Category Archives: Miscellanea

The wines of Charleston

Okay, technically these were wines I saw in Trader Joe’s so I doubt they’re coming from a Charleston vineyard. But I saw them while in Charleston and I’m too tired to post anything more creative.

All rights to label images remain with current holders.

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I thought I would spring back into writing this week …

I came back from my Charleston trip refreshed and rested, ready to write. Only of course getting in at 7 Monday night, I limited Tuesday to blogging and attending to bills and such — I knew I wouldn’t be on top of anything more challenging

(Photos are from a visit to the Charleston Tea Garden, which was very cool).

Wednesday and Thursday I got back into the swing of things. I sent off two stories, “All Happy Families” and “Mage’s Masquerade,” the first submissions since a year ago. I started work on the Local Reporter story due at the end of the month. And I reread the 40 percent of Let No Man Put Asunder that I haven’t worked on yet. I wanted to refresh my mind about what came next so I could structure the story better.

As I thought, there are several characters, including the mercenaries Peacock and Mountebank, who drop out of the story. I’ll have to work them back in. I still need to strengthen Mandy’s character arc (also a problem I was aware of). The climax needs a massive reworking; fortunately I have the new climax already in mind. I’m also unsure whether to set this up as a duology, my original concept, or leave it reasonably standalone with options for a sequel.

I’d intended to start the next bit of rewriting today; didn’t happen. After several nights of rough sleep, I made up for it by oversleeping, which threw me off. A bigger problem is that while I’ve diagnosed the problems with the story, I haven’t figured out the remedy. I think my mind needs to process a little more. So today wasn’t as productive as I expected. Next week maybe — but I have a lot of Local Reporter work to do, and some household IRL duties. We’ll see.

Over at Atomic Junk Shop I wrote about what supervillains think about their portrayal in comic books, And songs that make me wonder what happened after the last lyric.

(The warning sign is because the tea fields include cottonmouth, rattlers and coral snakes).

In other news, the dogs are over their digestive issues and in great shape. Trixie missed me while I was gone and was happy to have me back. Here’s a photo of my little angel and one of her toys to wrap up the week with.

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Let’s get arty!

Recently TYG and I went to the local Ackland Museum as we do every so often. One of their exhibits was a wall of color, a collection of bright paintings on one wall. I think they set it up well.

Here’s a modern piece of pottery in the design of an old Greek vase.

Here’s some random art

We had to leave the car at the top of the parking garage, which was full for some college event. Can’t beat the view, though.

All rights to art images remain with current holders.

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Another wine label post for Friday morning

Got to say, this one doesn’t quite scream “fine wine here” to me.

Nor this vague pattern, reminiscent of subway maps.

This one, at least, looks cool.

All rights to labels remain with current holders.

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And this is why arguments for AI are bullshit

Mikey Shulman is CEO of Suno, a company that offers an AI that will make music and compose songs for you. In the “free the oppressed workers!” argument I’ve written about before, he explains that making music the oldfashioned way is just too burdensome: “It takes a lot of time, a lot of practice, you need to get really good at an instrument or really good at a piece of production software. I think a majority of people don’t enjoy the majority of the time they spend making music.”

Yes, how unreasonable that to get skilled at something you have to, you know, learn the skill. I fully realize Shulman has a vested interest in people using his AI to make music, and that this is targeting less people who do make music than people who think they have a short-cut. The same attitude probably influences the idea that prompting an LLM to write a book is no different from writing it yourself. It’s also mixed in with a general Silicon Valley distaste for creative thinking or any sort of thinking — fine if it’s making us money, otherwise it might give people ideas above their station.

Still this idea does apparently appeal or at least make sense to people. I have a musician friend who rolled her eyes at Shulman’s line but she thought it was reasonable when Marc Andreessen said AI could make movies for “creatives” who have neither skills, equipment nor actors:

(The recent horror shorts program TYG and I watched gives Andreessen the lie. Low-budget, minimal equipment but lots of visual skill. They don’t need AI).

To me this is no different from arguing that, say, as marathon running is hard, and takes a ton of training, so why force yourself to do it when you can just ride a motorcycle all 26 miles? Isn’t that the same thing. No, it isn’t. Sometimes the challenge is part of the process. Eliminate the friction, you eliminate the point. As Raymond Massey’s character puts it in Things to Come the goal shouldn’t be to eliminate struggle, it’s to live in a world where the struggle means something. Creating, setting a physical challenge, studying to master a subject or a skill, they mean something. As the saying goes, we want advanced tech to clean our house so we have more time for fun stuff, not do our fun stuff so we have more time for cleaning.

One substacker recently freaked out and complained this attitude is “gatekeeping” — if someone wants to write a book with AI, why not publish the book instead of fussing? Let readers decide what they want! Which is a)not an argument about pointing out a book was written with AI (though it’s valid to complain that these accusations may be groundless); b)given how much AI plagiarizes from other people’s work, would the writer say the same about plagiarism? c)given the incredible costs and side effects — rising power bills, water use, the impact on the computer industry — it’s perfectly reasonable to suggest writing books with AI is a bad thing.

