Category Archives: Reading

Doing the research

As I have to work downstairs with the TV to watch a lot of the films for Jekyll and Hyde, a number of research books and DVDs end up stored on one of my bookshelves. Behold!

As some of you may notice this includes research books (in the bottom corner) for Savage Adventures, books I’ve read for fun and haven’t put up yet, and library books that need to be returned (The Zuni Cafe, which wasn’t as useful for the way I cook as I’d hoped).

By the end of the year Jekyll and Hyde will be done and everything will go back to its proper place. I look forward to that day.

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Wednesday weird covers

I like them, but the imagery says “weird” to me. Which is not necessarily a bad thing.

First by Julian S. Krupa.

Next Kelly Freas, showing some of Richard Powers’ influence I think.

This one’s by Powers himself.

George Sfarza’s cover is maybe not so weird as much as … I don’t know, shimmery? Again, I think it has a Powers quality.

And last but not least, Frank R. Paul.

All rights to images remain with current holders.

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Arthur’s descendant, black actors and some graphic novels: books read

It’s been two years since Tracy Deonn’s second Legendborn book, Bloodmarked, came out but OATHBOUND was worth the wait. In the aftermath of being almost possessed by Arthur’s spirit, Bree — a black teenager, linked to Arthur by blood (his slaveowning descendant raped her ancestor) flees the Order of the Table and strikes up a deal with Erebus, sorcerer of the order and secretly a demon. He’ll use her and train her both, but the cost is partial memory erasure — she no longer recognizes anyone in her life.

And what of the two boys Bree’s possibly into? Selwyn’s demonic side is eating him alive. Nick, the descendant of Lancelot who thought he was the Scion of Arthur, is out looking for them both. Inevitably Bree and Nick wind up meeting; unfortunately it’s undercover at a demonic collector who’s offering an artifact Erebus needs. Can they help each other get out alive?

This was a bit too sprawling — Selwyn’s scenes (more his mother’s scenes) were mostly “remember I’m a character in this!” — but overall it was another excellent volume. I know Tracy but my admiration for her work is neither bought nor paid for.

COLORIZATION: One Hundred Years of Black films in a White World by Wil Haygood looks at the great and not so great moments of black filmmaking and acting (looking back from 2021 when this came out): Sidney Poitier, Denzel Washington, Oscar Michaux, Stormy Weather, Friday Foster, John Singleton, Spike Lee … And also the racial history happening in the real world as these movies were coming out. And the constant frustration by black moviegoers, creators and actors that no amount of money seems to convince Hollywood making black-centric movies is a winning strategy.

This wasn’t as good a read as I expected, partly because I know a lot of what Haygood has to say (which is absolutely not his fault). Partly because I’d have liked less politics and black history and more on the movies — there’s much more material worthy of coverage that doesn’t get any (nothing about The Color Purple, for instance). The conclusion, like The Black Guy Dies First, is surprisingly upbeat that the dam has finally cracked.

AQUAMAN: Amnesty by Kelly Sue DeConnick and Viktor Bogdanovic faded from my memory almost as soon as I’d read it. Primarily that’s because it’s a post-New 52 reboot that spends most of its pages establishing what is and isn’t in continuity and filling in an amnesiac Aquaman on his secret origin.

OMNI: The Doctor Is In by Devin Grayson and Alitha E. Martinez is the first (I think) in the new Ignition! universe: protagonist Cecilia, always bright, now discovers she’s super-intelligent because she’s somehow been ignited (equivalent to the jumpstart in the Ultraverse, I’m guessing, though that may mean diddly squat to you). With her heightened intelligence comes the certainty that more ignited are on the way and the governments of the world may not respond well … Too much set-up for me, and not that different from Heroes or the CWverse on TV.

Jeff Lemire’s FISHFLIES has a panicked petty crook kill a boy, hideout in a grain silo, befriend the abused daughter of the farmer and then turn into a giant bug. Switching from crime drama to a riff on Metamorphosis is an odd choice but overall this worked for me, though it didn’t work hugely.

