“Strengthen the female mind by enlarging it, and there will be an end to blind obedience; but, as blind obedience is ever sought for by power, tyrants and sensualists are in the right when they endeavour to keep women in the dark, because the former only want slaves, and the latter a play-thing.” That quote from Mary Wollstonecraft (from the Matriarchal Blessing substack) convinced me to read her VINDICATION OF THE RIGHTS OF WOMEN — but in hindsight I wish I’d looked for an annotated edition. She refutes authors I’ve never heard of and I often suspected that the two centuries since she wrote have altered enough word usage I may not be getting her meaning.
The gist of Wollstonecraft’s argument is that women are not shallow ninnies obsessed with fashion, incapable of deep thought and never accomplishing anything: this is, rather, what they are trained to be. They’re told their value is their looks, told their value hinges on landing a man, they’re discouraged from thinking, cut off from education — free the mind and the rest will follow. Her comparison point is the idle rich whom she sees as engaging in the same sort of frippery and shallowness. What happens to an uneducated woman if her husband dies and she has to care for the family? What will occupy her mind once she’s an empty nester? If a relationship is purely based on looks and sex, how long can it last?
This argument hasn’t aged — lots of people today would agree with Wollstonecraft about the effects of educating women but they’d think the effects are bad. However while it hit the late 1700s like a bomb, it’s not as radical today — at 300-plus pages I found it interesting but not compelling (though if I’d never read anything on this subject before …).
SHADOW OF THE GOLDEN CRANE by Chris Roberson and Michael Avon Oeming is a spotlight on BPRD agent Susan Xiang. As she investigates various cases (most notably involving a demon-possessed biker granny) she keeps getting visions of a Chines precursor to the BPRD, the Order of the Golden Crane. Each time she flashes back, she gets a clue to how to handle the monster of the issue and learns more about the society.
I like Susan and a series focusing on her should have been fun, but this was “meh.” Like several of these bounce-through-history Hellboyverse series, it doesn’t really build, it’s just four stories of Susan battling monsters, with the history stories. Can’t say I’d have missed it if it didn’t exist.
ARCANA ACADEMY: Book One by Elise Kova is a romantasy I picked up for this month’s Genre Book Club. It’s set in Oricalis, an oppressive kingdom where magic is channeled through the Tarot’s Minor Arcana and tightly controlled by the crown. All practitioners train in the eponymous school; practicing magic outside it will get you imprisoned or sent to the mines, where you’ll die fast extracting the minerals used for the magical card-inking (this reminded me of Diana Wynn Jones’ quip that in fantasy worlds, miners are always slaves).
Clara, the protagonist, was a rogue arcanist, imprisoned, but suddenly released by Kaelis, the sinister second son of the king. He passes her off as a lost heir to one of the great houses and his betrothed, part of a scheme to get her into the Academy and use her skills in his plan to remake the world. Clara soon finds he’s less of an ogre and more of a charmer than she thought, but can she trust him? Can his plan work? What about her missing, possibly dead sister?
The romance doesn’t play any bigger role here than in most fantasies; I’d have decided “romantasy” is purely marketing but the other members of the book club say otherwise. It’s definitely the weakest part — when they finally get physical (400 pages through a 500 page book) it feels like an absurdly rapid escalation rather than a slow build.
That said, I like the book. I love the idea of Tarot-based magic, the plot is complex, the characters are fun. I might have liked it better as a one-in-done rather than a series — the last 60-80 pages suddenly fling in so many twists, reveals and complications it felt rushed. Nevertheless I’ll pick up book two when the library gets it.
Covers by Oeming and Concorina, all rights remain with current holders.

















