Monthly Archives: December 2022

Bing Crosby singing White Christmas twice (and other Christmas stuff)

 I might have skipped WHITE CHRISTMAS (1954) this year but it filled a morning when I was too busy with dogs to read. A fine piece of Hollywood craftsmanship, this has Broadway superstars Danny Kaye and Bing Crosby falling respectively for sisters Vera Allen and Rosemary Clooney, then staging a production of the guys’ hit Broadway show to save their former general’s Vermont inn from going belly up. Ethan Mordden’s Coming Up Roses makes me realize the kind of plotless musical revue Kaye and Crosby produced was a dinosaur by ’54 but it does give the film maximum freedom to throw in whatever musical numbers make for the most fun. So why fuss when it’s so much fun? “You’re happy for the wrong reason which is the same as being lonely and miserable, only worse.”

Bing Crosby first sang “White Christmas” in 1942’s HOLIDAY INN (1942) after his character loses his woman to Fred Astaire, then retires from the showbiz rat race to open a country inn that only opens holiday weekends. But when Astaire shows up (the woman having dumped him too) and puts moves on Crosby’s leading lady, will romantic history repeat itself?

I’ve often thought how lucky it was that the minstrel-show numbers in White Christmas weren’t in blackface and this movie confirms it: Bing blacks up for his Lincoln’s Birthday number about Honest Abe freeing the slaves and it’s not pleasant to watch at all. The movie, in any case, is much less entertaining, with a weaker supporting cast, weaker female leads and a much weaker plot so I’m not missing much if I never see it again. It is of historical note that while the original lyrics to “White Christmas” set it on “a lovely day/in Beverly Hills LA” (you may have heard them occasionally on some cover versions), when Bing sang it for this film without that opening, Irving Berlin had his publisher strike the opening off the sheet music — it worked better without. “What a girl — always seeking greener pastures and ending up with spinach.”

CHASING CHRISTMAS (2005) once again has Tom Arnold as the target of “the annual Christmas guilt trip,” which leaves stressed out Christmas Past (Leslie Jordan) disrupting the time stream (“If you talk to your past self we could return to a present ruled by giant apes!”), Arnold falling for Christmas Present and Present discovering how easy it is to steal a car in 1965 (“Nobody locked the doors and here’s where everyone kept the spare keys.”). A fun one I’m glad to add to my Christmas perennials list “Were you not listening to the dead fish guy?”

KARROLL’S CHRISTMAS (2004) apparently didn’t click with most viewers as I didn’t turn it up anywhere but YouTube. But I enjoy the story of pissed-off greeting-card writer Karroll getting saddled with even more dour Wallace Shawn’s ghostly Christmas Eve visit (“Couldn’t you pretend to be him? It’d make the paperwork much easier?”) even though it’s pointless for Karroll to go through it — and he certainly doesn’t have any Christmas issues to work out, right? With a black Jacob Marley (“My ancestor spent some time on his family’s Jamaican plantation, mon.”), a Jewish Christmas Present and Vern Troyer as Christmas Yet To Come; Arnold’s ex in Chasing Christmas plays Shawn’s estranged daughter. “He’s suing them on Christmas Eve — wow, I just realized that makes it a Santa suit!”

I haven’t watched THE GREAT SANTA CLAUS SWITCH (1970) since I first saw it and apparently not many people do (it’s another one I only found on YouTube). This Muppet special starts Art Carney as both Santa and the conniving sorcerer Cosmo Scam, who plans to replace Santa Claus, then rob every home in the world on Christmas Eve — but will his monstrous Muppet lackeys go along when they learn about the magic of Christmas? This feels like a dry run for stuff Henson would be doing better later (Cosmo’s familiar is physically the prototype for Gonzo) and Carney’s performance doesn’t match The Night of the Meek, but this did make for a pleasant time filler. “I made a vow to leave this Earth just a little bit worse than I found it.”

