A better week than last, as we no longer have the thermostat up high. Much easier to sleep now.
Unfortunately Wednesday was a mess. I went out with my writing group the night before, so I’d budgeted the time to get up late. As frequently happens, my brain took this as a sign I was having a day off and I got started later than necessary (note to self: when getting up late either watch a short video during breakfast hours or nothing at all, so that I don’t tell myself “I have time, I’ll sit to the end.”). Then I had to scrabble frantically around to get my estimated taxes in (the equivalent of withholding for the self-employed, for anyone who doesn’t know). I never leave it to the last day, but we’d had some trouble getting all the data we needed. Ultimately I didn’t get the data so I just wrote a big enough check to be equal to what we paid last year (that should do the trick). All that took up extra time and left me rather frazzled so in the afternoon—making up last week’s sleep deficit, I guess—I wound up napping for a couple of hours instead of my usual fifteen minutes.
That aside, the week went well.
•I got in all my Demand Media articles for the other days of the week.
•I finished the 20,000 words of Brain From Outer Space I wanted done this month.
•I replotted Southern Discomforts.
•I reworked The Day the Rabbits Started Eating People (now Rabbit Indigneotem) and I quite like it. I’ll have it beta-read soon, I hope.
•I contacted two more markets about their lack of response to my submissions. We’re talking a couple of months past the response time, which I wouldn’t mind if they’d tell me the stories are in consideration. Not replying is never anything but a bad sign, so I’ll withdraw them if I don’t hear soon.
•After reading the paranormal romance Assassin’s Gambit, I took a look at my own attempt, Good Morning, Starshine, from a few years back. I haven’t touched it in four years (the rest of 2009 I was working on the Applied Science series, Screen Enemies of the American Way and planning to move up to Durham to be with TYG) and rereading revealed I didn’t even finish the last draft: About a third of the book is still first-draft elements.
Reading it now makes me wince. Like a lot of my early drafts (particularly when I’m not working on them consistently)I use the same phrases, conflicts, issues over and over because I forget I used them earlier in the story. A more fundamental problem is that my hero, Brian Dancer, doesn’t really work. I was playing him as emotionally detached and thawing in the presence of the protagonist (yeah, I know, startlingly original) but I’m not sure that comes across. I’m not sure I even like it. But as yet, I don’t have any alternative ideas, just things I don’t want (I don’t like alpha-male characters much, and I don’t want to explain his detachment with some tragic backstory).
So I don’t think I’m ready to start Draft Three yet. I’ll kick it around in my head and see what I come up with for Brian.
Even with the nap Wednesday, I only missed a couple of hours of writing time. And I made up some of the fiction I didn’t get done last week (using a time-tracker app really does help). So yay.
Category Archives: Screen Enemies of the American Way
The greatest generation and its myth
Christopher Hayes thinks we can blame the myth of the “greatest generation”—the monicker stuck on the pre-Baby Boom generation—for the way we’ve handled 9/11.
As he points out at the link, 9/11 followed several years of paeans to the WW II era and the people who fought it. And he argues persuasively that the vision of them as the Greatest Generation largely whitewashes the reality.
True, they fought in World War II and won. But as Hayes points out, some of them also opposed fighting the war because it would sacrifice Real American lives for the benefit of European Jews.
Some of them traded with the enemy. Contrary to the image of America chomping at the bit to free the world from the Axis threat, we maintained relations with Germany up until Pearl Harbor. If Japan hadn’t bombed us, we might never have gotten involved. If Germany hadn’t declared war on us, we might never have gotten involved in Europe. Some people, of course, were passionate about fighting, from Edward R. Murrow reporting from London to the Flying Tigers in China. Many others weren’t.
I don’t mean by this that they were all horrible human beings—just that being part of a particular generation doesn’t, in itself, give them any nobility. Some of them fought for civil rights and treated minorities well (or so I’d like to think). Some of them lynched blacks who got out of line. Some of them were heroes on the battlefield, monsters off it; the blogger Jeanne d’arc some years back told how her father, a much-decorated WWII veteran, also liked to beat her and her mother bloody.
