Category Archives: Impossible Takes a Little Longer

Money for nothing and my books for free? It depends

So as I think I’ve already mentioned, I made my Smashwords short-story collection, Philosophy and Fairytales free as part of a promotion running through April 20. I’m quite happy that two people have already downloaded the book.I was much less happy to discover the Internet Archive had an ebook of Screen Enemies of the American Way available on its website for free reading. Camestros Felapton’s post alerted me that IA, in addition to storing old web pages, digitizes print books and lends them out, just like any other library — except, as Slate says, regular libraries don’t just digitize books under copyright and make them available (with exceptions such as services for the blind). Libraries actually pay for ebooks; IA doesn’t. So I asked the IA to take my book down (it appears to be the only one of mine up there) and they did. First time I’ve tackled a pirate site (and in my not-a-lawyer opinion, this does seem to be piracy) and it felt good.

My work on Leaf wrapped up Monday — one of their regular breaks in the work flow — which is good as Leaf articles seem to suffer from the distractions of TYG and pups in the current quarantine more than anything else I do. That’s probably because I try to keep to sharp deadlines writing them and there’s just enough distraction these days to slow them down. So maybe it’s simply more noticeable with Leaf than other work? But hopefully by the time they start up again, I’ll have a smoother process for the new normal.

I got plenty done this week. Two chapters of Impossible Takes a Little Longer. Final draft (subject to one more beta reader weighing in) of Death Is Like a Box of Chocolates. A good deal of work done on Undead Sexist Cliches. Finishing the second draft of Laughter in the Dark. And I participated in a Zoom-meeting of my Tuesday writer’s group. Damn, but it felt really good to see everyone’s faces.

As I woke up early this morning, I am now done. Bring on the weekend.

#SFWApro. Cover image by Lisa Wildman, all rights remain with current holders.

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Pandemics and productivity: my new normal

Happily, I recovered a lot of my regular rhythm this week. Exercise, meditation, juggling practice, cooking (baked bread last weekend). It feels good to have structure.

This is slightly complicated by having TYG at home. I spend a lot less time with the dogs, which frees up a little more concentration. However I can’t predict when she’ll need me to take Plushie because he’s acting up and distracting her, or when she’ll come down and eat lunch (again, I have to distract Plushie so he doesn’t just demand food). I have no problem with the request — she is, after all, watching them most of the day now — but it does make my schedule less predictable: I may end up feeding Plushie lunch early or walking him late or having to watch him when I was anticipating going outside. The first couple of days that really seemed to throw me off my game, but things have picked up since. I’m not sure if that means I’m adapting or that Trixie going to surgery and back was really pulling focus or that I was working on Leafs both days and they didn’t hook me the same way my own work does.

But I did make my Leaf quota, and I got some of my personal work done too:

•I finished the Undead Sexist Cliches chapter on sexual harassment. Two more chapters to go; I’m hoping to finish this draft next month.

•I tackled the big reveal of Impossible Takes a Little Longer which as I mentioned last week I had no idea how to pull off. When I actually sat down and started, however, it was obvious: the hell KC winds up trapped in is an emotional one, targeting her particular vulnerabilities (which have nothing to do with sex — I was determined not to have the villain rape her or reduce her to a sex slave). It worked, and segued neatly into the follow-up chapter. As it turns out, it no longer reveals who the villain is, but I may change that back again. I think he needs at least a little build-up before the climax or the reaction will be “Huh? When did he show up in the book?”

The Schloss and the Switchblade came back, which I expected. A story taking place at a con feels wildly unreal right now (of course that may not have been the issue); sure, everyone’s still gathering together on TV, but even so it seemed to scream “pre-social distancing.” So I rewrote it and set it in 2014; I think it actually works better, plus it avoids having to rewrite again the next time President Tiny-Brain does something that changes the world around us. I resubmitted it yesterday.

•I rewrote Laughter of the Dark, but didn’t finish it. It’s shaping up, but still a long way from usable.

•I attended a local writing meet up, Shut Up and Write, which I’ve been meaning to get to for months but never got around to. No, I didn’t break social distance, we did it on Zoom. My regular writing group will be doing the same with their next meeting.

•I posted on Atomic Junkshop about the enduring mystery of Teen Titans #32.

•And I’ve joined in a Smashwords promotion so Philosophy and Fairytales is free from Smashwords until April 20.