Like White Christmas, CHRISTMAS IN CONNECTICUT (1945) proved a good choice while I was busy with dogs as I know it so well. Barbara Stanwyck plays the homemaker/columnist who can’t cook, Dennis Morgan kisses married women, Sidney Greenstreet puts words in Stanwyck’s mouth (“I felt like Charlie McCarthy.”) and Una O’Connor and SZ Sakall debate the difference between Irish stew and goulash. Always a pleasure. “You don’t understand Mr,. Yardley — we meant to get married.”

Rewatching NATIONAL LAMPOON’S CHRISTMAS VACATION (1989) confirmed it doesn’t make my personal perennial list (I have friends who adore it though) but the story of the Griswold’s dysfunctional family Christmas with William Hickey and Randy Quaid among the gather relatives is watchable enough to fill time.

Moving on to new stuff — A NOT-SO-MERRY CHRISTMAS (2022) is a Mexican comedy (it’s the first time in years I’ve watched something dubbed that wasn’t anime) in which a man learns his sour attitude towards his family, Christmas, and his family at Christmas has cursed him with amnesia for the other 364 days of the year. Effectively time-jumping from Christmas to Christmas leaves him as bewildered as Adam Sandler in Click until, of course, he learns What Really Matters. A “talking lamp” but one of the better ones I caught this month. “Have you never seen a Christmas movie? I’m not going to spell it all out for you.”

A CHRISTMAS MYSTERY (2022) is another good one, a very Nancy Drew tale as the daughter of a small-town sheriff stubbornly starts investigating when her BFF’s father is arrested for stealing the town’s lucky McGuffin (bells supposedly fallen from Santa’s sleigh!); in the process, she brings together not only her own family but heals a couple of others. Sweet and winning, with even the bad guy’s family getting a sort-of happy ending; Beau Bridges plays the worried mayor. “I’ve learned a lot sitting at the police station doing my homework.”

YOUR CHRISTMAS OR MINE? (2022) is a British rom-com where a young couple pull a Gift of the Magi by crashing each other’s family Christmas, leaving the guy stuck with the girl’s lively, loud family (and the fiancee he didn’t know she had ) while the woman winds up dealing with his icy aristocratic father in a fusty old mansion. This worked better for me than most Christmas romances but suffers from their respective discomfort not balancing out, just as the reveal the female lead is a former street magician pales compared to the guy having abandoned his family’s military-officer tradition. “Let me put it this way, a lot of people would have to croak for me to get the crown.”

THE NOEL DIARY (2022) is also better than average, but not as much to my taste, as a woman hunting her birth mother and a guy grieving his own mother’s death find themselves bonding. “You know that saying, time heals all wounds? It doesn’t.”

I BELIEVE IN CHRISTMAS (2022) was. by contrast, a flat rom-com in which a woman who hates Christmas discovers she’s fallen for a Christmas-holic — which wouldn’t be so bad to watch but the plot took so long to get going, I gave up.

As always TYG and I wrapped up the Christmas viewing with A CHRISTMAS STORY (1984) in which Peter Billingsley writes the perfect theme for his teacher, Darren McGavin misses his shot at Christmas turkey, a boy’s tongue sticks to a flag pole and Billingsley worries he really has shot his eye out. I was amused that having ended this on HBO Max last as the credits rolled, the system remembered and started there again (I rewound, of course). Always a delight. “It’s a leg — like on a statue.”#SFWApro. Rights to all images remain with current holders; Witching Hour cover by Nicholas Cardy

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Creative amidst the chaos — that seems an appropriate way to end the year

Which is to say that during 2022’s final fortnight (you may remember I didn’t do a week-in-review last week because of the power outage) I got some good work done but not as much work as I’d hoped. Simply too many distractions.

This week, for example, we had to pick up our car Monday (it was just a dead battery so nothing overly pricey) and drop off the rental car. As I’d canceled my blood-donation appointment Friday due to car complications, I went in Tuesday morning. Then in the afternoon I braved the mall traffic (it’s easy to forget lots of people are still off the week after Christmas) to visit the Apple store and figure out the problem with my phone. It’s been randomly opening apps or switching from one app to the other which is ultra-frustrating; fortunately it turned out to be a simple fix. The replacement glass I got from a repair store had come loose (“If I can look at where it meets the screen and see through to the pixel cells, there’s a problem.”) — though whether they did a half-assed job or I jarred it loose with a couple of subsequent drops (TYG told me I didn’t need a phone cover; she underestimated me) I know not.