I’ve always been inclined to agree with D’Arc’s assessment of the Greatest Generation legend: Baby Boomers spent years demonizing their parents as racists, sexists and supporters of the establishment; now that we’ve noticed they’re dying, we’re swinging in the other direction (“No, you’re not bad people, you’re wonderful! Why you’re—you’re the greatest generation!”). Some of them are genuinely great, but it’s because of who they were, not because of some magical generational element.
Pretty much like every other generation, in short.
Hayes’ argument is that on a wave of nostalgia for WW II as the Good War Against Evil—ignoring any of the complexities or moral ambiguities (check out Studs Terkel’s The Good War or David Brinkley’s Washington Goes to War for some of those) made it easy to see the War on Terror as WW II redux: We were rejecting Boomer rage against the system and Gen X selfishness for the self-sacrifice of an older, purer time.
This, I’m not so convinced about. Hayes argues that the WW II themes rushed in to fill the heroic void left by the end of the Cold War and give us a War-on-Terror template, but I think the Cold War actually fits better. What happened (IMHO) was that when 9/11 hit, we had an administration staffed by Cold War leftovers such as Rumsfeld and Cheney and we almost immediately fell into the Cold War pattern. We’re good. They’re evil. If we fight dirty it’s okay, because we’re good. If they fight dirty, it’s proof they’re evil. The enemy is so horrible that we can’t stop fighting, can’t hold back because they’ll overwhelm us. Everyone who isn’t with us is against us. The enemy’s agents lurk among us. People who oppose the war are traitors.
There was a lot of this in WW II, but it was brought to fruition during the paranoia of the Cold War (as I covered in Screen Enemies of the American Way). With or without the WW II themes, I suspect things would have turned out the same.
Read the article for yourself (and if you want to buy my book too, I won’t object) and see what you think.
Filed under Politics, Screen Enemies of the American Way
Newt Gingrich warns us: Atheists will impose Muslim law
As you may have heard, Gingrich told a church gathering in Georgia that “I have two grandchildren — Maggie is 11, Robert is 9 ..I am convinced that if we do not decisively win the struggle over the nature of America, by the time they’re my age they will be in a secular atheist country, potentially one dominated by radical Islamists and with no understanding of what it once meant to be an American.”
Matt Yglesias argues at the link, the bizarro evocation of atheists who are also Islamic fundamentalists makes more sense than it seems. Gingrich is talking to a right-wing, conservative Christian audience for whom American=Christian (or Protestant). Being Christian is what makes us great; if we turn secular/atheist, we won’t have the strength to stop the Islamists taking over because nonChristian secularists can’t possibly love America.
It’s a reflection of what I wrote about here, that Republicans continue to commit themselves to a white, conservative Christian constituency that defines itself as the Real America and feels it should be recognized as such even as it becomes more and more a minority.
But I think it’s also a reflection of something I noticed when writing Screen Enemies of the American Way (actually my friend Ross Bagby pointed it out to me years ago, which is one of the things that fueled my interest in writing the book). To the politically paranoid wing of America—and there’s a lot of that on the American right—all our enemies are one and the same. Communists, Nazis or Muslims, they have no purpose other than hating America and destroying democracy (Bush’s “They hate our freedoms” explanations reflects similar sentiments expressed in multiple WW II movies). As a result they’re interchangeable.
Hollywood’s version of the USSR routinely employed multiple Nazis, driving home that they were essentially the same enemy (of course, the USSR did make use of Nazis, but that no more proves any ideological kinship than our use of the Nazis). More recently the film Hired Gun showed the Russian Mafia (a frequent substitute for the KGB in film plots) and neo-Nazis equipping an Islamic militant group with a nuke to attack America.
And for some people, of course, liberals—particularly atheists and secularists (you’ll notice Gingrich’s speech assumes that secularism is apparently interchangeable with atheism)—are just as much a threat to America’s values. And so, therefore, interchangeable with Muslim terrorists.
In that sense, lumping Islamists and secularists together makes perfect sense (to the audience, I’m sure—I’ve no idea what Gingrich really believes). If American=Christian, Christian=American, so anyone who opposes Christians running America—liberals and Muslims alike—are all part of the same threat.
For many conservative Christians, there’s also the fact that it’s a given in their worldview that liberals are God-hating atheists who have made it impossible to talk about God in government, or in schools, so the fact they are actually tolerant to Muslims and not trying to ban them is proof they must be in sympathy with imposing shari’a law. Because liberals treat Muslims so much better than the oppressed masses of Christians who have no power and are on the brink of being herded into concentration camps.
