Iran: this is why character matters

Back during the W administration, a blogger (I forget whom) had a post up about the importance of character in our leaders. Not so much being a good or moral person, though that’s part of it, but that no matter how good someone’s policies are, they’ll inevitably faces challenges that aren’t matters of policy. How will they react?

FDR faced Pearl harbor. JFK had the Cuban Missile Crisis. Jimmy Carter had the Iranian embassy hostage-taking. W had 9/11. Kennedy handled his crisis well. FDR handled the military side well, but also greenlit sending Japanese Americans to concentration camps. W’s response to an attack by terrorists was to seize what looked like a golden opportunity and invade Iraq.

Dealing with self-inflicted wounds is another area. Clinton’s adultery, Reagan selling weapons to Iran, LBJ using a supposed Vietnamese attack as justification for sending in ground troops to Vietnam. Which brings us to our current situation vis a vis Iran.

Iran is entirely a self-inflicted wound. The Toddler in Chief made one of America’s stupidest foreign policy decisions because he thought crushing Iran would prove what a badass he was and couldn’t imagine any other outcome. And because it’s in Netanhay’s interest we attack (Netanhayu has been pushing for us to do it for years) and also Saudi Arabia. Because he’s a stupid man who assumes he can dominate every situation, we’re now in way over his head. The world’s most powerful military is losing to a much less powerful nation.

As I wrote in an earlier post, the Toddler can’t accept losing; when thwarted, he immediately tries throwing his wait around in a different stupid manner (no matter how much Karoline “Axis Sally Leavitt” lies about how well-read he is). So having previously insisted the Strait of Hormuz is unimportant and Europe should liberate it, the Toddler is now threatening to blow Iran to kingdom come if they don’t open it.

As Paul Krugman says, this is very bad — targeting civilian infrastructure is a war crime. Particularly when it’s a war we didn’t have to fight, one that’s more about the Toddler’s ego than our own country’s needs.

Then we have the utterly incompetent Secretary of War Pete Hegseth who pointedly held a Good Friday service at the Pentagon Chapel … Protestants only. As I’ve said before, this is why we have a First Amendment — because bigots will interpret “Christian nation” as meaning their brand of Christianity and no other. He’s also a misogynist and racist who we recently learned actively opposed promotion of qualified POC and women to higher rank. And wants personal loyalty from the officer corps.

Stay tuned for more bad news. I’m sure it’s on the way.

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Yep, it’s another Tuesday cover post

Another one where I don’t think either cover works.

This Stan Zuckerberg cover, for instance — I like the use of the reflecting mirror but the cop’s expression looks too dyspeptic at the sight of the woman.

Despite the swastikas, Julian Paul’s cover here looks more like shenanigans around a swimming pool than anything else.

All rights to images remain with current holders.

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No wonder women choose the bear

In a recent post on Matriarchal Blessing, Celeste Davis quotes from a French Q&A about the Dominique Pelicot case:

He said: « So, let me get this right. In the fairly small town of Mazan, Dominique Pélicot easily found 90+ men willing to rape his wife while she was drugged and unconscious. Hundreds more saw the messages on the forum and not one decided to tell the police about it. »

At that point, a lot of us were kind of bracing for either a dismissal of the facts, or some convoluted explanation for how those men were unique. But no. He continued:

« So, does that mean that in every town, every village in our country, there are just as many men willing to rape an unconscious woman? »

Lorraine de Foucher replied, « Yes. »

« But then that means that there are thousands, tens of thousands, maybe hundreds of thousands! » (You could hear at that point the wheels turning in his head).

« Yes », she nodded again.

« But… that’s abominable! It’s a catastrophe! It’s a national emergency! »

« …… Yes. It is. »

I would be delighted to say that’s a big pile of bollocks. It isn’t. Consider, as exhibit A, this CNN story about an online network of men who bond over drugging and raping their spouses. Absolutely horrifying — be wary if you have related triggers — not only in the act itself but in the way the men on the various sites reinforce each other’s behavior, advise on the choice of drugs, etc.