That, of course, took up most of Tuesday afternoon so I was irrevocably behind the eight-ball in making my hours this week; the blood donation didn’t help either but I place I high priority on donating regularly. Wednesday and Thursday we took the dogs for long lunch walks which threw off my afternoon planning, but again being a good dog-parent is a priority. Today it was just a matter of “well I’m not going to get everything done, am I?” undercutting my commitment. Plus I woke late which I almost never do. Plus we have Lily and Tito over for the day and they always require extra attention. There’s Tito, from an earlier visit. And here’s Lily.But work still got done. I added several thousand words to the current draft of Impossible Takes a Little Longer. Much of it was reworked from an earlier draft but I moved on at the end into new stuff and it worked. However I reached one of those points where I simply don’t know what to do next and didn’t have the focus to tackle it, so I didn’t meet my quota (30,000 words) for December.

My rewrite of Paying the Ferryman was excruciatingly slow due to the distractions but the story improved considerably. I think it may have reached the point where I can show it to the writing group and benefit from feedback.

I finally drew up a list of my published books and short stories for TYG. While I doubt my intellectual property (e.g., Questionable Minds) will be hugely valuable for her if I pass first, I might be wrong.

I also redrafted Oh the Places You’ll Go! slightly based on editorial feedback and completed the revised draft of The Love That Moves the Sun. Both go out next month, assuming I can find markets.

There’s other stuff I’d hoped to get to but I think I can feel pleased with all that work. And I published several blog posts at Atomic Junkshop variously dealing with how to spend Christmas money, a great Teen Titans scene, the teenage crimefighter Tomboy and the disappointing end of a Silver Age story arc.

Happy New Year everyone! I wish all y’all a fabulous 2023.

#SFWApro. Book cover by Samantha Collins.

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Filed under Impossible Takes a Little Longer, Personal, Short Stories, The Dog Ate My Homework, Time management and goals, Writing

Elf on the shelf? How about the cat on the shelf instead?

So last week, when the bomb cyclone plunged temperatures here into the single digits, TYG decided we needed to keep Snowdrop in, even though it freaks him out to be inside with the door closed. It wasn’t easy — he’s very wary of anyone getting near the door — but we succeeded. He was not happy.

TYG suggested I go to bed and take an Ambien rather than endure his high-pitched panic whines. I did, and so missed Snowdrop’s eventual freak-out, including pissing on one of the couches and climbing out of reach.On the plus side he let TYG brush some mats out of his fur and snuggled next to her on the couch. That made her very happy. And he’s come back inside since so we know a)he’s forgiven us and b)he can survive the cold. We still want to get him adjusted to at least short periods with the closed door — it’s a lot more practical for us not to endure the cold (or later in the year, the heat) but obviously we’re not going to turn him into an indoor cat.

Despite the freezing weather, Christmas was great. Last year, TYG had a lot of work and felt way stressed; this year, she was more relaxed, so I felt the same. I made German apple pancake (a tradition) and Dutch cheese and potato soup (not a tradition but a favorite of hers) and, of course, we exchanged gifts. Mine was much heavier on books than usual — TYG picked several items off my Amazon wish list — but that suits me fine. And she had several specific asks so I bought her more stuff than usual, which I loved doing.

And we even put a ribbon on Wisp.

A Merry Christmas, as they say, was had by all.

#SFWApro.

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Undead Sexist Cliches: women hate sex

As I wrote Monday, for many people sexual relations work like retail shopping: women run the store and sell sex to men, in return for money, gifts or marriage.

Of course when women give sex to men, they get sex in return but that’s not a fair exchange, it’s “giving it away.” Underpinning this is the assumption, sometimes implicit but often explicit, that women control the market because men are much hornier: “The one who is more eager to make the deal is in a weaker position than the one who is willing to walk away.”