Comics cover by Brian Bolland. All rights to images remain with current holders.

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Wednesday is Woden’s Day …

So let’s celebrate with some Thor covers. Here’s one showing all the key players getting ready for the coming conflict.

Here we see Thor facing off against villains while burdened by a helpless Jane Foster. No dialogue but the captions give us a sense of the stakes.

Thor dies! Simple, dramatic high stakes.

Those three were by Jack Kirby. Here we have one by John Buscema. It’s less clear what’s going on but Infinity is capturing entire worlds and the Silent One looks suitably ominous.

Last but not least, the first cover of Walt Simonson’s glorious run on Thor. Shattering the title logo and showing us Thor apparently turned into a monster.

All rights to images remain with current holders.

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Series: one beginning, one end

When THE HIGHFIRE CROWN: Blood Magic Book 1 by JT Krull went on sale on Kindle after I’d seen it in so many FB ads, I figured what the heck, why not? Yes, famous last words.

Protagonist Jax is a wizard in Johannesburg, which in urban fantasy fashion includes elf suburbs, orc mafia, goblin amusement parks and other stuff to which the mundane masses are oblivious. Magic draws on pain and most wizards inflict that on someone else; Jax dredges up suffering from her rough life to fuel her magic (that’s inspired). Her cop BFF alerts her to the murder of a woman who looks just like Jax but before she can investigate (that plot is Book Two) she’s hired by a wealthy elf to acquire an important McGuffin. Then she gets a second case, protecting the “orc godfather” of organized crime from a hit (which would plunge the magical community into vendetta, power struggles and chaos). And a third, involving a missing woman. That’s a lot of cases — be funny if they all tied in, wouldn’t it? Though that’s a common enough twist I don’t mind it.

I like Jax’s magic and the magic ferret she winds up adopting. But urban fantasy settings with this much magic and magical beings don’t do it for me, particularly when they have to live among the rest of us unnoticed. And I can’t help wondering how all this plays out in a country that ended apartheid a little over 30 years ago. More broadly, Johannesburg doesn’t feel any different from any US city.

And while “orc mafia” is a reasonable phrase, like “Russian mafia,” it’s odd that the orcs take titles like Godfather and eat Italian, as if they were the real Mafia. Did the first orc crooks imitate the Godfather movies in the style of Star Trek: A Piece of the Action?

The biggest weakness is that while Krull knows the beats of hardboiled wizard-detectives and down-on-their-luck PIs, it feels like she’s just ticking off the beats without any sincerity (this is a subjective assessment — I don’t claim to know what was in her head). In any case, this wasn’t for me.

My friend Samantha Bryant wrapped up her Menopausal Superhero series with Change for the Better — and while she is a friend, I really did like this one. Typically for the series, it’s less about the action and more about the personal drama (which doesn’t always work for me, but does here). Patricia the Lizard Woman and her new partner are having spats but are they a relationship killer? Is Jessica becoming addicted to the energized emeralds that help her control her powers? Is the flamethrowing Helen ready for rehabilitation?

On top of which the “Liu-van” metahumans discover their organization has a traitor in it, old foes are resurfacing and something sinister they can’t figure out is behind it all.

I think the Big Bad needed more backstory (or at least an origin) but that’s my only complaint. Samantha asked me a while back if the ending worked and it does — it’s a “the series ends but the adventures will continue” ending but that’s fine. And enough of the emotional arcs get resolved to feel satisfied (I must remember to tell her that).

Cover by Melissa McArthur, all rights to image remain with current holders.

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Would you buy a diamond from DC Comics?

Over at Atomic Junk Shop I’ve blogged about advertising in comics but the image below may be the weirdest one yet.