I’ll wrap up with a 1959 cover dealing with the pros and cons of self-isolation. Art by Curt Swan.

#SFWApro. All rights to image remain with current holder.

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And the Red Death shall hold dominion over all

Okay, not that bad. But COVID 19 did majorly disrupt my work week (which is, obviously, far from the worst thing about it. First world problems).

The big change was that TYG started working from home, which is great for her (more time to spend with Plushie) and fun for me, plus I get a bit more of a break from the dogs when she takes them upstairs. However it also changes the rhythm of the day — when she gets up, when the dogs come down for breakfast, when she or I walk them at lunch — and it throws me off. Sometimes I start work, then the dogs have breakfast a quarter-hour later and by the time they’re finished I’ve lost momentum.

It’s a fixable problem, but this week it threw me off. It was, after all, on top of the daylight savings time hour-ahead weekend, which always leaves me sleeping poorly and feeling a little groggy. And I’m way distracted by the pandemic we’re in. It was hard not to stop whatever I was doing and check FB every so often, or browse the news, or Tweet to President Tinybrain about how he’s being a coward and putting millions of Americans at risk. I did it even as I was typing this post.

So most of what I accomplished this week was Leaf. Actually more than my usual quota: they had so many interesting articles I wound up doing 14 rather than 10. I’ll cut back some next week to make up. I really dislike doing that — somehow I never recapture the time I wasn’t spending on my own projects — but then again, my mind was so fractured, I don’t know how much good I’d have done on my own stuff.

I did look over the story I hoped to redraft this month, now titled Laughter of the Dark. And I rewrote the next chapter of Impossible Takes a Little Longer, which went much easier than expected. I will be thrilled if the next chapter goes as well, as it’s a twist and a big reveal that I’ve been struggling with ever since I dropped the core of the original novel. I have no regrets about the change, but I am a little nervous that it won’t go well at all.

And that was pretty much it. I think I’ll do better next week. I may even skip working on the weekend, seeing as I’m not handling the dogs all day, and see if I can put in more hours Monday-Friday.

In the minor annoyance department, I tried renewing my prescriptions online today. Turns out that as our new health coverage has an entirely different mail-order pharmacy, all my prescriptions are effectively reset to zero. Fortunately I’ll be seeing my doctors before I need refills.

And now the weekend, when I shall endeavor to chill as much as possible.

#SFWApro.

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Clobbered by the cleaners

So while I was at Mysticon, TYG did something we’ve occasionally talked about: she hired a cleaning service to come in this week and clean the house. She made the appointment for Thursday when Plushie was in doggie day care, and that’s a good thing: Trixie getting excited I can handle (she’s only ten pounds, after all) but Plushie is 20 lbs and very forceful when stirred up.

They arrived around 10:30 and did a fantastic job. I clean regularly and I’m proud I keep the kitchen and bathrooms sanitary and the floors vacuumed. However they showed me how inadequate my work is compared to a real professional. As Sherlock Holmes says, true talent has to recognize genius, and I do. So we’ll be doing this monthly.

Unfortunately, it pretty much wiped out my Thursday afternoon. I’d planned to do some Leaf articles, but Trixie decided with all these STRANGERS in the house she was going to be very needy, so nothing got done. I wound up blogging, then just fiddling around. However I woke up this morning early and got one Leaf in so I’m only short one for the week. Insomnia is occasionally useful.

Beyond Leaf, what got done?

I got another chapter of Impossible Takes a Little Longer finished. After one more chapter of action, though, I’ll have to deal with one of the major changes to my previous draft’s plot. I’m really not sure how to pull it off or exactly what I’m going to do, but I’m hoping it just flows as smoothly as adding Stardian City to the story did. Fingers crossed.

I finished my first draft of an untitled story I’ve had sitting on my computer for a while (one of my goals for this year is to finish up a lot of those drafts). I think the core of the story is there, but it may be buried pretty deep. Still as long as it’s there, I’ll unearth it eventually.

I submitted three short stories. One came back the same day, which is good — I can send it out again — except for the coming back part. Some positive comments on it, an encouragement to try again, so I will. But that’s still not as good as a sale.

I got some work done on Undead Sexist Cliches and I began proofing the hard copy of Questionable Minds. As usual, lots of red pen marks in just the first two chapters. I’m going to have to take it slow and try reading a chapter or two a day so as not to overstrain my overtaxed voice.