If that were true, society wouldn’t have to slut-shame women, restrict access to birth control or employ female genital mutilation to stop them from having sex. There’s be no problem keeping women virgin until marriage. Nevertheless, many people remain convinced women only put up with sex to land a boyfriend or a husband: they can’t stand the act but they lie on their back and, as the phrase goes, think of England.

A Twitter user named Scott Gurstein, for instance, claimed a few years back that women tolerate sex “under limited circumstances and during limited time frames. That’s nature’s design.” A writer named Brad Anderson similarly says he’s “yet to meet a hetero woman who enthusiastically participates in sex.” Why yes, the jokes do write themselves. Not so funny is the argument by religious complementarian Douglas Wilson that sex is something men do to women, not with women, and it can never  “be made into an egalitarian pleasuring party.” In Wilson’s worldview men conquer, women submit.

These views aren’t as far outside the mainstream as they should be. It’s a staple of relationship-advice articles that a woman would never go to bed with a man unless they were in love or thought they were headed that way. TV writer Tracy McMillan said in 2011 (I’m not linking but you can find her Why You’re Not Married article easily enough) that marriage “involves [men] sacrificing their most treasured possession — a free-agent penis” so the sacrifices women make — cooking his meals, picking up after him, doing the laundry — are trivial by comparison. Women, of course, give up their free-agent vagina, but McMillan doesn’t see that as an equal sacrifice.

One point I make repeatedly in Undead Sexist Clichesx is that proclaiming universal rules for what women (or men, etc.) want is an exercise in futility. Sex is no different.

Some women like it a lot, some not at all or not very much. Some like it in particular ways, particular positions or with particular partners. Some women see sex and love as inseparable, some separate them quite well. Women can be polyamorous, monogamous or asex. They have exclusive relationships, open marriages and relationships that are mostly monogamous with a little straying now and again. They can be sex-positive or reject sex-positive feminism (more rejection here). None of it is because women are fundamentally and universally wiredd that way; the path depends on the individual.

Some women do have low or no sex drive, but so do some men. Some women aren’t into sex because of rape or incest trauma in their past. Many women have a healthy sex drive but can’t achieve orgasm from vaginal penetration. Some women don’t enjoy sex because they’ve been taught their pleasure is unimportant. Bad sex for men, as writer Lili Loofbourow says, means unsatisfying sex; for women it means feeling like crap either emotionally or physically: “One side will endure a great deal of discomfort and pain for the other’s pleasure and delight. And we’ve all agreed to act like that’s normal, and just how the world works.”

Or consider the argument that wives are obligated to put out when their husband wants sex. As D.C. McAlister puts it, (not a direct link) even if she doesn’t want it she should go ahead instead of refusing, which is selfish and unloving. Just lie there and think of England. Religious conservative Lori Alexander says women must put their husband’s desires ahead of their own; writer Caitlin Flanagan says 1950s marriages were happier because women did indeed make love regardless of their own wants and needs. I don’t doubt the men were happy, but the women?

It’s small wonder some women aren’t into sex if their experience consists of lying there and enduring it when they don’t really want it. She learns sex is a chore, the man never learns she’s not happy, nothing ever changes or improves.

It’s the most dismal view of consensual sex I’ve ever heard.

I go into these cliches in more detail in Undead Sexist Cliches, available as a Amazon paperback, an ebook and from several other retailers. Cover by Kemp Ward, all rights remain with current holder.

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The password for 2022 is: recalled to life

Sitting here at the end of the year, it really feels that way. It was a good year for me and TYG in multiple ways.

It started out with lots of room to improve. TYG got a massive, urgent project in her lap starting in January and it kept her running at top speed through March. Then she spent a couple of months on another demanding project, after which she happily jumped to a new job with more pay for a less insane workload. Not that it still doesn’t get extreme but she has more free time to go out with me, go out with friends, sit and read and she’s relishing it.

Needless to say, when she’s happier and less stressed, I’m happier and less stressed. Plus I’m happier to see her happier.