So I agree with Yglesias that Gingrich wasn’t at all screwing up his argument, though I’m not sure I agree on the thinking behind it.
Filed under Politics, Screen Enemies of the American Way
Let freedom ring! or, I was an anti-integrationist for the FBI
Civil War Memory informed me that Jan. 1 was the anniversary of the Emancipation Proclamation. Rather than tackle the subject of slavery (which I’ve done recently a few times—here, for instance) I’m going to revisit 1951’s I Was a Communist for the FBI.
As I’ve mentioned in the past, one of the things that leaps out at me regarding the old anti-Communist movies (when I was watching them for Screen Enemies of the American Way) is how hostile they are to the civil-rights movement. Looking back, it’s easy to assume that people who claimed that the civil rights movement was a Communist plot were the fringe of the day; the movies remind us the idea wasn’t really outside the mainstream.
I Was a Communist is the fictionalized story of FBI informant Matt Cvetic (the plot is bullshit—the extent to which Cvetic’s character got scrubbed up as well is something sources differ on), a Pittsburgh steelworker and union man (played here by Frank Lovejoy) who’s also a Communist Party member, which costs him his family and alienates his son. If only he could tell them that he’s really an FBI informant, working for America! Tragically, even if he were able to walk away, the FBI can never reveal his methods, so his reputation will always be tarnished.
In reality, of course, Cvetic became a public figure like many professional ex-Communists, with the movie, a radio show and a Matt Cvetic Day in Pittsburgh to his credit. Within the movie, he gets redemption when the FBI completely reverses itself from You’re Too Valuable To Sacrifice to having him testify at the Smith Act trials of the party leadership (no explanation why the switch, just as in the real world nobody ever pointed out that being an informant turned into a pretty swell career gig for a lot of the ex-Reds).
Getting back to race … In one scene, Blandon (James Millican), an American Commie and Moscow-trained orator, speechifies to a black audience, delivering (in Cvetic’s words) “a hellbrew of hate cooked up in the Kremlin.” (We don’t actually hear the details) Afterwards, Blandon sneeringly refers to his audience (out of their earshot of course) with the n-word (Cvetic is shocked) and hopes that his speech will inspire a race riot; ideally, the Pittsburgh blacks will kill someone, after which the Party will raise a defense fund and then launder the money, just as they did for the Scottsboro Boys (while Communist lawyers did offer their services in that case—involving black men accused of raping the white women they’d been traveling with—I can’t find any reliable source that claims they ripped them off).
What’s striking is the total lack of any alternative to the Communist-front version of the movement. We’re shown Communists actively infiltrating the steelworkers union and browbeating the regular joes in the union into striking (it’s an axiom of these movies that labor troubles, like racial issues, are always the work of Reds—Woman on Pier 13 is another example). There’s never any suggestion in the fifties films, though, that unions themselves are inherently Red or evil; non-Communist labor movements are a good thing.
Non-communist civil-rights groups? There’s no hint these even exist. Pittsburgh’s black community are simply sheep being gulled by the Communists, who are trying to divide us when America needs to be united against the Red Menace (just as Nazis in WW II movies were forever scheming to set Americans against each other). The idea they had any real issues or discontents is studiously ignored, as it is in I Led Three Lives and Red Menace.
Part of this is probably due to the fact that American Communists did support civil rights; it’s one of the things many Communists would say convinced them to join the party in the first place. And as those of us old enough to remember the Cold War know, once Commies were associated with any idea or movement, it was instantly rebranded as a Communist Front.
Another part of it is probably packaging for an audience that wasn’t enthused on integration. Movie histories often blame this on the South, though the north was no hotbed of equality either (The Celluloid South argues the south simply wasn’t a big enough market to matter).
Part of it may have been the screenwriter or studio’s sincere belief—though I don’t think that matters. Whether they were writing what they thought would sell or making a sincere statement of belief, it’s just as loathsomely offensive.
Filed under Movies, Politics, Screen Enemies of the American Way
Midweek progress report
Despite some severe insomnia, I managed to make my eHow goals for Monday and Tuesday, and put in work on Cover Stories and Who Watches the Watchmen, both of which are looking good.