And that’s on top of voting (looks like me voting Warren did not turn any tides) and going to the dentist Tuesday morning.

So while I’m tired and ready to call it a week, I don’t feel anywhere near as stressed as this guy. Art by James Meese.#SFWApro. All rights to image remain with current holder.

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Putting the pieces together

Like (I imagine) a lot of writers, I’m tossing around ideas in my head even when I’m not writing. Maybe more when I’m not writing, as I’m not required to focus on anything.

A lot of it is less plots or characters than just bits of things. Opening lines. Names. Ideas. Scenes unattached to a story (particularly climaxes. I love imagining dramatic climactic confrontations). I sometimes think they’ll just float around in limbo unattached because I’m very linear in my writing: I can’t start with a scene and then write the story that leads up to it. My mind just doesn’t work that way. Lately, though, I’ve noticed I’ve been able to use several them.

Death is Like a Box of Chocolates incorporates bits of several ideas floating around in my head. A story about a small-town reporter. A female lead with the first name Pershing. The idea of a thief stealing something off a baggage carousel that turns out to be supernatural — I’ve had that floating around in my head since before security cameras were everywhere, one reason I wound up setting the story in the 1980s.

Impossible Takes a Little Longer will, if it ends up the way I anticipate, use up a scene I’ve had floating in my head for a couple of decades, which I won’t spoil here. I didn’t start from that scene and work back, it just suddenly struck me how well it would work in the book.

I’ve done this occasionally with earlier stories. Not In Our Stars But In Ourselves, one of the stories in Atoms for Peace, used a name I’d had in my head, “Elegy” Walker, though very differently from my original concept. Maria, my protagonist from Southern Discomfort, drew on an earlier character in earlier drafts, an Italian-American living in a small Southern town. The difference is so marked, I may go back and reuse that earlier version somewhere else some day (ditto a supporting character, Megan O’Donnell, who got dropped entirely).

It feels really good when I get to use up one of these ideas. Really, really good, like an itch that’s been lying there, waiting for the scratching. I’ve got maybe two more climaxes I’d really, really like to put to use — let’s hope the trend continues and I can do it before too long.

#SFWApro. Cover art by Zakaria Nada, all rights remain with current holders.

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This week’s challenges: Sickness, snow and scheduling

The scheduling issue came up Sunday. I’ve been putting in three hours of writing on Sunday for a couple of months now as I get so wiped out at the end of the Monday-Friday work days. Three hours Sunday, I can stop earlier and give myself a little break before walking and feeding the dogs. But as my lunch breaks have been quite short this month — with Trixie’s leg, they aren’t getting long walks — so I figured I could skip Sunday, get my work done in the afternoons and still finish up before dinner walkies.

And I mostly did, but there much less of a break at the day’s end than I’d expected. Either Plush dog got a longer walk than usual or there was some other distraction I was dealing with on lunch hour. For example, Wisp demanding petting. Plus, I suspect the sickness that has me in its grip today was already dragging me down.Wisp, has by the way, been a constant companion on our short walks. I wish I could capture just snuggling with the dogs but Plushie sniffing her but is as close as I’ve managed so far.

Sickness has been a bigger problem. TYG caught a bug last week, probably by the usual transmission process of kids to parents, parents to coworkers, which means her. At first it didn’t seem like there’d be much of a problem, but the past couple of days I’ve had the inflammation and irritation in my throat I repeatedly get. I’m doing my best to stay relaxed not talk and talk all appropriate meds as I have some presentations to make at the end of next week (details will follow). I’d really, really like to be able to make them and losing my voice would make that impractical.

And of course, feeling sick does not do my writing any good. Today I just wiped out in the late morning, so I did this blog post and I’m calling it a day. Unless I revive in the afternoon; I’m not betting on it.

And then snow, of all things, descended on us (and the rest of Durham) yesterday. Given temperatures we thought it wouldn’t stick, but it has. Fortunately it looks like the roads are clear so we should be A-OK if we need to drive anywhere. And TYG picked up food Thursday morning, so that’s taken care of. As long as we take care walking the dogs, we should be fine.