And while covid is hardly gone — a lot of our friends finally came down with it this year — getting vaxxed and boosted has left us both confident enough to resume a lot of normal stuff like going to art museums and eating out. Not to mention finally visiting the North Carolina Zoo.

Coupled with TYG’s added time we’ve been having an official date night every week (usually on weekends) to do something couple-ish, whether it’s watching a movie, taking a walk without the dogs or playing board games. I think it’s really boosting the pleasure we take in our marriage (not that we were miserable before or anything like that).

One of my goals for 2022 was to end the year with more money than I started with. I managed that, partly because I signed up for Social Security early: the payout is slightly less but the added number of payments over the next few years compensates for that.

This was a good year for writing. I got some wonderful compliments on my work from one of my paying clients and I self-published or sold way more than any time in recent memory. For example, The Aliens Are Here is now out.Questionable Minds is available in ebook on Amazon or other retailers.The Savage Year came out at Metastellar. Death Is Like a Box of Chocolates is live on Metastellar. And I finished four short stories this year; my goal was six, but four is closer than I usually manage.

Plus, of course, I kicked off the year by self-publishing Undead Sexist Cliches, available as a Amazon paperback, an ebook and from several other retailers.

Along with my writing here I’m still blogging regularly at Atomic Junk Shop and doing panels for Con-Tinual.

Plus 2022 included the usual stuff — eating, reading, playing with pets, snuggling with TYG — and what used to be usual, such as visiting my family in Florida.

What lies ahead in 2023? Well no-one can be certain but I’ll be back with my hopes in my Sunday blog post.

#SFWApro. Questionable Minds cover by Samantha Collins, Undead Sexist Cliches by Kemp Ward, rights are mine.

 

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Questionable Minds: Nowhere to Hyde

Last week’s sample section of Questionable Minds gave the beginning of the novel. It’s the one I opted to use for the blog tour. The second section is from the middle of the book: Jack the Ripper has Sir Simon’s daughter Ann hostage and has offered to trade her for either Dr. Jekyll or Edward Hyde. Simon’s convinced he can use Jekyll lure Jack into a trap; Jekyll declines, so Simon drags him to Simon’s home by force.

I think the scene is effective though for obvious reasons I don’t think it’s as shocking for us as for Simon because we know about the true relationship of Jekyll and Hyde already. Excerpt comes after Samantha Collins’ cover.“Dr. Jekyll’s eyes fluttered open, then snapped wide. He scrambled up from the sitting room divan, eyes fixed on Simon, barring the path to the door. Simon forced himself to meet Jekyll’s eyes. “I’m sorry it’s come to this, doctor. But I must insist you join me for dinner.”

“You cannot begin to comprehend what you ask.”

“It’s only ninety minutes to wait—and every precaution has been taken.” Simon slid his life-preserver into his hand as Jekyll took a step towards him. “You won’t grass me again, doctor. I’m sorry, but my daughter’s life—”

“I don’t give a damn about your daughter.”

“Do you want to spend the rest of your life hunted by Jack the Ripper? Hyde was willing to chance my plan; are you less brave than he?”

“How dare you?” Jekyll’s fists clenched. “Hyde, courageous? You mistake the savagery of an ignoble brute for bravery!”

“Be that as it may—”

“Or is that why you stick up for him?” Jekyll’s eyes narrowed. “Because you envy that savagery?”

“I beg your pardon?”

“Don’t waste your time lying, Taggart, there’s not a man alive doesn’t wish to be Hyde in the back of his mind.” Jekyll hunched over, watching Simon like—he couldn’t say what. “Free of responsibility, acknowledging no law, no restriction, no duty.”

“What the devil are you talking about? Control yourself, Jekyll.”

“Control, ha!” Jekyll threw back his head and laughed. “Self-control is nothing but a measure of how greatly we fear our own desires. Look at me, always so pious around my little gaggle of whores—”

“Doctor, please!”

