Tag Archives: let no man put asunder

Considering how it started, this week went quite well

When TYG and I got back from our madcap Mensa weekend we picked up the dogs from doggy boarding, then I made chili (quick, easy, tasty — perfect for the end of a long day driving). I’d already planned to take Monday off so that if the dogs, Wisp or Snowdrop wanted some extra attention after our absence I’d have no conflicting obligations. That proved fortunate because Sunday night, Plushie came down with the every-two-hours squirtling diarrhea.

As TYG has a less forgiving boss than I do, I took point on walking him and spent most of Monday in a daze. I tried taking naps during the day but invariably Wisp would start demanding to come in or Plushie would suddenly discover it was time for a new squirtle. He stabilized Monday night thank goodness, then Tuesday TYG took him to the vet. They found nothing; we brought him in for an ultrasound Thursday but haven ‘t heard the results. While we’d love to know why he’s had this problem more than once this year, we’re relieved they didn’t find cancerous lumps in his stomach or anything like that. If diarrheal 1AM walkies are the trade-off for keeping him around, so be it.  But for the moment he’s back to normal potty hours and solid poops.

Oh, here’s a look at him after the ultrasound. He’s so sensitive to pain (“A sensitive boy” as they put it at the vet’s), they drugged him to be comfortably numb. He remained stoned the rest of the evening.I was quite exhausted the rest of the week. Coupled with the cats spending time in the morning, I wound up not getting any exercise done; my diet was none too healthy too. Work, though, went pretty well

First up, I finished the revised Mage’s Masquerade and it looks good. I started looking for markets without any success so far though I did stumble across markets for Bleeding Blue and Fiddler’s Black. Both are now out.

I also put in work on The Cheap Assassin and have at least a working idea of the story/character arc (it’s a character-centric story). At this point, however, it’s heavy on talk rather than action. I need to find a way to have something happen besides exposition. I’ve had that problem before; it’s fixable.

I put in a couple of thousand words on Let No Man Put Asunder which gives me the 10,000 I wanted for this month. I may do more next week but there are other projects I can concentrate on. I also spent some time planning the next draft of Impossible Takes a Little Longer. I’ve realized KC needs to be a lot more intense from the first chapter; I can see how to do it.

I also worked getting the manuscripts for 19-Infinity and Oh the Places You’ll Go ready for self-publishing. That included sending the latter story out for beta-reading. I have a cover image for it as well; hopefully I can have it out and for sale by the end of April.

And over at Atomic Junk Shop I look at the impact of Steve Ditko leaving Marvel plus a couple of stories I just like. Over at Con-Tinual’s YouTube channel, I’m one of the panelist discussing mythological tropes.#SFWApro. Have a great weekend everyone. Cover by Jack Kirby, all rights remain with current holder.

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Filed under Impossible Takes a Little Longer, Personal, Story Problems, The Dog Ate My Homework, Time management and goals, Writing

In a sense, this week was inevitable

As I’ve written before, things such as workweeks have a tendency to average out — just by random fluctuation a string of good writing weeks will be balanced out by a bad one. Which was this week.

I knew today would be a non-starter because I’m spending it doing stuff with TYG, but I’d planned to make the most of the other four days. Monday I got maybe 2,000 words done on Let No Man Put Asunder; however I think much of it will need reworking before I go on.

Tuesday I put in some work on a short story and its showing progress.

Wednesday the cats came in and snuggled with me for around an hour (as in this older photo).That’s very cool, and Snowdrop even stayed in when I closed the door. However it left me no time for exercise or stretch before the dogs woke up which left me feeling off. After breakfast, I wound up squished between Wisp in the lap and Trixie next to her, both demanding petting and erasing my personal space — and my mind just balked. I got some blogging done, and a little research reading but no writing (blogging, when I’m point, does not count against writing time).Thursday my focus didn’t come back up. It’s partly my old devil of knowing I’m not going to work a full week so why bother to put in any work at all? I did get some stuff done, but low priority, low-intensity stuff, research for my planned Jekyll and Hyde and Doc Savage reference books. Writing would have been better.

