’t suffer for something as minor as rape.

I also wrote about an economist defending his colleagues talking sexist smack about women: “There’s still hope for mankind when many of the posts written by a bunch of over-educated young social scientists illustrate a throwing off of the shackles of political correctness and reflect mundane concerns that more normal human beings share: prestige, sex, money, landing a job, sex, professional misconduct, gossip, sex. …” Dude, I stand by what I said then: “Just because academics are told they shouldn’t be sexist pigs, that doesn’t make being a sexist pig an act of rebellion. Being a sexist pig is just … being a sexist pig.”

As Andi Zeisler put it during Brett Kavanaugh’s confirmation hearings, 1980s pop culture was all about the glories of being a sexist pig, “modeled, with varying degrees of malice, the notion that good, clean teen-boy fun isn’t just about objectifying women. It’s also about laughing at them and mortifying them in a sacrifice to the larger cause of male bonding and group identity … So many of us either knew that girl or were that girl, which makes me consider that perhaps Kavanaugh is telling the truth when he professes not to recall these alleged incidents. In the rarefied milieu of elite prep schools and Ivy League colleges that nurtured him, jokes like these wouldn’t have been shocking or even particularly remarkable. They were the unacknowledged collateral damage of male bonding, blithely enacted on young women who didn’t have the luxury to forget about it.”

As a regular movie watcher back then, I can say Zeisler is absolutely right about how spying on naked girls or putting them in their place was a common theme in pop culture. At Atomic Junk Shop, the late Greg Hatcher makes the same point (I’ve linked to his column before, I know). Writing now, it strikes me it’s simultaneously treated as good, clean fun and as edgy rebellion. Rape apologist Camille Paglia, for instance, once wrote that “feminism with its solemn Carrie Nation repressiveness cannot see what is for men the eroticism or fun element in rape, especially the wild, infectious delirium of gang rape.” Of course feminists do grasp that men find rape fun and erotic — they just don’t think that’s an excuse, or that rape is any less of a brutal crime because the rapist enjoys it.

As I wrote back in December, “there’s nothing edgy or daring about supporting patriarchy or defending rape — it’s evil, but it’s trite evil. The New York Times spent far more column inches discussing men’s fears of #metoo ruining their lives. than what it was like for women to face less harassment.” Our culture gives rapists a free pass and judges frequently do too. Feminists are not running the show; they are the insurgency rebelling against the system. Just consider that anti-feminist hacks such as Katie Roiphe can get articles in major media complaining that if feminists stamp out sexual harassment, office life will be drab and beige: “Maybe it’s better to live and work with colorful or inappropriate comments, with irreverence, wildness, incorrectness, ease. Is the anodyne drone typing away in her silent cubicle free from the risk of comment on her clothes, the terror of a joke, the unsettlement of an unwanted or even a wanted sexual advance, truly our ideal?”” A woman who won’t accept Mr. Creepy’s comments on her boobs is setting herself up for heartbreak! Why can’t she see Camille Paglia was right and enjoy the “wild, infectious delirium of guys ignoring her boundaries!

Recently we had bro-type leftwingers gushing about Graham Platner and how his adultery and edgy drunken behavior made him edgy and authentic — not one of those “smoothgroin” guys who never put a sexual foot wrong (even after the rape allegations, some pundits are outraged his authentic working-class campaign crashed and burned). Other leftwingers think Democrats appealing to the manosphere appeals to the working class which is the key to winning elections — never mind that lots of the working class are female. And that women are the bedrock of the Democratic vote; somehow consultant, centrists and left-wing bros never consider appealing to the female side of the electorate important.

Showing again the undead nature of this bullshit, a year ago, the NYT offered an explanation why Dems were losing young men: they avoid saying things like “retard” or “faggot” which means they’re not authentic! “If there’s one issue that unites the bro-casters — beyond the need to find three hours of content — it’s a disdain for wokeness.”

