If you follow this blog, you know I’m a huge fan of DC Comics’ superheroes, and of the Arrowverse. So as we’ve now reached the mid-season break point partway through the Crisis on Infinite Earths crossover, I thought I’d review the first half-seasons. Every show but Black Lightning was shaped by the looming crossover and predictions Flash and Green Arrow would both die.
I gave up on the CW’s initial superhero show ARROW after its flat S6 and the uninteresting opening of S7 (Ollie in prison and a B-plot with his kids trying to save Star City in the future). However, with the Crisis looming and this season announced as the finish, I figured I’d give it a try — and I’m glad I did. With nothing left to hold back, the season has Ollie working for the Monitor to try and stave off the looming apocalypse. In the process he gets to see most of the show’s long-gone cast including Thea, Roy Harper, Nyssa al Ghul, Katana and Tommy and Malcolm Merlyn (parallel world versions who die in the first episode when their world is devoured by anti-matter). Plus the show brought the future kids William and Mia and their teammate Connor into the present, and interacting with the regular cast they became much more interesting.
FLASH‘s previous season was so-so (though as I love the character, I rated it better than perhaps it deserved) and the main plot this season was disappointing. The villain, Bloodwork, tried using dark matter to cure his lethal illness and instead became a freak who can create zombie armies by his control of blood. He’s not interesting, nor is he tragic (they try) and the big zombie battle that wrapped up was uninspired. On the plus side, Barry and Team Flash trying to deal with the Crisis and Barry’s inevitable death (spoiler: not so inevitable after all. You’ll see) was a lot more interesting. Unfortunately we’ll be back to Bloodwork next year.
SUPERGIRL also had a mixed previous season, ranging from the high of Jon Cryer’s Lex Luthor to the low of wasting Manchester Black. This season she’s been dealing with J’Onn’s evil brother M’alefic; Lena seeking revenge for what she feels is Kara’s betrayal; and Leviathan, a cabal of aliens out to preserve the Earth by mass-culling of the human population (plus the corporate takeover of CatCo). Some of this worked well, like M’alefic’s redemption, some of it not so much: while I can understand Lena having trust issues given her murderous family, it’s hard to have that much sympathy for her. Katie McGrath does her best, but as Alex points out, Lena kept her own secrets last season. But I’m more hopeful for the second half than I am with Flash.
BATWOMAN started its first season awfully slow as Kate Kane (Ruby Rose) discovers her cousin Bruce’s identity and deals with her longstanding trauma, the death of her mother and twin sister Beth in an accident that Kate survived. However things picked up fast as Kate stepped into the absent Bruce’s crimefighting shoes: Rose is good in the lead, supported by Lucius Fox’s son Luke (Camrus Johnson) and opposed by Alice (Rachel Skarsten) whom Kate becomes convinced is her missing sister, though dad (Dougray Scott) doesn’t believe it.
Skarsten’s Alice is a Joker-class lunatic and the actor nails it. I also like the sibling rivalry aspect: Kate’s stepsister Mary and Alice’s surrogate brother and partner-in-crime Mouse both resent that the twins still have a bond that rivals theirs. The pre-Crisis season ends with everything falling apart, so I look forward to what follows in 2020.
BLACK LIGHTNING ended S2 with the American Security Agency locking up the entire Pierce family. Things haven’t improved this season as the ASA places Freeland on lockdown, nominally to protect from the Markovian terrorists but just as much to control them. By the mid-season point, Jeff has given up on trying to be moderate, Blackbird’s a revolutionary, Jennifer’s doing wetwork for the ASA and the agency’s scheming Odell has Lynn addicted to the greenlight drug. It’s grim stuff, but I’m enjoying it. This show continues staying apart from the rest of the Arrowverse: Jeff appears briefly in the crossover (I’ll review that in a subsequent post) and the show’s final pre-crisis episode involves Jennifer encountering her parallel-world selves from out in the multiverse, before Black Lightning’s earth dies (don’t worry, I’m confident they’ll be back).
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