Like I said, the law of averages says not every week is going to be stellar. This one wasn’t. But I did get $16 bucks for some of my books from Draft2Digital sales (thank you, whoever you are!). And over at Atomic Junk Shop I published some thoughts on what makes the Bronze Age of comics distinctive and a couple of Silver Age stories that just stuck with me.

#SFWApro.

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Filed under Personal, Short Stories, Story Problems, The Dog Ate My Homework, Time management and goals

Did I miss a golden opportunity?

With my regular cash clients on indefinite hiatus, I’ve been applying steadily to freelance positions advertised on journalism websites, Linked In and the like. The most interesting was for a “with” ghostwriting gig, as in The Perfect Assassin by James Patterson with Brian Sitts. The company in question provides the plots, then pays a writer to flesh out the details — dialogue, setting, etc.

They’re doing this in several genres so I applied for the fantasy gig. Last week I turned in a 1,000-word scene following their plot, and I think it was good, but they gave me a No at the start of this week. The problem may have been that my tone was urban fantasy when they wanted a Tolkien or George RR Martin vibe. Did I miss a golden opportunity? It would have certainly been more fun than most of my paying gigs and might have boosted my name recognition factor. On the other hand, I don’t know what length of book they wanted: the pay would have been good for 60,000 words, unsatisfying for 100,000. Plus it would come in three scheduled payments per book (one when the first quarter is done, one when the manuscript is done, one when revisions are finished or something like that). I don’t suspect them of chicanery but a new company might run out of funding before I got the cash.  Who knows?

Otherwise the week went well. I spent some time jotting down ideas for the next phase of Let No Man Put Asunder and got about 5,000 words done. I’m already thinking of revisions; if I hit my minimum for the month, 10,000 words, I may go back and polish everything, as I did with the first few chapters already.

I rewrote Mage’s Masquerade and I’m really pleased with it. I’ll print it out and do a final read in hard copy later in March.

I finished rereading The Impossible Takes a Little Longer and it’s much better than I thought. Not publishable but as I’d hoped, the story arc is largely there. I started jotting down notes on fixing things; a big one is a lot more intensity in my protagonist’s emotions. I’m putting her through the ringer but it’s not showing on the page.

I read the second half of Obolus to the writing group — well, I got about halfway through in the time allotted. That’s frustrating as I need feedback on the ending, so I’ll wait and read that part again at the next meeting. Otherwise the reading went great. They found it much improved over the draft I read them a couple of months back. One guy said my lines were so good that like Douglas Adams I distracted him from the flow of the story. I can live with that.

I also reread Oh the Places You’ll Go! which I intend to release as a solo short story. It looks good but it made take more editing to make it good enough.

That plus a little bit of research reading covers it, I think. Plus I had articles about comics writer Jim Shooter and a noteworthy Silver Age Hulk tale over at Atomic Junkshop. On Con-Tinual’s Facebook page I participated in a discussion about Wonder Woman, a topic you may have noticed I’m fond of.

#SFWApro. LOTR covers by Barbara Remington, Wonder Woman cover by Gene Colan. All rights remain with current holders.

 

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An unprofitable but productive week

“Unprofitable” in the literal sense: my writing cash flow is the lowest it’s been in a couple of years. One rejection today from a good-paying market. A possible client who said they’d be in touch has ghosted so I’m guessing they found a writer they liked better. But one of my rules is to keep writing even if the cash flow is low. I managed that.

I completed another chapter of Let No Man Put Asunder which puts it over the 10,000 words I wanted to finish this month. I do think I’ll have to go back and rewrite a couple of fight scenes — I was reading up on fight-scene construction today — but overall I’m very pleased.

Last week I mentioned I had problems with the mystery plot of Mage’s Masquerade and the villain’s motive for using a rather clumsy plan. Much to my surprise, when I sat down this week the solution came fairly quickly (I’ll blog about it soon). I think the story’s looking much better.