Being woke and not calling people slurs is, apparently not authentic, just like Platner wouldn’t have been authentic if he’d been a faithful husband. “Modern bro-caster culture emerged in part as a response to the enforced sensitivity of #MeToo and Black Lives Matter, which left many young men feeling vilified for their purported privilege.” Criticizing the bro-casters validates their stance as spokespeople for the oppressed! Erik Loomis, despite being liberal, grumbles that the right-wingers are indeed “cool and funny and hip” so maybe the way to beat them is not fuss about language and not worry about offending people (though he’s also argued that offending people who buy into traditional gender stereotypes is a mistake and we should meet them “where they’re at”).

In another post on Platner, I pointed out how very gendered this idea of authenticity is. A woman who ran wild like Platner wouldn’t have a shot at the senate; woman aren’t supposed to have wild sides. When women call out men for being rapists or rape apologists, that’s not seen as daring, edgy or challenging the status quo, even though they are. No, when they do it it’s “enforced sensitivity.” Nor do they get any plaudits for being willing to offend men by speaking out. Edginess, in this worldview, is something only men get to do. When women do it, it’s a variation on Margaret Atwood’s old line: women’s greatest fear is that men will kill or rape them, men’s greatest fear is that women will criticize them. And a large party of our society accepts that as normal.

For more on misogyny and how stupid it is, pick up a copy of Undead Sexist Cliches. Cover by Kemp Ward, all rights to image are mine.

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Cranes, cannabalism and fictitious history: books read

SIX CRIMSON CRANES by Elizabeth Lim is a Y/A whose protagonist, Shiori, is princess in a fantasy analog of China. Magic is banned so it’s a shock for Shiori to realize not only does she have powers — she’s able to bring a paper bird to life as her sidekick — but so does her stepmother. And those powers may be why Shiori and her six brothers all love stepmommy so much …

Stepmother is, of course, not happy with these discoveries and takes steps: turning the brothers into cranes, exiling Shiori and putting an added curse on her, that if she speaks her brothers will die. Now the princess has to find her brothers, find a cure, break the curse on her and settle with her stepmother.

Although one big reveal was obvious from the first chapter, this worked for me. However the characters come off awfully contemporary — make Shiori and her brothers rich kids from Beverly Hills and it wouldn’t change much. Still, I’m up for reading more in the series eventually.

CANNIBALISM AND THE COMMON LAW: The Story of the Tragic Last Voyage of the Mignonette and the Strange Legal Proceedings to Which It Gave Rise by A.W. Brian Simpson recounts how in 1884, Captain Thomas Dudley and two crewmen were rescued from a lifeboat after the wreck of the yacht Mignonette, which they’d been crewing for a trip to Australia. Recounting their ordeal, they freely admitted they’d engaged in “the custom of the sea,” killing and eating the fourth member of the crew. They had no reason to think this would be a problem for them; as Simpson shows, it happened a lot in the 19th century and the British simply shrugged — tough situation, tough choices, “doctrine of necessity” applies. And for much of the century, the British court system had little say in what happened at sea, though by 1884 that had changed some. The only real objection to the trio’s cannibalism was that according to some versions of their story (they retold it several times) they hadn’t drawn lots to pick the victim but had just killed the weakest link.

What was also changing was that the government was increasingly uncomfortable with a legal doctrine that said killing was okay if it was necessary. Having tried a few years earlier to make a case against cannibalism and failed (it bogged down in imperial bureaucracy) they decided this time they’d succeed. To the surprise of Dudley and his men, they were charged with murder and sort-of found guilty (the judge put his thumb heavily on the scale) so the case could then be kicked up high enough to get a definitive ruling. Everyone involved did this with the intention of getting the trio pardoned — the goal was to establish a principle, not to punish them for their actions — but there was less enthusiasm at higher levels of government. The men ended up serving six months, then went free.

Unlike, say, the book Honor Killing, this is surprisingly lacking in drama. Simpson is approaching this as a legal historian covering a landmark case, not as a true-crime writer. It is not, however, lacking in interest. The book covers the rise of recreational yachting in the 19th century, multiple earlier cases of cannibalism, legal theories as to when cannibalism was justified, land-based cannibalism cases (I learned more about American cannibal Alf Packer than I ever did before), the frequency of shipwrecks (I can see why the Titanic being unsinkable made it such a big deal) and the complexities of the British legal system. Obviously not for everyone but it fits my particular tastes in nerdy reading.