Some of the “creating art is too hard” attitude (as discussed at the Nation link in the first paragraph) may reflect a general disdain among the rich for education, at least other people’s (some examples here). Some of it is hype. Some of it may be that the rich and powerful want everything smooth, no friction, and learning a skill is full of friction. Whatever the ultimate reason, they’re full of it. Nevertheless, there are always people who will go AI — “the born sloppers, the sloppers whom journalism itself has created, the soon-to-be-pilled. And I also know those who never, under any conceivable circumstances, would go AI.”

Pundit Megan McArdle, it turns out, has already gone AI. Another reporter who says he broke the story about AI contributing to the novel Shy Girl also says they should admitted the AI, then gone ahead and published the book with the AI use flagged — let readers decide if they like it. So I guess he’s gone AI too.

The FDA is speeding up the drug-approval process by going AI. Yes, I’m sure using technology prone to error and hallucination to approve drugs can’t go wrong.

In other AI links:

Disney’s much-hyped addition of AI to the Disney Channel flatlined.

“Our standing rule is: If one of us brings up using GenAI in any of our work, then it’s safe to assume we’ve been assimilated by The Thing and should be burned alive by Kurt Russell,” — from an article on game designers’ lack of interest in AI.

Journalist Alex Preston apparently used AI in writing movie reviews. The NYT cut him loose.

“The techs we collectively call AI have use cases, but policy should be about solving problems in the public interest, not identifying ways to deploy specific technologies just for the sake of doing so. Yet that’s still how so many of these convos are framed. It’s exhausting. And harmful.”

“A wrongful death lawsuit filed in March alleged that Google’s Gemini exploited a Florida man’s emotional attachment to the chatbot to send him on delusional missions—including one trip where he was armed and on the brink of “executing a mass casualty attack” near the Miami International Airport. Gemini then encouraged the man’s suicide, according to court documents, by setting a countdown clock for him. (In response to his death, Google said that its safeguards “generally perform well” but that “unfortunately AI models are not perfect.”)

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I’m not seeing the crayon/wine connection here

A couple of wine labels.

Okay, maybe they’re not crayons, just random streaks of color. Either way, nothing about it makes me think mmmm, good wine! Then again, it was eyecatching enough to photograph.

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Macbeth vs. Princess Ida in a clash of theatrical titans!

One of my Christmas presents from TYG was tickets to the local Playmakers’ production of Macbeth last month (she was right to buy in advance — they were packed). The story of an ambitious Scottish nobleman who learns from three witches that he could become king was superbly done: well-acted, great looking —

— and well-executed character arcs. Macbeth is initially traumatized by the outrages he’s committed, then rapidly becomes comfortable rationalizing his actions, even down to murdering his best friend Banquo; Lady Macbeth, meanwhile, suffers the reverse arc (her initial enthusiasm for regicide comes off rather two dimensional but she improved as she went along). Possibly the best production by the group that we’ve seen. “Bring forth men-children only, for thy undaunted mettle should compose nothing but males.”

PRINCESS IDA was the Durham Savoyards’ production for this year (this time TYG took me as my birthday gift), the story of how Ida, rather than honor her infant marriage pledge to Prince Hilarion (“I was twice her age — she was one, I was two.”), retreats from the world to found a school for women’s education. Hilarion, determined to win his bridge, sneaks in with his friends, disguised as women … but hilarity does not ensue, at least for me. This was based on an earlier play of Gilbert’s that was based on a Tennyson poem and therefore never gets into whimsical, absurd situations of the duo’s best work (though of course the Victorian audience may have found women’s education absurd enough). That said, the performers are good, the set is great and Sullivan’s music is exceptional, so I did enjoy it. Still, it’ll never be on a par with The Mikado or Patience. “I can tell a woman’s age in half a minute — and I do!”

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Someone hacked my computer!

I caught him on camera.

This is a stuffed monster I acquired when Mom closed her play therapy practice. I call him Mr. Mononoke as I always thought he looked like a Miyazaki character. The hat and rabbit are from when I dressed up as the Mad Hatter for Halloween one year. They look better on him.

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Odd things in our neck of the woods

This one was from last Halloween.

This one’s just there.

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Goodbye amaryllis

As I mentioned in January, TYG’s mum got us an amaryllis.

It turned out really pretty.

Nothing lasts forever, though.

I thought that would be the end. After perusing some articles I’ve learned that with care the amaryllis can last through the year until it blooms next spring. They’re not all in agreement how to do it but pruning the dead stems is definitely the next step.

This isn’t the ideal place for it, for various reasons related to how I arrange my office. However this is the only room with both sufficient sunlight and where I can keep the cats out, as amaryllis is toxic to cats. I shall adapt.

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