DC/YOUNG ANIMAL: Milk Wars by multiple writers and artists was a crossover event between Gerard Way’s Young Animals imprint and the mainstream DC universe. A sinister corporation is purging Earth’s reality, turning Superman into a milkman, Batman into an affable preacher and Wonder Woman into Wonder Mom; can the Doom Patrol, Mother Panic and other imprint characters save the day? This was fun but as the one section drawing on a character I didn’t know fell flat (Shade, the Changing Woman, thanks for asking), I’m not sure it would work for anyone who doesn’t know them. And the meta-commentary about how corporate culture blands out original ideas didn’t entirely work — you can make the case for Wonder Woman, but Batman’s been getting darker and crazier year after year, not blander and nicer.
WONDER WOMAN: Amazons Attacked by James Robinson and Stephen Segovia was better than Robinson’s first WW TPB, but it’s still a long way from being enjoyable, let alone good. The plot has Jason and Diana adjusting to their new relationship while Grail and Darkseid make their bid to take over Earth. But Jason, Grail and the New 52 Darkseid are all dull and the story didn’t do anything to improve things.
LEVEL UP by Gene Luen Yuang and Thien Pham is an oddball story about a Chinese-American kid, Dennis, whose nose-to-the-grindstone approach to life (how else can he fulfill his parents’ dream of becoming a doctor) falters when he discovers video games; then four angels appear to keep nudging him along the path of absolute dedication. As one reader said, Yuang comes off as embracing the cliche that nobody who plays videogames can hold down a normal job; that aside, this isn’t entirely successful but I did find it entertaining.
THE BATMAN FILMOGRAPHY Second Edition by Mark S. Reinhart is a detailed look at the plots, production values and backstage conflicts of all the Batman movies from the 1943 Batman serial through Dark Knight Rises, as well as covering the comics, TV series, direct-to-video films and Bats’ appearances in Superman’s radio show (my friend Ross helped Reinhart with that). I skimmed a lot of this because I don’t need a detailed break down of the film plots, but Reinhart still does an excellent job detailing the creative decisions that blessed or broke the franchise (Tim Burton getting a free hand to make Batman Returns led to a much darker, grosser film than Warner Brothers wanted, for instance).
DELINQUENT DAUGHTERS: Protecting and Policing Adolescent Female Sexuality in the United States, 1885-1920 by Mary E. Odem covers some of the same material as Trials of Nina McCall and Bad Girls but does it better. At the end of the 19th century, women reformers began pushing to raise the age of consent, which was ten in most states, to sixteen or eighteen to protect girls from predators (one fear men expressed at the time was that underage girls would seduce them, then cry rape to blackmail them. The more things change …). Odem then looks at how this played out in the legal system (more inclined to slap guys on the wrist and punish the women), parents (many of whom saw the new laws as a way to restrain their daughters’ independence), across class lines (middle-class reformers equated working class working moms, let alone working daughters, with Bad Parenting) and the girls themselves (neither as innocent as the reformers thought or the cheap tramps the legal system imagined). A good book that catches the ambiguity and complexity of how this stuff worked out in practice.
#SFWApro. Cover by Pham, all rights remain with current holder.
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