DC Comics continuity has been in disarray ever since the Crisis on Infinite Earths, or more precisely, the endless reboots that followed it. Back in the 1990s, Dan Jurgens tried stabilizing it with the Zero Hour crossover event but reboots kept happening, both system wide (Infinite Crisis, Flashpoint, Convergence) and individual (John Byrne had the Doom Patrol’s history erased so he could start them over from scratch). With THE NEW HISTORY OF THE DC UNIVERSE, Mark Waid and multiple illustrators are giving it another shot.

This gathers the various additions and retcons that have accumulated over the years and turns them into a single timeline. As many of them occurred in the last 15 years or so, and I haven’t been following comics closely (precisely because endless reboots make it hard to get attached to a character), this was interesting to see. Waid also has to account for the multiple reality resets since Infinite Crisis rebooted the post COIE world but explains that the disruptions have finally ceased and stability has been achieved. I’ll be delighted, but I’ll believe it when I see it.

This is obviously not something to read unless you’re seriously curious about this stuff; like Cannibalism and the Common Law this is a book giving you information, not drama. I was glad to have read it, though — and like I said, I hope this does set the stage for a DCU where continuity is no more tangled than it always is.

All rights to images remain with current holders. COIE cover by George Perez.

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From Japan, a horror and a haunting

It took a few months but I finally watched the second and third movies in that set of horror films from Shochiku Studios

GOKE, BODYSNATCHER FROM HELL (1968) is one I’ve seen before but it rewatches well. A Japanese passenger jet crashes down in the wilderness with the typical mix of Airplane Drama characters on board: a corrupt politician and the man who bribed him, a bitter wife caught between both men, an American widow PTSDed about her husband’s death in ‘nam and both a professional assassin and a mad bomber.

As if that wasn’t enough, the eponymous alien oozes out of its flying saucer and takes over one of the group. He’s the advance guard for an invasion though killing them seems to be purely for kicks — it’s not like they represent a vital front in the struggle. The best of this set so far. “Ever since the atomic bomb was dropped on Hiroshima, flying saucer sightings have increased dramatically.”


THE LIVING SKELETON (1968) is a less successful mashup of revenge thriller and ghost story, probably the weakest of the set (we’ll see after I get to movie #4). In the opening, a ruthless gang of pirates gun down the passengers and crew of a cruise boat. In the present, the traumatized twin sister of one of the victims tells her priest that she’s seen her sister’s ghost — and soon that spirit seems to be hunting and haunting her killers. But is that what’s really going on? This took way too long to engage me and some of the key plot points made no sense once I knew what was going on. “I remember you loved to quote Proverbs 1.”

Returning to America, I, MADMAN (1989) has a sexy bookstore clerk and horror buff become convinced the deranged scarface from the 1950s novel she’s currently engrossed in is hacking up everyone around her. That’s bad enough, but the culmination of his literary rampage will be cutting out her heart to wear around his neck … There’s potential in the idea but the execution is lacking — and, again, I don’t think the explanation for what’s going on holds together. “I’m more likely to find a gorgeous guy in a bookstore than a smart man in a singles bar.”

All rights to images remain with current holders.

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Cats and cons, bathrooms and battle plans

A week ago, I drove to Greensboro for ConGregate 2026. Up until this year, the con’s been held in Winston-Salem, but they had issues with the hotel and had to relocate. This worked out well for me as Greensboro is only an hour away.

The worst thing about the hotel is that it’s on the airport, several miles from anywhere else to eat. Not for the first time, I relied on the breakfast buffet to feed me for the entire day. And the collapsible kettle TYG bought me took care of my tea needs. The best thing is that the author alley, where I set up my table above, runs right outside the meeting spaces so everyone has to pass us by.