It’s another example of my point that 10 percent of men (or any group) are actively good, 10 percent evil and 80 percent can go either way (the percentages are guesstimates). Dominique Pelicot’s community might not have been rapists in the ordinary course of events; given an invite, they swung to evil. And even those men who didn’t act kept mum about it. Similarly, these online forums may push some men who might not have turned rapist otherwise — though that emphatically is not an excuse. If all it takes to get someone to rape their partners is a chat online and a desire to impress your new buddies …

Exhibit B, Rick Pidcock’s discussion of how photos of Epstein’s parties don’t include any adult women: “as soon as there was a table, food, hors d’oeuvres, a main course, some red wine on a table, the women disappeared.” Why? Publisher Anand Giridharadas at the same linke: ‘These are men who basically want a frictionless experience of the world. And they associate many different types of things with friction. Like a 40-year-old woman opposite you at dinner is the nightmare of these men because a 40-year-old woman with opinions, whose passport you don’t have in a locker, an actual grown woman with thoughts and opinions who can leave and come and go as she pleases and is free and is mature and has strength, these men were so terrified. They clearly organized themselves logistically to never be in the presence of such women. You do not see 43-year-old women in the Epstein Files.”

Giridharadas goes on to say it’s about creating a “power distance” between men and women: “For some very small number of men, that means pedophilia,” he said. “For a larger number of men, it means … only being comfortable at the table when it’s like a guy’s thing, that the women are kind of accessories, women are for fun time, women are for the pool, but not the dinner table because the dinner table is for conversation and conversation is two-way. And these guys don’t want to hear anything women have to say.” Or as he puts it on his substack, “Conversation has the problem of being two-way. Women and girls in this world were for receiving — for doing things to, not with.” (Celeste Davis sees this primarily as a matter of men being trained to shun anything feminine, including women).

The substack piece goes on to draw a line between Epstein’s circle and the power of money to eliminate friction in people’s lives. These men have the money and connections to get what they want without having to wait or go through the processes most of us do; indeed, being forced to play by the rules infuriates them. “I don’t believe it’s an accident that this promise of seamlessness, of a touch-point-free existence, of the removal of anything indifferent to one’s wishes, of the outer world rendered as an extension of the self — it simply cannot be an accident that sometimes, for perhaps a small subset of these men, this expectation goes beyond skipping the line at Newark, and beyond even having the 25-year-old girlfriend who is simply grateful to be kept around.”

Pidcock sees a similar connection with complementarian ministries: women are restricted to carefully limited roles and when the men on the ministry board sit around talking Serious Business, there are no women in the room. And women whose writing is platformed on complementarian websites “tend to focus on topics such as women’s roles in the home and in the church, homeschooling, body image, processing emotions, abortion, parenting and other concerns young complementarian wives and mothers might be interested in. It’s not nearly as common to find a woman focusing on atonement theology, the Trinity or many of the theology-rich themes the men write about.”

I also see a resemblance to something Kristin Kobes duMez wrote about (and I’ve linked to before), the nostalgia for traditional community that ignores many of those communities kept women behind the scenes in support roles.

Then there’s Lili Loofbourow’s piece on aging, petulant men from the Toddler’s first presidential term. Much like Giridharadas’ billionaires, “the only thing the Old Boy hates more than being told no is being questioned. He is both fussy and smug—think of Paul Manafort seething, arms crossed, as he stared at underling Rick Gates in court, or Sen. Lindsey Graham theatrically yelling “This is hell” about a hearing process his own party devised. The Old Boy is so essentially dishonest that his lies seem almost innocent. An Old Boy lies fluently and to your face, and he will explode in rage if you point this out to him not because you’re wrong (this is key) but because you don’t matter and neither does the truth; an Old Boy gets to say and do what he likes.” And what drives them to cross lines —sexual assault, corruption, Alex Acosta giving Epstein a sweetheart deal — isn’t just the money or sex but “the thrill of feeding appetites that can’t actually be satisfied, of gloating, of winning the game.” And the thrill fades, so on to the next transgression.

Patriarchy, wealth, entitlement, the desire never to be denied anything, including women’s bodies. It’s a vile mess.

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Two books that did not suit my needs at this present time

“Does not suit our needs at this present time” is the standard rejection phrase when markets don’t want to offer specific criticisms. Or when they don’t have a specific criticism. Frustrating though it is, there are occasions I have the same reaction to books I’ve read.

Illustrations are random shots of neighborhood plants.