“Never admitting how much I wanted to squeeze those jiggling titties, feel their skilled, eager hands on my—”

“Good god man, I know you’re afraid—” Simon grabbed Jekyll by the shoulders and shook him hard “—but spouting balderdash won’t—”

Simon didn’t even see the blow that smashed into his jaw and sent him sprawling. He started to regain his feet, only to witness a sight that froze him on his knees. Jekyll’s delicately boned face was swelling into heavy, bestial features; his eyes seemed to sink back into his head. Hair and eyes darkening, skin coarsening, body shrinking even as Jekyll’s muscles grew hard and corded under his clothes.

It—isn’t—possible! A mesmeric illusion, or— Even as he thought the words, Simon knew them for a lie.

“Hello, Taggart.” Hyde bowed mockingly from within Jekyll’s coat. “I’d say it’s a pleasure to see you—but under the circumstances, I’d be lying, wouldn’t I?” Simon could only watch, mute and amazed, as Hyde rolled up the jacket sleeves. “Damn him. I bought a whole new wardrobe, and he disposed of it, so convinced he was he’d seen the last of me.

“Well, aren’t you going to club me unconscious? Or try? To save your poor, poor daughter?”

“You’re a murderer, a rapist, a blackmailer.” Simon backed away, out of Hyde’s reach. “Whatever Jack has in mind, it’s only what you deserve.”

“This may surprise you, but I don’t find that much of an argument.” Calmly, Hyde began on his trouser legs. “I bear you no ill-will for the effort, mark you—I’d do the same in your place—but I place too high price on my own skin to cooperate.”

“Ann is only a child. A girl.”

“That matters not a whit to me.” His eyes met Simon’s, and the shock, the impossibility of what had just happened, hit Simon once again. “Utterson and Poole looked much the same when they learned the truth—now, if you’ll excuse me—”

“I don’t think so.” Simon slid his gun into his hand. ‘”You won’t get very far if I put a couple of bullets into you.”

“And if I scream aloud to Jack that it’s a trap?”

“You’d have to be conscious for that. You won’t be.”

“I’m not easy prey, Taggart.” Hyde’s expression managed to be savage and calculating at the same time. “If we struggle and you kill me, Bolt will gut Miss Taggart like a trout.”

“Why? What does Jack want with you?” Wait. The Greek god at the opera. “He wants your power. The secret that lets you change your face.” Then Simon shook his head. “Bolt leaves his victims mindless; how did you survive?” And if the change is physical, why did I see Bolt’s true face at the Dovecote?

Hyde shrugged. “I’m not as other mentalists, Taggart, surely you can see that. Why not put down the gun, and we can discuss it like rational men.”

“You? Rational?”

“Where my own self-interest is involved, completely.” Simon didn’t move. “It would be to our mutual advantage.”

“I disagree. But talk if you wish.”

“As you will. Tell me, did you happen to catch that dreadful play about me last year? Where ‘Mr. Hode’ turns into a sniveling coward once ‘Dr. Stevenson’ finally draws a gun and stands up to him?

Hyde moved so swiftly Simon didn’t realize he’d thrown a vase until it knocked his gun hand wide. Before he could recover, Hyde was there, fingers closing crushingly on both Simon’s wrists, shaking gun and life-preserver free. Simon hit the floor with Hyde on top of him. Hairy, powerful fingers wrapped around Simon’s throat. “I don’t think it was true to life, Taggart—do you?”

#SFWA pro. Questionable Minds available as an ebook or paperback, so why not order a copy today?

 

 

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Undead Sexist Cliches: Sex is just a form of retail shopping

This is one of those cliches I was sure I’d blogged about before, but apparently not. It’s a significant one, as witness I devote a chapter to it in Undead Sexist Cliches. It’s the belief that sex is like retail shopping in stores run by women but patronized by men.

As Echidne of the Snakes detailed some years ago, some social scientists approach sex as a form of economic theory, but it’s quite common in unscientific, pop culture views of sex. Women control the store and maintain a monopoly on the sex supply, at least regarding straight men: they have it, men want it, and the only way men can obtain it is by paying the store’s price.

