Even though I was dead broke in the early 1980s, I was still buying comics. Mostly DC, though; even though Marvel’s Epic line of creator-owned books looked interesting, it was more expensive and well, Marvel. Perhaps the most interesting was Jim Starlin’s Dreadstar — a science fiction comic written and drawn by the same guy who did such amazing things with Adam Warlock? Had I had the money … Recently I discovered THE DREADSTAR OMNIBUS Volume 1 was available via the Hoopla library service and I decided to see what I’d missed.
The opening arc, Metamorphosis Odyssey is quite a ride. Akhnaton of the ancient, wise Osirosians, realizes the relentlessly warlike Zygoteans will inevitably conquer the galaxy, subjugating every other race to slavery and then death. To prevent that he gathers a team of unlikely heroes to obtain the Infinity Horn, the one device that can avert the doom. And it does, though the solution is … drastic.
A million years later, Akhnaton and his ally Vanth Dreadstar, wielder of a powerful mystic sword, arrive in another galaxy. After Akhnaton’s death, Vanth settles down to peaceful married life …until his new homeworld is caught in the long war between the Monarchy and the Instrumentality (a religion as ruthless as the Magus’ Church of Universal Truth in Warlock). Vanth was ready to quit but they dragged him back in … and now he and his new team are out to end the war and avenge his wife’s death.
A post on Tom Brevoort’s blog said the transition from the initial story to the Dreadstar series felt like the transition of Marvel from the unconventional era of Starlin’s Warlock and Captain Marvel to the Jim Shooter era when editorial control was far more rigid. Metamorphosis Odyssey is wild; the subsequent series much less so. It has none of the visionary cosmic quality of Warlock and the adventures could as easily have happened to the Starjammers, the Omega Men or other comic-book SF teams (the Instrumentality and the Papal High Lord could likewise be Palpatine and the Empire). Which wouldn’t bother me if I liked the adventures better — though Starlin’s art remains solidly entertaining.
I wouldn’t have bothered with DREADSTAR OMNIBUS Volume 2 except the first volume ended on a cliffhanger. Three or four issues in, I gave up on it. It felt even more conventional with the new adversaries Infra-Red and Ultra-Violet, Dreadstar getting a new costume and Vanth undergoing a transformation similar to how the cosmic entity Eon reinvented Captain Marvel during Starlin’s run on him. Still, I’m glad to have satisfied my curiosity about this series.
DC FINEST: Superman — Kryptonite Nevermore proved a fortuitous find for my Silver Age reread over at Atomic Junk Shop. While the 1971 story arc that starts with Superman #233 is on the DC app, the Action Comics stories from the same period are not. Like the DC Finest Legion of Superheroes collection, this fills a gap as the Silver Age transitions into Bronze.
The Superman story arc starts when a freak nuclear accident turns all kryptonite on Earth to iron. Suddenly Superman’s greatest weakness is gone! Not only that but Morgan Edge, the new owner of the Daily Planet, transfers Clark Kent from print to the cutting-edge world of TV reporting. Plus a mysterious flying figure, formed out of sand, begins showing up and slowly draining Superman’s powers away.
What’s going on? Well, it’s new editor Julius Schwartz and writer Denny O’Neil (Super-stalwart artist Curt Swan continues on the book) doing their best to give Kal a soft reboot (details here) away from the gimmicks of Silver Age super-editor Mort Weisinger. Over the course of 10 issues struggles to do his job while becoming weaker and weaker; even the help of Wonder Woman’s mystical mentor I Ching can’t seem to turn things around.
At the end of the story arc, the “Sand Superman” has left Earth for its home dimension carrying half of Superman’s powers with him. Kryptonite no longer allows ordinary thugs to take the Man of Might down; however he’s no longer the invincible figure he was before. While I’m not a fan of O’Neil’s writing he does put Superman through the wringer. However as soon as he left the book, Superman’s back to performing super-feats as if his power hadn’t dimmed at all. Of course, given he can fly inside the sun or shove the moon out of its orbit, it’s not like losing half his power would make him weak by most standards — I’m not sure how the heck you’d convey that (it does amuse me that Supergirl might have been stronger than he was at this point in time).
The Action run was under editor Murray Boltinoff with Curt Swan and primarily veteran DC writer Leo Dorfman. The stories don’t break the mold though the backups are interesting. After Supergirl got the leads lot in Adventure Comics, the Legion of Superheroes took over her backup in Action Comics for a while. Now most of the backups are various sort of “untold tales” about Superboy, Superman, Kandor, etc. Nothing staggering but they did add some novelty.
I’ll be discussing this era over at Atomic Junk Shop soon. Covers top to bottom by Jim Starlin (x2), Neal Adams and Curt Swan. All rights to images remain with current holders.

























