So as of Tuesday I had a reasonable outline plotted for the first half — though with the cuts to the last draft, it may only be the first third — of Southern Discomfort. But as I tried to reach beyond that, I hit a wall.
I have increased the pressure on Maria (reflecting lessons learned from Whispers Beyond the Veil) and I’d like to keep her under pressure. Getting arrested by the feds does that, except Gwalchmai’s threat level drops at the same time. I need to fix that. But given Maria has no power of her own, I need reasons he won’t, or can’t kill her. Having her arrested took her off the board in the last draft, so he stopped worrying about her — but like I said, that reduced the pressure too much.
Another challenge is that while my betas wants a higher level of magic and danger — which I think is the right call — I have lots of character stuff I don’t want to lose, or need to add. Liz and Susan trying to make sense of Pharisee. Joan learning about her heritage. Maria discussing her complicated racial makeup (dark enough to pass for a light-skinned black woman, and with one-eighth black ancestry). The relationship and power structures in Pharisee are important too: I spent way too much of the opening of the last draft talking about them, but if I don’t deal with them I’m short-changing the book. Getting all of that in may be a challenge (“Listen, before that dragon attacks, explain to me again about the racial makeup of the Pharisee County Commission?”).
So I spent Thursday employin the methods I don’t normally use. Writing different events down on index cards I can shuffle to change the order. Mind-mapping ideas — start with one concept (visit to the Hither Country, say), then see what ideas it sparks. Plus just sitting and thinking. It did generate some useful ideas, but nothing that helps me see where everything fits in the plot. So I took a break today, to resume on Monday and Tuesday as January ends.
I worked on some sort stories too. I started the next draft of Oh the Places You’ll Go! based on writing-group feedback. I also read A Famine Where Abundance Lies to the group, and the feedback helped there too (the takeaway: I really need more supernatural overtones earlier in the story). I worked on Trouble and Glass and decided (after doing a few pages) not to rewrite Atlas Shagged. Everyone who reads it likes it except the editors I submit it too (even some of them like it) so I think I’ll include it with a couple more stories in another ebook.
I found a couple of online freelance job openings and submitted a resume and writing samples. I submitted two magazine queries, and I have a couple ready to go next week. Those two are to high-profile markets so I want to reread and proof them once more to ensure they sound good.s too.
I checked up on a couple of stories that had been out for a while. Sigh — one was rejected last year but the No email got lost. The other publisher no longer exists. Back out they will go — in fact Schloss and the Switchblade already went out. But Philosophy and Fairytales had a couple more sales. As Kristine Kathryn Rusch has pointed out (not a link to that specific post), one advantage of self-publishing is that you don’t have to worry about your book going out of print — you can keep it available as long as you want.
So that was my week. Plus getting outside a little. Here you can see part of the American Tobacco Trail near our house (photo by me, acknowledge if you use it)