THE DALLERGUT DREAM DEPARTMENT STORE by Korean author Miye Lee is a low-key fantasy about Penny, a woman who lands a job in the eponymous dream-selling business. She gets to know the other staffers, the dream creators, the market for dreams (I do like that people can come in buy dreams for pets, like giving an old sick dog a dream of their youth) … but that made too slight a tale to engage me. As it became a million-copy best seller in South Korea, I’m curious if it’s just me or there’s some essential Korean themes here I don’t pick up.

ROYAL GAMBIT by Daniel O’Malley is the fourth in a series set in a world where super-powered mutants have been cropping up in England for centuries (other nations too), though the root cause is supernatural rather than genetic. The Chequy is the British government agency that recruits/drafts the mutants as special agents to fight the renegade supernaturals and keep the true nature of reality hidden from the public.

This book opens with the death of the Prince of Wales by supernatural means (a stone pyramid materialized in his skull, reminding me of Doctor Satan). Was it an accidental manifestation of someone’s power? An assassination? Are more royals on the list? That’s a golden opportunity for Alix, whose power breaks bones with her touch; an aristocratic young woman, she moves in the right circles to become one of the new Princess of Wales’ ladies in waiting, putting her in a position to watch over the family and keep an eye out for the killer.

While I like O’Malley’s taste for giving the supernaturals bizarre abilities, this never caught fire for me; I finished, but only by skimming a lot of it. I’m not sure if it’s that urban fantasy isn’t my go-to genre, that this kind of authoritarian governmental body has been old hat since the X-Files or that the book focuses more on intrigues within the Chequy and the details of life in the royal world than the plot.

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Macbeth vs. Princess Ida in a clash of theatrical titans!

One of my Christmas presents from TYG was tickets to the local Playmakers’ production of Macbeth last month (she was right to buy in advance — they were packed). The story of an ambitious Scottish nobleman who learns from three witches that he could become king was superbly done: well-acted, great looking —

— and well-executed character arcs. Macbeth is initially traumatized by the outrages he’s committed, then rapidly becomes comfortable rationalizing his actions, even down to murdering his best friend Banquo; Lady Macbeth, meanwhile, suffers the reverse arc (her initial enthusiasm for regicide comes off rather two dimensional but she improved as she went along). Possibly the best production by the group that we’ve seen. “Bring forth men-children only, for thy undaunted mettle should compose nothing but males.”

PRINCESS IDA was the Durham Savoyards’ production for this year (this time TYG took me as my birthday gift), the story of how Ida, rather than honor her infant marriage pledge to Prince Hilarion (“I was twice her age — she was one, I was two.”), retreats from the world to found a school for women’s education. Hilarion, determined to win his bridge, sneaks in with his friends, disguised as women … but hilarity does not ensue, at least for me. This was based on an earlier play of Gilbert’s that was based on a Tennyson poem and therefore never gets into whimsical, absurd situations of the duo’s best work (though of course the Victorian audience may have found women’s education absurd enough). That said, the performers are good, the set is great and Sullivan’s music is exceptional, so I did enjoy it. Still, it’ll never be on a par with The Mikado or Patience. “I can tell a woman’s age in half a minute — and I do!”

All rights to images remain with current holders.

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March was a month that happened …

Despite Plushie’s fortnight of diarrhea, it was fairly productive. Of course, as I’ve mentioned before, that’s partly because of The Local Reporter switching to monthly so I didn’t have actual paying gigs distracting me. I’ll be back to work on it next week, prepping for the April issue.

I got close to 34,000 words rewritten on Let No Man Put Asunder, redrafted “Mage’s Masquerade” and “Oh, the Places You’ll Go” and proofed the first chunk of Savage Adventures. I applied for a couple of writing jobs (remote) and started checking various short fiction markets — no luck so far. And we made it through diarrhea and out the other side er, so to speak. And the multiple trips to tire places or our VW dealer.

Yes, it’s mostly Snowdrop photos today. I think he’s worth it.