Plus I put in a lot of work on The History Arcane, including changing the title. I have enough 20th century works that I can make a slightly smaller anthology purely drawn from that era; I think that gives it a stronger feel so I’m going with it. The title is therefore changed to 19 ♾️, which one of my writing friends suggested (I forgot whom, alas). I also put in a lot of time with initial editing and straightening up the manuscript; some of the stories date back to when I’d use underlining to indicate italics rather than just italics (that’s how it used to be done). I’m also going to try for a bigger publicity push and see if I can sell more books. Though I did sell another digital copy of Questionable Minds this week — thank you, whoever you were!That’s pretty much it, but it’s a satisfactory work week. Two months into 2023 and it seems I still have game.

#SFWApro. Cover by Samantha Collins, all rights remain with me.

 

 

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A good week, if you discount the three rejected short stories

Because that part kind of sucked. Of course, it’s par for the course in this business, but it’s still no fun. At least two of the three were “send us more stuff some time.”

That makes me that much happier that some of my unpublished stories will come out in my self-published anthology, The History Arcane (no release date yet). As I’ve mentioned before, submitting to magazines takes time to review the guidelines, make any odd changes required to the manuscript and of course to read the magazine and see if the story’s a good fit. Self-publishing is unlikely to turn a profit but they’ll be out in the world at last, and that will be great.

(The cover, if you were wondering, is from a story arc dealing with the occult history of America, as is the Dr. Strange below)

Another disappointment this week: I’m postponing my plans to open a store. I’d planned to open a Shopify store and incorporate it with this website, but that costs more money than I have right now. So then I thought I’d go with a stand-alone Shopify store — it’s about $5 a month — but then I bogged down. Picking themes, dealing with legal questions about how much data the store retains (I’d prefer “nothing I don’t need to function” but that’s not an option … I think) and the need to pay extra for more apps to do this or that. I’ll stick with making the store part of this website as I’m familiar with the environment. I’ll wait until it’s time to renew my domain name and then upgrade my plan. That’ll also give me time to work out some details.

The writing went well. Normally I don’t rewrite first drafts as I go, but I went back over the first five chapters of Let No Man Put Asunder and got part of Six done. It was a wise choice as a couple of things I planned to do in Chapter Six I’d already done earlier in the book. Now, though, I think they’ve had enough of “run, get attacked, fight back” so I need to change things up. I’m not quite sure how yet.

I rewrote Mage’s Masquerade and it’s much improved. However I’m still not sure it’s improved enough: the romantic arc works but the murder mystery still hinges on a couple of handwaves. Fixable but, again, I’m not sure how.

I took a look at one of my older, unfinished stories, The Cheap Assassin, and found it frustrating. It’s got a great opening and I know there’s a killer story there, but at the moment I can’t see how to unearth it. But it’s much easier to try when I’m confident something is there.

I worked on History Arcane, drafting an introduction and collecting the stories. The total’s about 90,000 words so I may opt to take a couple out and make it smaller and cheaper. Or maybe not.

And I took up part of the week doing our taxes. They’re unusually complicated this year and I can’t quite believe we owe as much as my figures say. But part of my reason for doing them early was so that I have time to double-check everything; indeed, I already shaved the bill down by correcting a couple of mistakes.

A minor win: I have consistently put in more than my self-imposed minimum of 30 hours a week every week this month. This is a good thing as my time management has been running in the opposite direction in recent months.

So that was my week, bring on the weekend. To close this column, here’s our ever vigilant guard dog, Trixie, alert to the scent of evil.#SFWApro. Covers by Tom Mandrake (top) and Gene Colan, all rights to images remain with current holders.

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It’s a shame I cannot work full-time on fiction and pay the bills

Because as my one of my main nonfiction clients (I’m not counting McFarland) has wrapped up its project (I suspect they’ll be back with something else eventually) and the other hasn’t contacted me in a while, I’ve been doing mostly fiction. I’m enjoying it. When I’m too tired for fiction, I work on submitting shorts or paying taxes.

It can’t last though because I need to make money on top of my Social Security, and make it more regularly than occasional short story sales and McFarland royalties. Though speaking of sales, I sold another copy of Questionable Minds recently, so thank you unknown purchaser.

So I’m applying for various other freelance gigs. I’ll let you know if any work out.