Now as to work … I did my Leafs for the week, though in my depleted state they took much longer than they should have. I also drafted Impossible Takes a Little Longer up to Chapter 23, which was my goal for the month; I won’t have much time for fiction next week so that’s a win. I also worked on a first draft and got a big leap forward this morning when the bad guy finally emerged from my unconscious. I might have finished the draft today but … no. I might squeeze it in next week

I also tidied and footnoted the first section of Chapter Seven of Undead Sexist Cliches. It’s on sexual harassment so there’s no shortage of examples.

Wish me luck for a better next week. I have a lot I want to be in good health for.

#SFWApro. Photos are mine.

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Juggling, insomnia and a wendigo! Okay, I was kidding about the wendigo

Another rather disorderly but quite productive week. So that’s a win, I think. And my post title gives me an excuse to post one of Herb Trimpe’s Hulk covers, which is another win (Trimpe and Sal Buscema are very much “my” Hulk artists).

The disorder started around midnight Saturday when Trixie woke up, needing to go to the bathroom. I took her out, but an hour later she needed to go again. After that I just settled with her onto the couch downstairs. She was fine with that, but her constant quivering from her tummy upsets made it impossible to sleep. While I’m used to insomnia I’d had some bad nights earlier in the week and this one was just a bridge too far. I was so wiped out Saturday that everything I’d planned to do got either postponed to Sunday (planning some stuff, cleaning) or dropped (going to the movies). I wound up taking a nap that was close to three hours, which is way long for me.

On the plus side, Trixie’s tummy settled down and she went back to normal. However her bad leg definitely felt worse after doing all that extra squatting and relieving herself. But she’s been improving steadily, I think; as I said this morning, I hope she’ll escape needing surgery. Even if not, better a happy, contented puppy in recovery than a miserable sad, diarrhea-ridden puppy.

Now, the juggling; I’ve been practicing juggling for years, based on a couple of how-to books. I’ve known for a while I was never going to get any better without help, so I took a one hour class Monday at Triangle Circus Arts.My teacher was very helpful. She pointed out the mistakes in the way I was doing things and showed me some basic steps I wasn’t taking. It was a huge quantum leap in my understanding of what I was doing, and a modest leap in my performance. But even when I wasn’t doing it right, at least I could spot what I was doing wrong. I’ll keep practicing at home, then next month I’ll go back again.

But the thing is, I normally practice five minutes at a time. Juggling for a solid hour really exhausted my arms and left me wiped out for the rest of the day. Coupled with Trixie’s appointment slicing the morning in two, I got nothing done. However my insomnia was still running so I wound up making up the time at the cost of sleep. Not exactly a win, but …

And as for the writing?

I finished chapter four of Undead Sexist Cliches. I’ve gone light on a couple of sections, such as whether or not a pay gap between women and men exists (yes) and is partly due to sexism (yes), and told everyone to read some of the posts in footnotes if they want to get into serious number crunching. Still it’s in much better order, with all footnotes added.

I got one more chapter of Impossible Takes a Little Longer. After the trip to Stardian City I’m not quite sure where it goes to get to the big superhero/supervillain confrontation (not the climax but a big turning point) but my gut’s lead me well so far; hopefully that will continue.

I redrafted and slightly shortened Death is Like a Box of Chocolates based on last week’s critique from the writers’ group. It’s improved, but I think the ending may still need work. I’ll give it another look next week, then off to another beta reader. If she thinks it works, I’ll have it finished next month.

I worked some on finishing this month’s first draft (as yet untitled), but I didn’t get very far. And other than knowing it’s a riff on Sleeping Beauty, I have no idea what kleptomaniac Mary “Stealer” Holt has to deal with. But it’s a first draft, I can always change the answer later. I hope to finish it this month, but I won’t bet on it.

That’s a satisfactory amount of work. Next week, hopefully, I can accomplish work and sleep.

#SFWApro. Rights to cover image remain with current holder.

 

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Well my output is good, but the results?

I really, really would like to sell something besides Leaf articles. I’m happy to sell those because they make me a decent income, but would it be too much to sell some fiction too?

This week I got a form letter turn-down for one reprint story, and a rejection for a regional con (I may go in person. We’ll see). Late last week, I was told another submission came within a “handwaving asymptote” of acceptance, or it wasn’t accepted because it was a handwaving asymptote. I wasn’t really clear, but a friend with better mathematical understanding thinks they meant A. Oh, and the artist who’s working on a cover design for me is way behind on responding. I know her and she’s got a lot on her plate, but it would be nice to hear back.