Did that boost sales? Not massively. However attendance seemed smaller than ConGregate 2025 — I can’t swear to it — but I made roughly as much money. That’s cool. And all the panels and readings had audiences that outnnumbered the panelists. That doesn’t always happen.

The patterns in sales always fascinate me. No sales on Atoms for Peace or Sex for Dinner, Death for Breakfast (that’s usually a consistent seller), one or two of most of my other books, seven of Questionable Minds. Which as it’s the one I most want to sell right now, suited me fine. One seller bought purely because of the cover, which is cool (thanks Sam Collins!).

Finally home, where I cooked a Thank You meal for TYG for having to care for all the pets while I was gone. Happily we’ve introduced Plush Dudley to canned chicken and for the moment he’s willing to scarf down his drugs if they’re mashed up into it. Fingers crossed that lasts until after TYG does some traveling in a couple of weeks, leaving me alone.

As I’ve been saying lately, no battle plan survives first contact with the enemy. Last week I took into account that we’d be having contractors trooping in and out to work on the master bathroom. This week we had that to deal with — finished today, at last! — plus we had to take Wisp in to have a couple of problem teeth removed.

This was a challenge. Catching and caging Wisp is always a challenge. Happily for once we got good news: when the dental vet took an X-ray look at the teeth, it doesn’t require removal. No surgery, check back in six months. We’re happy she doesn’t have to be cut on, particularly as removing bottom teeth can have bad effects on the jaw.

And on Wednesday, my physical therapist said my knee has improved enough I don’t have to book another appointment unless/until I need one. She did great, but I’m happy not to take the time. Especially as I screwed up the time and had to go, come home, go back, return.

Somewhat less happily, my glasses broke today — the right-hand screw holding the frame around that lens just snapped. I tried taping it up; didn’t work. Fortunately I have a backup pair and my eyesight hasn’t changed enough for them to be a problem. I will look for a repair place. Annoying but not catastrophiic.

Now, as to writing, my original battle plan had been to focus on Savage Adventures, like I did last week. It’s at the proofing stage and that adapts better than fiction to constant interruptions. Monday that went well. I rewrote some of the text, trimming quite a bit of it, and corrected some errors that had crept in. After Monday, though, things got nuts.

One thing I’ve started doing is taking little tasks and errands — submitting pet bills to the insurer, for instance — first thing in the morning. Gets them out of the way and I don’t have to worry about when to fit them in later in the day. However it’s very easy for them to expand and take up too much time. I’ll have to be careful going forward. This week, I was not.

Plus I had an unexpected experience with The Local Reporter. When I contact someone for an interview I don’t always get a prompt response, or any response (I suspect that’s partly because we’re not the paper of record for Chapel Hill/Carrboro the way the Destin Log was for Destin). I’m working on an article about the effect of the ongoing drought and this time everyone I contacted called me back. I spent much of Wednesday doing interviews.

Thursday I worked on proofing stories for Become the Sky, the sequel anthology to Ceaseless Way. As it’s a collaborative project we all have stories to proof. I have three: Maggie Maxwell’s “The Survivalist’s Guide to Faeryland,” Ada Milenkovic Brown’s “The Nixie of Alken Bog” and Kat Traylor’s “Surviving Dr. Bloodflask.” I got the first two finished Thursday.

So it’s actually a productive week, just not the stuff I planned to produce. Which isn’t the worst way for the battle plan to go off the rails.

Oh, and my editors at McFarland contacted me with some detailed editing questions about various passages in Watching Jekyll and Hyde. That’s pleasing — it shows they’re paying attention to the details. Not that I’d expect less, but it’s still good to see.

Over at Atomic Junk Shop I looked at Flash #209 as a harbinger of the Bronze Age. It had Cary Bates take over as Flash’s writer, a gig he’d hold all the way until the Crisis on Infinite Earths killed Barry off. It also showed that after a couple of years of avoiding super-villains, DC was bringing them back. I was delighted.

All rights to cover images remain with current holders. Southern Discomfort cover by Sam Collins, Ceaseless Way by GetCovers based on design by Arden Brooks, Flash cover by Dick Giordanoo.