But this week, at least, I got to make fiction a priority. I rewrote Mage’s Masquerade and while it’s not finished, I think I’ve licked the problems with both the mystery plot and the protagonist’s love relationship, building them up so they make sense. I rewrote Paying the Ferryman (I have got to think of a better title) and much improved it. However I think it’s as good as I can get it without feedback so I’ll read it to the writing group soon. I also worked on a couple of short stories that are still in the Oh God, This Will Never Work phase. If I keep working on them hopefully they’ll be in better shape soon; one I think is close, the other … may be a waste of time. We’ll see.

I got some more writing done on Let No Man Put Asunder. It’s going well, though that has me pessimistically waiting for when I discover I’ve plotted myself into a dead end. But you never know, maybe I haven’t.

I also started work on putting together my Magic in History anthology (which will have a better name soon). I know the stories I want to include and I’ve begun the editing.

I also began thinking about my next film book, though I’m not pitching McFarland right away. Out of three possibilities, I’m inclined to go with a Dr. Jekyll and Mr. Hyde b0ok. It’s a small enough number of movies that it won’t consume as much time and effort as Aliens Are Here did. However I will have to answer several questions before I propose it, mostly about boundaries. For instance, where is the line between Jekyll and Hyde and split personalities in general? Or a film such as The Nutty Professor which is very much a Jekyll and Hyde variation even though it’s different characters? Stay tuned.

Satisfactory all in all though it is sometimes hard maintaining a high creative level. As I mentioned in a previous post it would help to get up and take breaks but it’s hard sometimes to break away, especially with dogs in my lap.

Speaking of which, here’s Trixie hoping I’ll play with her favorite toy, the rubik’s cube on the floor.#SFWApro. cover by Samantha Collins, rights are mine.

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Filed under Nonfiction, Personal, Short Stories, Story Problems, Time management and goals, Writing

A “disorder under heaven” week

A line of Mao Zedong I’ve occasionally quoted is that “there is disorder under heaven but the situation is excellent.” That sums up this week. It started off frustrating but turned out much more productive than the shakedown cruise of the first week in January.

Monday I had to deal with Plushie’s puking, plus help TYG out with some stuff. That sucked up much more time than expected and chopped up the day into small bursts of time where I couldn’t accomplish anything. Tuesday TYG and I had more stuff to take care of, plus I had my dental cleaning in the afternoon. Once again the day broke up into periods to small to build any focus.Still, I’m pleased with my work. I got another 4,000 words done on Let No Man Put Asunder, which is harder than I thought. After waffling in December, I’ve committed to keeping protagonists Paul and Mandy in the city of Blue Ivy (which I’ll probably rename) at least for the early part of the book. That means instead of having them on the run, alone, they’re having to deal with Mandy’s family, the city police department, plus the bad guys who are after them. All of that changes things up and my mind keeps suggesting more changes. Plutarch, a psionic boy from an alt.Greece is now Flavia, a Nubian slave from an alt.Rome, still psionic but also blind. She gets to keep Plutarch’s living-metal bodyguard, Talos, however.

I rewrote Paying the Ferryman and I think I’ve fixed the problems. I’m going to have my writing group beta-read the second half, however (it’s 8,000 words) to see if it holds up as well as I think, and what to do if it isn’t. I rewrote Bleeding Blue and I think that definitely works: I’ll wait until the end of the month, then make a final proof in hard copy.

The one where those missing two days hurt me most was Impossible Takes a Little Longer. I did get some work done on the book but nowhere near as much as I’d have liked.

On the downside, Adventures of the Red Leech came back from the Sherlock Holmes/Lovecraft anthology I submitted it to. I may send it out again, or save it for Magic in History, the historical fantasy collection of my own stories I plan to put out (needs a better name, though). More disappointingly, Gollancz sent back Southern Discomfort. I’m not shocked — a big publisher announces a window for unagented submissions, the competition’s bound to be tough — but it’s frustrating. I’ve hit almost all the specfic publishers who accept books without an agent and the remaining ones are currently closed to subs. Perhaps it’s time to self-publish again?

Over at Atomic Junk Shop I’ve published a late MLK Day piece and a look at the new generation of comics writers — Roy Thomas, Cary Bates, Denny O’Neil, Jim Shooter — who debuted at DC or Marvel in 1965 and ’66.