Sometimes, like Blue Beetle it seems there’s no escape, no chance — but then I get back up and resubmit something again.

Like the title says, output this week was good. A little disorganized due to Leaf having switched the way it posts articles; I still got in enough to pay my share of the bills, but not always at the times I’d blocked out for them. I kept working on something though, so I didn’t waste time.

I also lost time because of sleep. Got back in late after going out with the writer’s group Tuesday; couldn’t sleep Wednesday for stress (I wound up with some Leaf articles I was having serious trouble finishing — though I succeeded Thursday); and last night, Trixie woke me out of a solid sleep because she needed to go to the bathroom. As her bad leg precluded her usual body language — running to the door and waiting — I decided she was just being needy, petted her for a bit, then got up and did some work. I should have trusted my gut and taken her out, then TYG wouldn’t have had to deal with poop on the floor when she got up.

Oh, and Plush Dog spent much of today as a lap dog, choosing the most awkward positions for my writing — that is, I end up with my legs spread, tilted slightly over on one side, propping my lap desk up on the arm of the couch. Makes focus hard.

Now, as to the actual output. I got two more chapters on Impossible Takes a Little Longer done, set in the Stardian City I talked about in a previous post. This sequence turned out really well; however I’m looking back at the early chapters, which I changed relatively little, and thinking I need to change a couple of them a lot. The villain’s opening attacks on my superhero, Champion, are just not working in the context of the whole book, though I’m not sure what should replace them.

I put in some work on an as yet untitled short still in first-draft stage. It involves a 1938 socialite and compulsive thief stumbling into a portal fantasy. I’ve never figured out what’s on the other side of the portal for her to deal with, but I’ve got a better handle on her character now and that’s going to help. I hope.

I read the revised Death Is Like a Box of Chocolates to the writers’ group and got some good feedback. Mostly that a lot of background detail could be cut and should be. And that the ending needs more oomph, which I agree with — nobody could pinpoint what, but perhaps I’ll think of something. I hadn’t thought it needed that much tightening, but they’re good judges so I’ll keep that in mind when I review it next week.

And I got a start on redrafting and footnoting Chapter Four of Undead Sexist Cliches. I restructured the chapter and I think it’s in good shape. Hopefully I won’t change my mind as I go through it again.

Oh, and I submitted a story which has not come back yet! In fact all my non-reprint stories are out, so who knows?

#SFWApro. Cover by Chris Wozniak, all rights remain with current holder.

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Crawling from the wreckage

Well that’s unusual. Normally if the week goes poorly, it starts well, then tanks. This time it started as a mess, then picked up.

Due to worry and vet appointments for Trixie’s injury, Sunday and Monday crawled. I got some Leaf done, but that was it, and it took forever to focus.

After that, though, things started to resolve and I began to get into the swing of things. It was still awkward trying to fit Trixie and Plushie and me on the couch, inside the cage, but we made it work, though not very comfortably. Yeah, maybe “swing of things” isn’t the best phrasing. So along with a full slate of Leaf I made some minor changes to Death Is Like a Box of Chocolates for my reading at writer’s group next week. And I completed another two chapters of Impossible Takes a Little Longer, as KC enters Stardian City (which I blogged about yesterday).

And I finally got my revised proposal for Space Invaders off to McFarland. It all seemed to come together in my head Thursday, while Plushie was at Suite Paws. With Trixie at home I didn’t get my usual full day all to myself, but not having Plushie sitting in my lap and squishing me into awkward positions was apparently a brain boost (I could try moving him off, but he’s just so cute). As I couldn’t go out cycling with Trixie to watch over, I probably wound up spending more time writing than usual. My brain was quite fried by the end of the day.

As I made the most of my no-Leaf weeks the first half of the month, I ended up doing well meeting my goals. Only about 60 percent, but almost all of my writing goals, and a lot of the important personal ones. So I’m pleased.