This can be actual cash (for prostitutes), expensive gifts, love, or the ultimate purchase price — marriage. Less scrupulous men use lies (“You know I love you, right?”), manipulation or coercion to get sex from the store without paying.

In the real world, consensual sex is a two-way street: women who give sex get sex in return. In the sex-as-retail interpretation, this isn’t an acceptable transaction: the woman is “giving it away”, a tragic mistake that devalues her sex supply and makes her “cheap,” so no man will ever pay full price again. The guy, on the other hand, gets cool points because he obtained bargain sex, like getting Netflix of Disney + using someone else’s password.

By this logic (I use the term loosely) it’s always a mistake for a woman to put out before she has a ring on their finger. As the old saying goes, if she gives away the milk the man will never buy the cow and she’ll die alone; if she keeps her chastity belt on, the man will bid higher and higher until he finally pops the price. Though of course, other women might undercut her price, but that justifies slut-shaming — make sure nobody breaks with the sex cartel and sells cheap and everyone will benefit (except the women who get slut-shamed, but nobody making this kind of argument cares about them).

As Echidne points out, this is grade-A bullshit. A sexual marketplace like Baumeister imagines would require women have control of their sex lives, with the right to choose husbands or lovers. For most of recorded history women haven’t had that freedom. Decisions about their body traditionally belonged to a woman’s parents, her husband or her pimp. Custom and law added further restrictions on women’s freedom to have the sex life (or lack of one) they prefer.

Women would also need the freedom to refuse men they weren’t interested in, but that hasn’t always been an option either. Women in arranged matches end up the sexual property of the man their parents pick for them. Rape and coercion also restrict women’s right to refuse men. So does women’s supposed obligation to provide men with “service sex” or “duty sex.” Echidne compares women to Ming vases: yes, they command a high value in the marketplace but they have no agency in who owns, buys or sells them. And if the owner decides to smash one for kicks well, that’s his call.

The concept of the sexual marketplace tangles in with multiple other cliches. That no woman can be happy if she’s not married. That men are heartless jerks incapable of marrying for love. That women don’t have to compete for men — they can just wait passively and pick whichever man makes the best bid. And that under certain circumstances, women have no right to refuse sex. Certainly not if they’re married: if a man’s paid that much, he’s entitled to your body, 24/7 (as Phyllis Schlafly put it). Even if they’re not married, the same principle applies: if he shelled out a C-note for dinner, isn’t he entitled to something more than a peck on the cheek? According to Warren Farrell, if the woman lets the guy take her out when she has no intention of sleeping with him, that’s date fraud, and just as awful as date rape.

The reality? No man (or woman, or nonbinary) ever has a right to sex with someone else. Not to their spouse, their partner, their date, nor anyone else. Even if the woman got naked and French kissed him for an hour. Even if he has a hard-on. And sex is not a matter of economics.

I’ll return to this topic in a week or two. Until then you can read more about the sexual marketplace in Undead Sexist Cliches, available as a Amazon paperback, an ebook and from several other retailers. Cover by Kemp Ward, all rights remain with current holder.

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For anyone who celebrates Christmas—

Well, Merry Christmas! Have a wonderful day with your family. Or your friends. Or by yourself. I hope it’s good, whatever your situation.For those who don’t celebrate, I wish you a happy Festivus, Kwanzaa, Yule, Solstice, Diwali, Hanukkah,  Saturnalia (I’m not aware of anyone who celebrates Saturnalia any more, but you never know) or any alternative holiday I’m not aware of. In the darkest time of the year, let’s find reasons to embrace the light, and each other. May your holidays, whatever they are, be happy. And speaking personally, I’m glad it’s not 200 years until Christmas!#SFWApro. Top cover by Nick Cardy, bottom by Ed Veligursky, all rights remain with current holders.

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Is Christmas Eve the night of the meek — or the night the world exploded?

