BAD GIRLS: Young Women, Sex and Rebellion Before the Sixties by Amanda H. Littauer is the flip side to Trials of Nina McCall, looking at the kind of sexually active women the American Plan longed to lock up somewhere. Littauer’s selection includes “victory girls” who partied with soldiers during WW II, lesbians, prostitutes, kids going steady (which teens rationalized made it OK to have sex) and women discussed in and responding to the Kinsey Report on female sexual activity. Informative, but Littauer’s style is stiff even for a university press book, and I can’t help feeling there’s something missing, though I’m not sure what.
EARTH’S LAST CITADEL by CL Moore and Henry Kuttner starts in 1943 as protagonist Alan helps a brilliant, crotchety scientist escape from the Nazis. As the Nazi agents (a former mob triggerman and an Karen, an adrenaline junkie who does spy work for the thrills) catch up with them, all four are trapped by an ET, then thaw out in the very, very distant future, after the ET’s race has xenoformed Earth to their liking, then died out. Exploring the strange title city, the quartet (fully aware that their political disagreements mean very little now) discover an Eloi like race, a malevolent telepath — oh, and one of the aliens may not have died after all …
This is exotic, imaginative and colorful, the kind of pulp stuff I love. However, while I enjoyed it, it’s kind of a mess; the plot changes direction so much I wonder if they were making it up as they went along and kept changing their minds (it was serialized, like a lot of SF stories at the time). Karen is an interesting character but she virtually vanishes, with more attention going to Alan’s Eloi love interest; nor do they do anything with the idea the scientist, while brilliant, would sooner party than work. by
Cary Bates redefined Charlton Comics’ Captain Atom (the prototype for Dr. Manhattan in Watchmen) in his 1980s series, turning him into a government agent posing as a superhero to infiltrate the metahuman community. Nobody who followed Bates did anything good with the character, and DC’s New 52 turned him into a Dr. Manhattan knockoff. Now comes THE FALL AND RISE OF CAPTAIN ATOM by Bates and Greg Weisman which allows Bates to reboot the character close to Bates 1980s version. In his last battle, Captain Atom apparently dies but actually gets thrown back to the past. When he returns (I’m simplifying a lot of plot here) he presents himself as a new, improved legacy hero — but what about the family he left in the past? And can he really trust his military superiors? Nothing’s been done with it since, and I’m not sure how it works for anyone who doesn’t love the 1980s version, but I give it solid thumbs up.
Andre Norton’s WITCH WORLD was an insanely weird genre mash-up when I read it in the 1970s (about ten years after it appeared). Simon Tregarth begins as a veteran forced into a life of crime which is about to get him killed. A mysterious occultist offers him an escape via the Round Table’s Siege Perilous, which magically takes anyone who sits in it to the world they belong.
From that thriller opening (which I like enough I’m working on a variation of it) Simon arrives in Estcarp, a land ruled by a matriarchy of witches. Already surrounded by hostile nations, they’re now facing the threat of the sinister Kolder, who turn out to be a high-tech race as alien to the “witch world” (never called that, it’s just the world) as Simon.
It’s a good book with some interesting characters; I particularly like that Simon, while competent, isn’t a chosen one or a superman, he’s just a competent soldier. He doesn’t really do anything spectacular until the final section of the story. Given how many protagonists I see who are devastatingly bad-ass, this was refreshing.
#SFWApro. Top cover by Tim Hildebrandt, middle by Lawrence, bottom by Jack Gaughan