This week was choppy, with enough errands Wednesday it was a struggle to get anything done. Still, overall satisfactory. I got another 3,500 words finished on Asunder (that was what I struggled to complete Wednesday). I reread “Oh the Places You’ll Go” and I think I’ve finally finished it. I’ll proof it later this month but I’m satisfied I’ve fixed everything I didn’t like (or my beta readers didn’t like). First story finished in a long while. I read “Mage’s Masquerade” to the writing group; the overall reaction was way favorable though with several slight changes. For example it comes off as if Sinclair is waaaay older than Cecily; while that’s not out of line for a Regency plot, it’s a sensitive enough subject I’m going to make it clear he’s maybe a decade her senior, nothing more.

Finding markets for two 7,000 word short stories will be a challenge. But I can always publish them in another collection of my work.

I got several thousand words of Savage Adventures proofed and polished and I started looking for a cover artist. No luck so far.

I also began editing my Hellboy Chronology. At first I was only going to update it to add one of the new Hellboy-verse TPBs. However I wound up converting it to blocks which threw the spacing and the whole look of the page out of whack. I’ve begun correcting for that, though I’m only up through the 1960s. Please be patient as I keep working. All the information is still good.

Over at Con-Tinual I talked about The Worlds of Andre Norton, Favorite Superhero Moments, the return of Superboy, now all available on FB at the links.

Week is almost over, as I’m stopping work early to cook something for TYG. Have a great weekend, y’all.

Cover by James Bama, all rights remain with current holder.

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Someone hacked my computer!

I caught him on camera.

This is a stuffed monster I acquired when Mom closed her play therapy practice. I call him Mr. Mononoke as I always thought he looked like a Miyazaki character. The hat and rabbit are from when I dressed up as the Mad Hatter for Halloween one year. They look better on him.

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I saw this coming in the Toddler President’s first term

If y’all think back, you remember the Toddler whining about Europe even then. NATO sucked. The European countries were leeches sucking money out of the US so they didn’t have to spend on their own defense. Maybe it was time the USA let NATO fend for itself, huh? Now, things have changed, and the Toddler is whining that Europe should save his ass, as I blogged about last month. He wasn’t prepared for Iran to close the Straits of Hormuz; now he’s suggesting that Europe should handle the easy-peasy task of getting ships through it.

What I thought when the rants against Europe began is that the Toddler has spent his life avoiding consequences for his actions. It’s no surprise he’d think there’d be no consequences this time, that if he needed Europe to help him of course they would. I doubted the situation would come up — what were the odds of another 9/11 — but it turns out he didn’t need one. He went ahead and launched a stupid, pointless war for no good reason. Sure enough, he’s been whining that Europe needs to fix this for him and he seems outraged whining hasn’t worked (it probably doesn’t help that he and Marco Rubio have demolished our diplomatic corps).

Why would our allies help? He considers them, much more than Russia, a threat to the world’s future as he envisions it — the threat of “transparency, accountability, civil rights, and the rule of law.” He’s threatened to attack Denmark for Greenland, openly levied tariffs on Europe because he feels slighted, bullies and threatens their leaders, says he might not support Europe if Russia attacks (hell, he won’t support America when Russia acts against us). If they did everything he wanted, he might then attack Greenland and levy more tariffs because loyalty is not his way. Hell, the Ukraine’s given him advice on dealing with drone warfare and the Toddler’s still thinking about diverting Ukraine aid to Iran.

It’s also true to the Toddler’s MO that he’s gotten away in the past by lying and demanding everyone pretend it’s true. Whether it was destroying Iran’s nuclear capability last week to declaring he’s already accomplished regime change, it’s worked for him in the US — but Iran’s not playing and there’s a good chance his lies will shatter when they hit reality (as detailed at the first link in the paragraph). Iran’s able to hurt us and he has no idea how to deal with it. Except his usual approach which is to keep spewing bullshit: he doesn’t care whether we negotiate with Iran or not, closing the Strait won’t hurt the US, if gas prices go up people know it’s for a good cause (and they may go way, way up), plus lies about how he negotiated with the Sharpie company to get $5 pens instead of Biden’s $1,000 pens.

I didn’t expect the war would go this badly. But then, the head of our military under the Toddler is Pete Hegseth, who “doesn’t like people who are competent at their jobs. He wants people who are into lethality and dumb shows of force, which is not a good thing in a 21st century military.”