The goals included contributing a one-day quiz to the Learned League online trivia game I play in. I’ve been working on it for a while, but I finally reviewed the feedback, fixed some problems and submitted the final draft of the questions on Monday (it went live yesterday). The topic was “The Other Oz Films” which I think I’m well-qualified to write. My description on the website:

The 1939 MGM Wizard of Oz wasn’t declared a classic until after years of TV airings. Over time, though, it eclipsed L. Frank Baum’s Wizard of Oz novel and its sequels, not to mention casting a long shadow over every other Oz movie ever made. There are lots of other Oz films in that shadow. Oz characters are so iconic, they stay recognizable even when they’re plugged into horror films, SF, educational videos or soft-care porn. That flexibility, and Baum being out of copyright, makes them irresistible. The questions that follow cover 12 Oz films from the silent era onward. Head over the rainbow and test your knowledge of the Oz films that don’t star Judy Garland.

And now the weekend. There’s a bunch of little errands and tasks I need to deal with but I intend to get maximum relaxation in too. I think I could use it.

#SFWApro. Dog photos are mine. All rights to cover image remain with current holders.

 

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The setting novel and me

I think of myself as writing primarily plot-centered stories, or sometimes character centered. But I’m wondering if both my last novel and my next haven’t turned into setting stories like Crazy Rich Asians and Airport.

Certainly Southern Discomfort isn’t primarily a setting story. It’s the battle of Olwen McAlister, Joan Slattery and Maria Esposito, among other characters, against Gwalchmai, the elven murderer. But Pharisee Ga. and its people are very much one of the characters. What does the death of Aubric McAlister mean to them? How are they coping with the disasters his death has unleashed? What happens if Olwen dies too? In various scenes we learn about the churches, the business set-up and Pharisee’s complicated race relations. None of this affects the plot, but I think it would be a much worse book if I didn’t include all that.

The downside is that this kind of thing can easily bog down a book instead of enriching it. My previous draft did just that. The scenes that built up the town involved way too many POV characters (one per scene, but taken over the course of the novel …) and rarely had any tension. This go-round I worked on each scene so that the characters wanted something or were worried about something. And I cut into the POV characters by making Father Michael and his brother, the mayor, the key viewpoint characters in most scenes. It still might be too sprawling and lacking in tension for potential readers (certainly it didn’t grab the agents I submitted to). But I’ve rolled my dice, so hopefully it’ll find a home somewhere.

Then we have Impossible Takes a Little Longer. This has always been partly about the weird world that results when millions of people have some sort of paranormal ability — psychically healing engines, exorcising ghosts, flying, shrugging off bullets or seeing through walls. And that includes changes to history, politics and geopolitics. Silicon Valley seceded in the early 1980s. The former British colony of Rhodesia is the psionic state of New Zimbabwe. Zohak, a monstrous figure of evil in the Shah Nameh has taken over Iran and forced the rest of the Middle East to ally against him. None of this plays a major part in the plot, though the lack of a computer revolution (“Cyberia” keeps the good tech for itself) does affect daily life (no cell phones, no social media). It’s mostly told in little references and my protagonist’s narration here and there.

Overall, though, it’s been very plot-centric: someone’s targeted KC — AKA the Champion, masked guardian of Northwest Florida — and she has to find out who before everyone she cares about is dead. Now, it seems to be changing. There’s lots more about the culture and factions of the Impossibles, the really powerful paranormals. About the changes Mayor Darla Jeffries has made to New York City. Then came the chapter I worked on Tuesday.

(Dinosaurs, conquistadors and Romans hanging out? Yes, that could easily happen in Impossible).

I’d already established the existence of the extraterrestrial Stardians (think of them as a second-string 1980s cartoon/toy line) next to Dallas, replacing a kind of alt.Comanche empire I had in the previous version (as discussed here). And that KC got a lot of help climbing out of the train wreck of her teenage years thanks to the insight of the Stardian mystic Darkbreaker. So I planned to have her talk with Darkbreaker about what’s going on, but the novel’s bad guy interrupts and takes him down.

Only now the Stardian city is getting much more elaborate and colorful and taking up a lot more space. To reach it, KC’s walking across a mile-deep chasm on a bridge that appears to be crystal and ceramic. I honestly have no idea what it’s like on the other side, but perhaps I need to explore it.

As it’s a first-person narrative I don’t have to worry about too many POV characters. However this draft could easily end up being too talky or showing too much worldbuilding. Which a lot of people like, but I usually don’t, so I’d rather not go that route.

But for the moment, I guess I’ll follow where my instinct leads.

#SFWApro. Art by Howard V. Brown, all rights to image remain with current holder.

 

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