Comics sold a lot of random, surprising things back in the Silver Age but diamonds? Is the overlap of “guys who read comics” and “guys who need to buy diamond rings” that huge? I notice the specific reference up top to “military men” but the same question applies. Was the advertiser misjudging the market? Or was the rate so cheap they could afford to take a chance?

And, of course, did the rings ever show up when you sent the money? Were they worth anything? As Mail-Order Mysteries didn’t cover this particular mail-order option, I may never know.

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Three covers, chosen at random

First, by Mitchell Hooks.

I know the title refers to kidnapping but it still puts the wrong thoughts in my head.

Next up, this uncredited cover, from the days when movie novelizations were a common thing (are they still?).

My review of the movie is here.

And last, this cover (art uncredited) just because it’s cool.

All rights to images remain with current holders.

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New adults, kaiju, reporters and more: graphic novels

Kate Gavino’s A CAREER IN BOOKS: A Novel About Friends, Money and the Occasional Duck Bun follows three Asian-American twentysomethings struggling to make it in publishing, and their discovery one of the tenants in their apartment building is a famous author. This suffers from too much New Adulting (that’s not a genre I go for, though that isn’t Gavino’s fault) but also from her art style. This feels less like a graphic novel and more like a collection of standalone one-panel cartoons. The story would make a good movie though.

Chris Gooch’s IN UTERO didn’t quite click with me but it’s better. Tween Hailey winds up in a holiday camp in an abandoned office building where she meets a kid who can walk through walls, discovers a kaiju in the basement — and meanwhile a hazmat team in the building is assuring their scientists that clumping these strange oozing organisms together in one big jar won’t cause any problems …

DC PRIDE: To the Farthest Reaches is the 2025 annual anthology celebrating DC’s LGBTQ characters. It suffers from me not being up on current comics: tie-ins to big events don’t work, I don’t know some of the characters (never met Circuit Breaker before which makes it harder to care he’s dating Pied Piper) and some things completely baffle me (Raven’s acting like a normal twentysomething?). However Phil JimenezSpaces about his lifelong love for Wonder Woman (surely an island where women ride giant kangaroos would welcome a weird little kid?) and the importance of that kind of fantasy space was incredibly moving.

BURY THE LEDE by Gaby Dunn and Claire Roe has an imprisoned, manipulative killer recruit a rookie reporter as the one person she’ll give interviews to, steering her towards a rising political star with a very dark secret. There was a lot I liked about this, even though the killer’s Hannibal Lector-style games felt unnecessary. However protagonist Madison gets seriously unethical over the course of the story; there are some kinds of journalism stories where that works dramatically, but this wasn’t one of them.

IONHEART by Lukas Kummer is the story of a knight in a parallel world where our technology, drifting across the dimensional borders, is seen as dangerous magic. This didn’t click with me even slightly so like A Career In Books I put it down unfinished.

Art by Gooch and Roe, all rights to images remain with current holders.

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Maps, chemistry, a woman and Pride: books read

Cartography and the way maps shape our perception of the territory fascinate me and I’ve read several good books about them (here’s one. Here’s another). I thought Seymour J. Schwartz’s THE MISMAPPING OF AMERICA would be another with its look at how early American maps often got it wrong: California as an island, non-existent islands in the Great Lakes, a Northwest Passage and other fantasies that would make it easy to sail to the Pacific and thence to the Far East. Unfortunately the book is a dull catalog of “This person made a map, then this other person, then this third person ….” and I found it unsatisfying.

I read HISTORICAL STUDIES IN THE LANGUAGE OF CHEMISTRY by MP Crosland to see if it would help me understand some of Doctor Jekyll’s chemical terms when he explains his theories in the Stevenson novel.

