The Da Vinci Code sequel ANGELS AND DEMONS (2009) has David Langdon (Tom Hanks of course) recruited by the Vatican “despite your history of prying into church affairs,” when it appears the Illuminati have planted an anti-matter bomb to wipe out the Vatican during the conclave to pick a new pope (I’m inclined to suggest a double bill of this and Conclave for sheer incongruity). A set up like that should have led to pure, wild entertainment but Dan Brown is too busy teaching us esoteric details about the Vatican, Rome and the Illuminati to go with the flow (some of Michael Crichton’s talkier books have the same problem).
Plus, of course, the details are wrong. The real Illuminati were a branch of the Freemasons founded in 1776 in Bavaria, repressed by the state a few years later; here they’re a much older organization, a brotherhood of scientists driven underground by the Vatican’s persecution. Given the real Illuminati have been massively transformed in pop culture and political paranoia to something far more ominous, ignoring the reality (for that matter it doesn’t have much in common with the paranoid fantasy Illuminati) shouldn’t be a sticking point — but I don’t like the movie so I’m less forgiving than I might be. With Stellan Skarsgaard as a cop and Ewan McGregor as a priest. “Is it possible the Illuminati could have infiltrated the Swiss guard?”
Memory says I did like THE NET (1995) the first time I saw it, due my huge crush on Sandra Bullock; rewatching now, she can’t save such a slow, predictable thriller. Bullock plays Angela, a cybersecurity whiz who lives a high-tech, solitary lifestyle. Doesn’t hang out with her neighbors. Keeps her mother, who’s sliding into dementia, in a home (I’ve seen people deal with family members who have Alzheimer’s and I do not find Angela’s decision unreasonable). Her last serious relationship was with her married therapist, Dr. Alan Chapman (Dennis Miller). When she wants pizza — well, why go to a restaurant when you can order it online!
From Angela’s perspective it’s a good life … that comes crashing down when she unwittingly acquires the McGuffin, a software program that a sinister conspiracy definitely doesn’t want a security expert looking at. On vacation she meets Jack (Jeremy Bentham) who’s really into her … because he’s working for the conspiracy! This will come as a shock to no-one, except Angela. Bentham does a good job as a hit-man who might genuinely like Angela (or he might be lying) though not so much he won’t kill her. When he fails, the conspiracy goes to Plan B, rewriting Angela’s digital records so she’s now in police records as a petty crook and scam artist. An imposter takes Angela’s own identity, sells off her house, drains her bank accounts — and as she lives online, nobody knows it isn’t her.
It’s a shame I had to watch this without TYG, as she’d have some thoughts on the 1990s tech, like the crude avatars of Angela’s online friends in chat rooms. As a thriller, this is formulaic though I do find it interesting as a high-tech version of a concept — having your identity erased — that goes back much further (Twilight Zone: Person or Persons Unknown is one example). “She’s not running — she’s going in there to use a computer!
Finally got around to watching my brother in a production of SWEENEY TODD, the story of a barber transported (shipped overseas as a convict) for crimes he didn’t commit so that a lecherous judge could plays sexual predator to the barber’s wife. Now he’s back, out for revenge, but until he can get it, he winds up working in partnership with a local baker: he kills his customers, she bakes them into pies. My brother plays a rival barber who makes the mistake of blackmailing Mr. Todd.
The cannibalism dominates my memory of the show so I was surprised it doesn’t start until the show is half over. It shows Sondheim’s skill as a playwright that the drama of the first half kept me engaged, instead of waiting for the blood and gore to kick in. I’m inclined to suggest a double bill with Little Shop of Horrors as another story of a struggling business that gets involved in anthropophagy. “There’s a hole in the world like a great black pit/And it’s filled with people who are filled with shit.”
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