In the meantime, the Republicans are making hay, using the war as an excuse to cut federal healthcare spending (just as military urgency suddenly justifies removing protection from endangered whales). They’ll still end up awash in red ink, as they did in the Toddler’s first term (and W’s presidency, and Reagans). The legend that Republicans are fiscally conservative refuses to die. The myth of the Toddler as a competent leader may be about to collapse, maybe. It’s a shame so many ordinary people will pay a price in the process.

The world too; flawed though America always was when it played the world’s policeman, we did some good. The Pax Americana, though, is dead: “The underwriter of this world order has now become a revisionist power, and some people would even say a disruptor. But the larger point is that the erosion of norms, processes, and institutions that underpinned a remarkable period of peace and prosperity; that foundation has gone.” We are now part of the Axis of Evil.

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April Fools!

A few covers showing the Joker, who undoubtedly loves April Fools’ Day. I doubt anyone wants to be on the end of his pranks though.

Neal Adams

Jerry Robinson from the Joker’s debut.

Here Dick Giordano shows us the Joker in his own book

And Randy Elliott for an issue of Batman Scooby-Doo Mysteries.

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When will this story finally start?

About 10 months ago, an agent doing a writing workshop told me the opening of Let No Man Put Asunder didn’t give any idea of the genre and I should fix that. As I said at the link, I don’t see that as a problem for stuff published through my Behold the Book imprint. Readers are going to see a cover image and read the back-cover copy so they won’t look at the first page and assume it’s a mainstream story about a kid who dropped out of college and now works in a greasy spoon.

The same for Southern Discomfort. It’s not got any magic on the first couple of pages, and no definite magic even through the first chapter. However readers will know when they pick it up or see the Amazon listing that it’s specfic, rather than a historical novel about a female fugitive.

Showing the magic up front won’t work in either case. The protagonists are ordinary people about to be sucked into the supernatural; until that point they have no reason to know magic exists (as Maria in Southern Discomfort protests very loudly at several points). In some stories you can have weird shit happening from the get-go even if the protagonist doesn’t know the reason; these two books are not that kind of story. Originally I started Southern Discomfort with the murder of Aubric McAlister, cluing the reader in to the basic premise of the book. Feedback convinced me that was too slow a start, without sufficient tension; Maria’s story’s got tension in spades.

It’s perfectly legit to start a fantasy novel with mundane scenes, provided their interesting. Much as I like the magical goings on in Pharisee County, I think Maria’s character arc is a stronger hook. The magic is essential to the story and becomes more so as things get crazier. Still, it’s more about ordinary people stuck in the middle of a magic war than the magic war itself.

Which brings me to the 1931 Dr. Jekyll and Mr. Hyde. After completing my viewing for Watching Jekyll and Hyde, I’ve come to appreciate even more how good this film is (though the abuse subplot is horrifying. Consider that your trigger warning).

In a 90-minute film, it takes us half an hour before Edward Hyde comes on stage. Several movies do that, introducing Jekyll, his fiancee/dream girl/wife and the nature of his research before getting to the transformation. A lot of them are boring with uninteresting, undramatic pre-Hyde scenes. They’re a long establishing shot that sets things up but accomplishes nothing else.

Not in this one, thanks to Rouben Mamoulian’s direction and Fredric March’s performance. We open with a Jekyll’s eye-view of his life — his elegant home, his devoted butler — and that unconventional viewpoint makes it way more interesting than it would be otherwise. Then we watch March’s Jekyll lecture to an astounded audience about his vision of splitting off our evil side so that we can enjoy lives of pure goodness. As I explain in my book there are huge flaws in this idea (what are the pure evil sides going to be doing?) but Mamoulian makes it visually fascinating. Then we cut to Jekyll’s charity clinic where his medical genius enables a girl on crutches to cast them aside and walk — a classic miracle as the ultimate proof of his goodness.

We shift to the Carew dinner party where Jekyll’s future father-in-law dresses him down for being late, then he and Muriel (Rose Hobard) snatch a quiet scene alone. March was best known at that point as a romantic lead; alternating between dreams of passion and whimsy he keeps the scene arresting (Hobard’s not a bad actor but her role doesn’t give her much to work with). The result? It’s a good movie even before Hyde enters.

I don’t know if I can create anything that intense in my opening. I’m certainly shooting for it.

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