Ebooks cost authors time and money to publish. The Fussy Librarians site offers free ebooks as a promotion for authors, but points out that if you only read for free, that’s bad news for the writers. Shannon A. Thompson argues that nevertheless free readers are a net gain.
I’m not sure this is even a new issue. For years I lived off what I could buy in used-book stores, which accounts for some of the randomness in my collection. That changes when I have more money to spare than at the moment, but even then spend a lot on discount books—the more expensive it is, the more I want to buy used—and library books. Actual new purchases tend to be few and far between.
•A good article on the problems of writing Y/A bisexuals (hat tip Shannon A. Thompson). For example, if a character ends up with a same-sex or opposite-sex partner, readers often conclude the bi character “really” gay or straight. I’m pretty sure a lot of the issues are applicable to non-Y/A writing.
•Like women, male characters in comics often have absurdly idealized bodies (and more so than they used to—the Hulk in the early Silver Age was much more ordinary physically than he is today). But no, it’s not the same sort of sexual objectification. Hulk, for example, isn’t drawn anywhere near as sex-fantasy as She-Hulk. The link identifies Namor’s lean swimmer’s physique as the only male hero who’s really what women would consider sexy but I think Dick Grayson counts too (I’ll get into that when I review the Grayson series TPBs).
•Now that Charter has merged with Time Warner it thinks it should get some content (Fox News specifically) at Time Warner’s lower rate. Fox disagrees.
•With Matt Damon set to star in the Chinese epic The Great Wall, actor Constance Wu asks why China needs a white guy to save it.
•So the World Fantasy Con has displeased some writers this year with its programming slate: very white male-focused. Foz Meadows puts in historical context as well: Robert Aiken and Arthur Machen got a lot more programming in their anniversary years than horror writer Shirley Jackson is this year (her centennary). She also argues some of the panel descriptions seem clueless about current fantasy.
•A list of bad habits for characters.
•Rebekkah Niles on jewelry-making as a model for writing.
•In a case involving a YouTube video, the poster claims fair use of some incidental background music. Universal, which had it taken down on copyright grounds, argues it shouldn’t have to consider fair use before issuing a warning.
•Citi argues AT&T using “thanks” in a loyalty program catchphrase violates Citi’s own trademarked catchphrase.
•Capitol Records and others are suing Vimeo, charging among other things that Vimeo employees turned a blind eye to pirated material in video postings. A court has ruled that just because employees see a video, that doesn’t mean they must have realized it was pirated.
•Gawker has sold its affiliates sites to Univision in the wake of a lawsuit that broke the camel’s back. A lot of people are discomfited even if they dislike Gawker because businessman Peter Thiel (whom Gawker outed) poured millions of his own money into the lawsuit (by Hulk Hogan)—what’s to stop the same thing from happening to any media site that crosses someone with serious money? LGM points out Thiel’s list of Gawker’s sins focuses on stories involving rich people. The Atlantic looks at the issues.
•Speaking of crappy reporting, don’t tell someone you’re reporting on that their adoptive parents are not really their parents. Outing gay athletes from homophobic nations is even worse.