Romance novelist Courtney Milan criticized a book as racist. The author filed an ethics complaint against Milan with Romance Writers of America, which sided with the author. At the link, Camestros Felapton details a fairly complicated mess in which the RWA seems to be digging itself in deeper every day. Plus a from Camestros here about the challenges for RWA and similar groups as what’s acceptable regarding racism/gender/homophobia shifts.
“The opinions of critics and reviewers should be used as guidelines for where to spend our time and money, not as a means of completely outsourcing all the work of critical judgement to other people.” Foz Meadows on accepting stories don’t have to be perfect to be worthwhile.
“If you can’t afford $4 to rent a movie, or $10 a month for a streaming service, or whatever it is you’re trying to watch or listen to, then you don’t get to do it.” — Creative Future cracking down on pro-piracy arguments.
Subsidy presses lie to make themselves look like legitimate publishers, for example claiming traditional publishers also require you buy a ton of books. Given how many aspiring writers I know who were clueless about legitimate publishing, I don’t doubt it’s effective.
How to write satire in the age of Trump.
John Scalzi on the possibility of becoming “problematic.”
How not to write a Hanukkah movie.
What Scooby-Doo teaches us about writing.
An answer to the perennial question why do ebooks cost so much?
There are trolls posting fake reviews on Goodreads. Because some people suck.
Laurie Penny on what she learned from fanfiction.
Joker director Todd Phillips says “woke culture” killed comedy. Joker actor Marc Maron counters that the only thing you can’t get away with is “shamelessly punching down for the sheer joy of hurting people, …For the sheer excitement and laughter that some people get from causing people pain, from making people uncomfortable, from making people feel excluded.”