BEYOND THE INFINITE TWO MINUTES (2021) is a Japanese time-travel comedy in which a coffee-shop owner discovers his PC monitor and the TV in the shop are linked so that the monitor shows events occurring downstairs two minutes into the future. His friends are convinced they can make money off this thing but the protagonist worries no good will come of it, especially when knowing the future apparently kills his chance of dating a neighboring business owner. A fun one with a sense of humor reminiscent of the goofy Japanese Summer Time Machine Blues. “What is the capital of Sri Lanka?”
Hitchcock/Truffaut is a famous book on Alfred Hitchcock’s films that I checked out of the library, though I haven’t read it yet. I did, however, watch HITCHCOCK/TRUFFAUT (2015), a documentary describing how celebrated French filmmaker Francois Truffaut came to interview Alfred Hitchcock about his work, and the impact it had on filmmakers from Wes Anderson to Martin Scorsese. When the book came out in 1966, Hitchcock was still a Mere Entertainer while Truffaut was an Artiste so Truffaut taking Hitch seriously was a very book deal. The documentary was good, but definitely doesn’t substitute for the book. “You have the habit of not necessarily looking for implausibility but of not avoiding it if it’s useful.”
The eighth season of FLASH started very poorly as everything seems to be going wrong for Barry with the various other Arrowverse superheroes stepping in to stop him. Then it turns out it’s an elaborate plot by Reverse Flash to change history, take over Barry’s life and cast him as the villain of the series. It doesn’t work but it was great watching him try.
Then we move on into a somewhat rambling season including a mercifully watered down version of the Blackest Night event in comics, the appearance of the Negative Speed Force and a new super-speedster, Fast Track, joining Team Flash. If not their best, overall it was satisfying, particularly Thawne’s final fall. “I told you before, Flash, finding ways to kill you was my life’s work.”
#SFWApro. Cover by Carmine Infantino, all rights to images remain with current holders.