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Filed under Nonfiction, Personal, Short Stories, Southern Discomfort, Time management and goals, Writing

Whose shoes?

Seen on the American Tobacco Trail a couple of weeks back.

Who left them there? Did they leave them as a freebie for anyone who needs shoes? Did they switch them for running shoes? If so, why not put them into a backpack instead?

None of us will ever know.

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Rape needs to stop

Rape is a crime against democracy in the most immediate sense of equality between individuals and the premise that we’re all endowed with certain inalienable rights. Most rapists operate on the premise that they can not only overpower the victim physically, but can do so socially and legally. They count on a system that discounts the voices of victims and only too often cooperates in silencing them, through shame, intimidation, threats, discrediting, the obscene legal instrument known as a nondisclosure agreement and a system too often run by men for men at the expense of women and children. That is to say, rapists count on getting away with it because of a system that hands them power and steals it from their victims. They count on a silencing system. On profound inequality.” — Rebecca Solnit in 2025.

Which leads me to Frederick Douglass discussing the Founding Fathers: “They believed in order; but not in the order of tyranny. With them, nothing was ‘settled; that was not right. With them, justice, liberty and humanity were ‘final;’ not slavery and oppression.” Though they were as blind to women’s rights as they were to the rights of slavery, the principles the Founders embraced should nevertheless apply to all. Justice, liberty and humanity are final; not slavery, oppression and rape. We need to end rape.

Given how widely spread rape culture is in our society, that won’t be easy. Hell, Jesse Watters of Fox News thinks it’s hilarious to imagine American soldiers getting testosterone treatments running around committing rape. The misogynist Tate brothers have a massive fan base including the White House yet they’re allegedly (not that I doubt it) monsters: “The unsealed complaint against Tristan Tate alleged that he regularly choked, beat and raped a woman with whom he was in a romantic relationship in 2012 and 2013. She told authorities that he regularly choked her to unconsciousness, gave her a black eye and whipped her with a belt on multiple occasions, causing welts and bruises, the complaint said.” As I’ve said before, too many people swallow the idea the Tates are edgy and cool. (Here’s a discussion of the legal aspects).

As I wrote a couple of weeks back, I’ve no idea how to end rape but putting forward the proposal is the first step. Even with a time-frame — reduce rape 10 percent a year for 10 years, say — it’s a tall order. It will be taller than it should be because many people who have raped and gotten away with it, or enjoy the thought that they could if they chose, would scream bloody outrage. So would those who believe that punishing men for attacking women is fundamentally wrong. Celeste Davis: “Masculinity is not in crisis because the definition has changed. It is in crisis because it is currently predicated on being ranked above women and femininity in an increasingly gender equal world.” Not being able to rape women is a sign we’ve taken another step towards equality.

And, of course, even good political aims get derailed by politics and cronyism. North Carolina provides millions in grant money to agencies helping human-trafficking victims. In 2021, the Republicans transferred control of the money to a GOP-dominated branch of the government, despite protests from its employees they couldn’t manage that many grants. They couldn’t, and victims paid the price.

There are already men on the right dedicated to rolling back gender equality, like pastor Joel Webbon: “So long as we have democracy coupled with universal suffrage, you’ll constantly be going against the grain. You’ll constantly have half of the population voting for temperance, tolerance, suicidal empathy.  I don’t think you’re going to get people to vote away democracy. It has to be taken. I think that men, virtuous, ambitious, masculine men have to climb the ladder of power and forcefully take away from the people that which is their detriment.” Did I mention he wants the death penalty for women who make false rape charges? I’m sure he’d be fine if that resulted in even fewer rape victims speaking up. He’s one of many (though much as I despise the religious right, there are plenty of rapists and rape-apologists outside it).

