Another pick from the Leonard Maltin book TYG got me last year — AURORA BOREALIS (2005) stars Joshua Jackson as Duncan, a Minneapolis twentysomething who’s stubbornly resisting adulting: he works dead end jobs, sticks with the same group of friends he’s always had, and lets life continue in much the same vein it has since he graduated high school.
As the movie starts, however, Duncan’s just lost his convenience store job. His brother is using Duncan’s apartment to bang women without his wife knowing (inspired, Duncan says, by the Jack Lemmon movie The Apartment). And now his beloved grandfather, Donald Sutherland, is suffering both Parkinson’s and the onset of dementia. Can Duncan get his shit together enough to help both grandpa and grandmother Louise Fletcher?
Things change when Duncan meets Kate (Juliette Lewis), his grandfather’s home healthcare worker, a free-spirited vagabond who never stays long in one place. Sparks fly, they become lovers and she begins nudging him to become more than he is — but will the lure of keeping everything the same make a difference?
While I’m not fond of coming of age/New Adult books, I can enjoy the tropes in a movie and this was a good one, well-acted and well-written. The special features reveal it was based on a stage play which explains why, despite the title, we never see the Northern lights. Curiously, everyone insists the closing scene is open-ended because we don’t know how Kate/Duncan will work out in the long run; as you can say that about most HEAs, I don’t find this striking. Still, thumbs up. “Do you realize you sound like Don King when you use big words?”
A friend of mine used to be a huge fan of THE CLOSER, a 2005 TNT series staring Kyra Sedgwick as Brenda Johnson, a former CIA interrogator turned head of a major-crimes unit in Los Angeles. As it turned up on Netflix recently, I gave the pilot a look; it’s solidly done but I don’t know I’ll bother to watch more.
Johnson’s team aren’t thrilled about having an outsider in charge, she has a messy personal life, and in this episode she’s facing a headscratcher: An unknown women has been found murdered in a prominent plastic surgeon’s office. The surgeon’s vanished. The victim’s fingerprints are all over his home while the surgeon’s are nowhere to be found. How does it make sense? Like I said, it’s a solid job, fitting into the subgenre of cops who have One Simple Trick for getting to the truth. The Mentalist and Lie To Me both have someone who can read people like a book; Psych has a guy who’s hyper-observant about everything, HPI has someone who’s hyper-observant and can match up what she sees with a storehouse of knowledge. Here, Johnson’s a genius interrogator; having figured out what’s going on, she calmly guides the killer to a confession.
The results are good and if I were more of a fan of cop shows I might keep up with it. If I had more time for TV (and lately I don’t seem to) I might try a couple more episodes. As neither of these is the case …
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