I’ll close with a look at Trixie and Snow Drop nuzzling. I wouldn’t say our cats and dogs are friends but they get along okay.#SFWApro. Cover by Gil Kane, all rights to images remain with current holders.

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Filed under Impossible Takes a Little Longer, Personal, Short Stories, Southern Discomfort, Story Problems, The Dog Ate My Homework, Time management and goals, Writing

Let No Man Put Asunder: Finding the Sweet Spot

So last month I finished the first chapter of my rewrite of my second novel, Let No Man Put Asunder. I rewrote it once some 15-20 years back; I’d have rewritten it again by now except most of the manuscript is gone. I did get a couple of chapters beyond the cutoff, but somehow every attempt to progress further hit a mental dead end.

This version though is a radical break. My protagonists, Adrienne and Neil, were mostly in good shape when the bad guys kidnap them into another dimension. To their surprise, it turns out that a weekend of death and danger (the story moved pretty fast) also gave them things that were missing in their life. Fresh adventures would have lain in wait …

New protagonists Paul and Amanda aren’t in such great shape. Mandy has been de facto mother for her five siblings and caregiver for her terminally ill dad since she was fifteen — as we learn in the first chapter, Mom decided terminal illness wasn’t something she wanted to deal with and walked out. However it’s been twelve years and Mandy’s recovered from Mom’s betrayal (but has not forgiven her at all).

Paul is in much worse shape as his big blow came less than two years ago. His academically prominent parents pushed him to excel from elementary on. He’s had no social life, has no idea who he’d be if he didn’t have his nose buried in books all the time, so finally he told them, right before senior year, he was taking a year off after college. When he arrived back at school Paul discovered his folks hadn’t paid his tuition, had broken the lease on his apartment and drained the joint bank account they used to provide him with ready cash. But no problem, just take back your foolish decision, son, and everything gets back to normal!

He didn’t take it back.

The Adrienne/Neil version had a first chapter set here on Earth, then we were off into other, wilder dimensions. I’m not sure that’s the way I want to go. The town of Blue Ivy, where Mandy and Paul meet in 1976, feels like a good setting. It’s a grimy industrial town but it also has several colleges, with the usual college/townie conflicts. It seems a shame to just forget about it and go elsewhere, particularly in America’s bicentennial year (I don’t know if I’ll keep using that year but if I do, I should be able to make something of it).

The trouble is, I don’t want to go the urban fantasy route. I enjoy reading books where the normal world is just a shell hiding a reality full of magic but I don’t seem inclined to write them. Southern Discomfort is closer to intrusion fantasy: the normal world works much as we see it but something magical has intruded in, disrupting things. In Questionable Minds there’s no hiding: the world is full of psychic powers but they’re being wielded in plain sight.  In Atoms for Peace the mad science that’s made the world so different from our 1950s is also commonly known. In Impossible Takes a Little Longer, super-powers are the same way.

If I set Asunder on Earth, I want it feel like magic is an intruder, not a regular resident. That was doable in Southern Discomfort because the magic almost all stems from the elves Olwen, Aubric and Gwalchmai and it’s limited to one small town in Georgia. Asunder has a lot more magical people running around with much flashier powers. And the different characters — Mountebank, Grainge, Cordelia Winters and Hypatia, to name four — don’t fit into the same magical mythos. They didn’t have to in the original version and I see no need to change that. But it would, again, make an odd urban fantasy

So do I go urban fantasy anyway and find some way to make it work? Go back to dimensional jumping and kiss Blue Ivy goodbye? Maybe make Blue Ivy some kind of Hellmouth where, like Sunnydale, things are weirder than the rest of the world?

There’s also the practical point that I’d like my protagonists isolated, at least for the first few chapters. That’s harder to do in a setting where they know everyone.

Normally I’d plunge ahead and pants these questions as I go but the first chapter ends with Mandy and Paul falling through a magical gate of some kind. I need to know where they land.

Wish me luck!

#SFWApro. Cover by Samantha Collins, rights to the image are mine.

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