The TWILIGHT ZONE episode The Night of the Meek is a Christmas perennial for me, though the permutations in streaming offerings mean that instead of watching it on Hulu or Netflix I wound up buying the episode on Amazon. Ar Carney plays a drunken department-store Santa (“I either drink or I weep, and drinking is so much more subtle.”) fired on Christmas Eve, returning to his poor, miserable tenement neighborhood … and finding a sack that enables him to give everyone any gift they ask for.Serling was a master at giving tormented losers a happy ending and the show makes the miserable, rundown setting look genuinely miserable, giving the miracle that much more punch. And Carney is a better dramatic actor than I think he usually gets credit for. “Yes I’m drunk — intoxicated with the spirit of Yule!”

Ordering and viewing that episode took longer than expected so I wound up watching THE NIGHT THE WORLD EXPLODED (1957) to fill the time. When a series of disastrous earthquakes rock the world (literally — we’re told the world is tilting on its axis, though little is done with that aspect) a brilliant geologist and his lovesmitten assistant discover it’s due to a mineral that grows and explodes when exposed to air  (“There are 111 known elements — I think we’ve found 112.”), reminding me of the superior Monolith Monsters. Unfortunately this movie is a slow, talky production with lots of disaster stock footage, though running little over one hour forces it move faster than 1965’s talky Crack in the World. “We’re faced with the greatest emergency man has ever known — we don’t have time for red tape.”

The CLAYMATION CHRISTMAS SPECIAL is apparently not a perennial for most people as I couldn’t find it anywhere but YouTube. But I love the dramatization of multiple Christmas carols, the search for the meaning of “wassail” and the fact it’s a Christmas special narrated by two dinosaurs. The ending scene with the California Raisins was meant to cash in on their popularity back when they were a new advertising gimmick; while they’re now otherwise forgotten, they fit perfectly with the rest of the production. “I told you there was a Christmas song about snacks!”

The first time I caught JINGLE JANGLE: A Christmas Story (2020) I didn’t care for it but thought it might have been my mood at the time (I don’t remember whatever was harshing my mellow though). Apparently it was, because I rewatched it and thoroughly enjoyed the story of genius toymaker Jeronicus Jangle (Forest Whittaker) losing his career, his family and his love of his craft thanks to scheming automaton Ricky Martin; when Jeronicus’ granddaughter comes to visit, can she turn things around? Charming; Phylicia Rashad plays the grandmother narrating the story. “The square root of possible is the summation from one to infinity.”

By contrast UNACCOMPANIED MINORS (2006) fit my mood perfectly — I needed a talking lamp and the story of four kids running wild in a snowbound airport while the PO’d Authority Figure tries taking them down required nothing more than an occasional glance at the screen. And I didn’t give it that many glances, though in fairness, I am not the age to be the target audience.

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Bomb cyclone-mageddon is here!

Yes, I know, the name doesn’t click like “snowpocalypse.” Maybe I’ll run it by some beta-readers.

Temperatures plummeted like a stone in late morning. Even a brief hail.Then the power went off about 2.5 hours ago. So in about 90 minutes all the food in our fridge (cheese, kefir, veggie sausage) ups and dies. Our freezer has until late morning tomorrow. Given they have yet to assign a crew, I suspect a lot of food will die. And of course we can’t cook anything. I do have some dry cereal and dried fruit but that’s not the best fare. And if the power’s not on tomorrow, no tea!

And the cats are out in the freezing cold, which worries us. They’ve survived nasty weather before but it gets down to 10-12 degrees tonight. And the power is also off to our heated shelter. At least we and the dogs are indoors and can pile on blankets. Hopefully they’ll show up before night falls, though Snowdrop may refuse to come in.

Don’t get me wrong, this is more a pain in the butt for us than a crisis. But it’s quite a large pain in the butt. Even so, it’s Christmas weekend and while I’m feeling annoyed, I’m here with TYG and the dogs and I’m definitely not feeling miserable.I’d blog about writing but I’m using my phone as a mobile hot-spot and don’t want to drain it too much. So I’ll just say it went well and leave it at that.

{UPDATE: Power came back in the nick of time to save the food! Merry Christmas to us!)

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Filed under Personal, The Dog Ate My Homework, Writing