When the rape apologists speak out, the media will treat their arguments seriously. “Critics says president’s call to end rape is really an attack on masculinity.” “Plan to end rape will offend believers in traditional gender roles, centrist Dems say.” Etc., etc. So we’d need to be ready with answers, and thoughts on how to deal with a media that, like much of our society, defaults to male dominance as normal. In the meantime, a couple of quotes:

“What many of us can do is try to construct a world in which survivors matter & concrete boundaries regarding abusers exist.” — from a Bluesky thread by Mo Ryan

“No abuser sustains a career of abuse alone. At every stage, they have people willing to give them second, third, 30th chance while the survivors keep being unable to pay their bills. those are also choices, and you don’t get to be automatically loved for them. Who gets all the chances speaks volumes” — Mo Ryan again. “Compassion without accountability is a form of enabling”

““How dare you consistently ask that political candidates have the kind of judgment & maturity that the average high school social studies teacher possesses?? Why are you being so mean to this smol bean white guy who displayed awful judgment many times over the years, including right now???? Ughh!!” — another thread by Ryan, on Graham Platner. “When the bar is set below hell, and somebody still doesn’t clear it, yes, of course, the people pointing that out are the problem, absolutely, makes sense.”

“A Texas man is facing federal charges after prosecutors say he created and distributed AI-generated pornographic images depicting women – including celebrities, public figures, and people he personally knew. Federal investigators accuse Arturo Hernandez of Bedias, Texas, of publishing more than 100 online albums containing explicit AI-generated content over more than a year. According to court records, the images allegedly portrayed victims performing sexual acts without their consent.” If he’s guilty, I hope he goes up for a long time.

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Our street by night

Where the trash cans stand as lonely sentinels against evil.

Where the streets loom against the sky.

Those last two shots were darker IRL but the camera tech brights then. For the next few, from a night when the power was out, TYG showed me a workaround.

And here’s one from 2020 I think came out very well.

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J. D. Vance does not want a godly America

J.D. Vance, told the Christian Post that the separation of church and state is Satanic. He’s full of it.

First off, I don’t believe a word Vance says, ever. He’s a soulless ladder-climber who’s made deliberate choices who to sell out to on every rung. To the extent he has sincere beliefs about the United States, they’re repellent. And this is no exception. According to the Christian Post article, “Vance called for ‘a more fully Christian politics,’ one that refuses to treat ‘economic growth’ as an idol, or to dismiss Catholic social teaching as merely ‘spiritual stuff’ with no input on how a nation should be run.”

“Christian politics” is as much gibberish as Mike Johnson declaring all you need to know is that he has a “Biblical worldview.” There is no one Christian politics or worldview. As Mark Noll has written, the Civil War, some Christians believed slavery was a compact with Hell; other Christians believed American chattel slavery was divinely ordained. Many civil rights marchers believed ending Jim Crow was God’s will; many segregationists believed Jim Crow was the will of god. Evangelical Christians in the 1970s were pro-choice; then in the 1980s they swung to “abortion is murder.”

I don’t think there’s any question that slavery and racism are evil; as Huck Finn said, if God wants black America in chains, our duty is to liberate the slaves and go to hell. And I think simple human decency is all that takes to figure that out. As a Christian I don’t dismiss the Bible as a guide; however if Protestants pre-Civil War could not reach a common agreement on what the Bible says about slavery, it’s not a clear, unambiguous guide. We can’t just look up answers like it was a search engine for heaven. And we are, after all, fallible mortals, as are our spiritual leaders. Even if the Bible is inerrant (I do not believe it is), we can’t assume our interpretation of it is.

All that said, I don’t believe for a minute that Vance wants “Christian politics” in the sense that all Christians should have the same right to influence the government. He wants a Christianity that supports his politics, which at the moment are authoritarian, anti-immigrant, and misogynist (I’m quite sure that if it was in his self-interest, he’d switch gears). Lots of Christians, including the Pope, are pro-immigrant; Vance is so anti-immigrant he bore false witness against legal Haitian immigrants, lying they were stealing and eating cats and dogs. There are Christians who are pro-gay and feminist; Vance is neither.

Our religion can support or influence our political positions. If, however, the only argument for our position is “God wants it,” that’s when church-state separation kicks in. Because some other Christian believes God wants the exact opposite, guaranteed.

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