It doesn’t, but it is fascinating to read how the chemical notations and abbreviations I learned in high school took so long to become definitive. Crosland starts with the alchemists and their enthusiasm for symbolic and cryptic writing that hid their knowledge from the uninitiated. Making matters worse, neither they nor the first chemists had the knowledge or skills to identify compounds and they had multiple false assumptions, such as color geographic location being significant (i.e., gold from Bavaria might be significantly different from gold from the New World). Trends in language also changed: mundane descriptors such as oil of vitriol, butter of arsenic or milk of magnesia lost out to technical terms, which eventually became standardized so everyone knew what they were talking about. Specialized but interesting. And someday I would love to work “butter of arsenic” or “vital air” (a one-time name for oxygen) into a story.

LAURA by Vera Caspary is the source novel of the 1944 movie, wherein a surprisingly educated detective is called in to investigate the murder of the free-spirited, strong-willed title character — could it be her rather wimpy fiancee? Waldo, the well-known newspaper columnist who feels she friendzoned him (I cannot stop seeing him as Clifton Webb in the movie, despite Caspary making it clear he’s built more like Jack Black)? The twist is — well, I won’t reveal it just in case you don’t know.

I prefer the movie. This is more a literary story than a mystery, told from multiple points of view; while the writing is good, “literary” is a tough sell for me. And I really can’t swallow the degree to which the detective hangs out and chats about the case with his suspects.

I’m a fan of Phil Jimenez’ run on Wonder Woman and his story “Spaces” was the highpoint of DC PRIDE: To the Farthest Reaches, an anthology for Pride Month (DC’s done several of these). Jimenez reflects on how the weirdness of pre-Crisis WW convinced him that if he could only get to Paradise Island he’d be welcome there, weird as he was, and how much it meant to him to work on the series. It’s lovely.

The rest of the book didn’t work as well for me, mostly because I’m only occasionally reading current comics. I don’t know most of the couples and some of the characters are complete unknowns (Circuit Breaker, master of the still force) or wildly different (why is Raven so normal and chill?). That’s not a fault of the storytellers but it did make it harder to get into, particularly when some of the stories tie in to ongoing plotlines. Still, it’s good DC has added so many more LGBTQ cast members; I do hope current trends and corporate takeovers won’t change that.

All rights to images remain with current holders. Cover by Jimenez.

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Perry Mason meets the dubious and the lonely

When I picked up The Case of the Borrowed Brunette from the library recently, I picked up a couple more Erle Stanley Gardner novels, both from the late 1940s.

THE CASE OF THE DUBIOUS BRIDEGROOM starts when Perry Mason catches a gorgeous woman sneaking down the fire escape from the office overhead — and did she have a gun in her hand before dropping it in the alley? An investigation reveals the owner of the company one flight up has his share of problems, including a dubious Mexican divorce (“In the US you’re a bigamist. As long as you and your new wife stay here in Mexico, you’re legally married.”), a vengeful first wife and a scheme by her to take over his business — who could have guessed that she’d turn up with a fatal bullet in her? Fun. The cover takes us back to the days when Sex Sells was the basic rule of paperbacks (as I discussed here). I don’t know the artist.

THE CASE OF THE LONELY HEIRESS kicks off when the owner of a lonely-hearts magazine — the hard-copy version of a dating site — tells Perry he’s uneasy that an allegedly wealthy woman has paid to put an ad in his paper. Why would an heiress need an ad to find a man? Does she have an angle and if so could it get him legal trouble?

It turns out the heiress is the one in trouble: rivals for her inheritance are contesting the will by trying to suborn a witness to the deceased signing it and the ad is part of an overly elaborate scheme to thwart them. That, of course, makes the heiress suspect number one when right after she visits the witness, the woman is found dead with a cracked skull … This has an astonishing number of agendas in play and an improbable romance to wrap up on but it was still fun. It’s also interesting that 1)even back people made the same observations about women having to wade through a lot of crap to find anyone even half-decent; 2)based on discussions I had online, the old slang used herein such as “make a pass” and “chiseler” is now obsolete (I have a sudden urge to write a 1940s story where I can use them).

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