Today, I was a little off-balance: I discovered TYG is off on Friday, so I will be too, so I put in extra eHows to make up for the time off. Happily, Demand Media just started a new project, writing articles for the TurboTax website. The pay is $40 per article, and they invited me to participate; needless to say, I jumped at it. It’s only a short-term thing, but I intend to squeeze the most out of it I can.
And the really cool news: Screen Enemies of the American Way is now available for sale. It’s always an incredible kick seeing my book in print—more so now that I have TYG to celebrate with. Amusingly, my author’s copies actually came last week, but I assumed it was a Christmas gift and placed it next to the tree. Then today I checked out the return address …
Filed under Screen Enemies of the American Way, Writing
A good week
Screen Enemies of the American Way went off Monday. It arrived Tuesday. I answered a question Wednesday (and finally got around to e-mails about marketing suggestions and such). It’s done. And should be out around the beginning of the year. I feel very good about that.
•Apparently my Thanksgiving vacation, even with all the indexing, was very refreshing. Despite some occasional snags, I managed to stay up with all my eHows and keep the pace that I aspire to (roughly one an hour—I can do some faster, but it always averages back out).
•The 11th and 12th Applied Science stories, Who Watches the Watchmen and Cover Stories, are shaping up well. The improvement in the latter is really satisfying: It’s the final story in the series so I need to find the right note to end on, and I’m slowly inching toward that.
•I’ll be covering Raleigh City Council next Tuesday for the Raleigh Public Record.
•Did not find the time to work on Brain From Outer Space. But I have four weeks to go in December, so hopefully I’ll get more done.
•Mailed one magazine query off.
•Contacted a couple of magazines about the status of my story. No response yet, which is annoying: I don’t mind slow reading times, but I really, really think an inquiry should be met with all possible promptness.
I wasn’t quite as focused as I’d like at the start of the week but the end results are pretty satisfying.
And here’s the past few weeks of eHows:
•Difference Between a Private & a Public Company
•Can You Report Payments for Your Rental Property on Your Taxes?
•How to Inquire on Employment History
•What Is the Purpose of Title Insurance?
•Chapter 13 Plan Problems
•How to Remove Arsenic from House Water
•How to Reconcile Business Accounts
•How to Obtain a Business License in Charlotte, North Carolina
•401k Rollover Strategies
•Legal Issues of a Short Sale
•Refinancing Your Home FAQ
•House Insurance Questions & Answers
•Where Can You Put Your 401(k) When You Need to Roll It Over?
•The Average Salary of Biomedical Technologists
•Is There Any Danger in Giving Out My Tax ID Number?
•How to Declare Bankruptcy Individually
•How to Calculate Property Tax With a Mortgage
•IRS Limits on Charitable Income Tax Deductions
•How to File Bankruptcy While in the Military
•Can You Skip Years When Filing Tax Returns?
•How Long to Keep Receipts for an IRS Audit
•Do You Need a Social Security Number to Run a Credit Check?
•The Average Credit Score After Bankruptcy
•What Good Is a Quitclaim Deed?
•How Long Will a Bankruptcy Remain on My Credit Report?
•Is it Possible to Eliminate a Mortgage Premium Insurance?
•How to Qualifiy for a Reverse Mortgage
•FHA Pros and Cons for the Seller
•Chapter 7 Bankruptcy Vs. 13 in Oregon
•What Constitutes a Revocable Trust?
•How to Dispose of Home Appliances
•When Filing Bankruptcy Who Is Notified?
•Will My Insurance Go Up From a Hail Claim?
•Who Can Notarize a Quitclaim Deed?
•Sublease vs. an Assignment of Lease
•How to Negotiate IRS Penalties
•How to Setup a New Company
•How to Find Bylaws for a Nonprofit Organization
•The Average Salary of a Theatre Director
•How to Start a Non-Profit Organization in Louisiana
•Debt and Bankruptcy Options in Texas
•Required Elements of a Minnesota Quitclaim Deed
•Tenants Rights in Seattle
•How to File Bankruptcy in Vallejo, California
•What to Do Before You Claim Bankruptcy in Texas
•Meaning of the Full Faith & Credit Clause
Filed under Nonfiction, Screen Enemies of the American Way, Writing


