One of the things that make Wonder Woman’s Bronze Age run so messy is that not only did she suffer multiple soft reboots, but they came so damn fast.
Following the end of her powerless period, we got the start of the UN run with the non-white characters we never saw again. After just three issues, we got a year of Kanigher’s recycled stories, then the Twelve Trials, then WW II. Then new writer Jack Harris took two or three issues to wrap up Wonder Woman’s situation, killing off Steve Trevor again and having Diana quit her UN job. Instead, we got a whole new life for Diana Prince — as an astronaut in training to fly the space shuttle!
And that lasted all of seven issues, #250-6 (cover by Jose Delbo, all rights to current holder). I suspect this may be due to staff musical chairs. Ross Andru takes over from Larry Hama as editor and what looked like a long-running plotline suddenly wraps up. Paul Levitz replaces Harris and WW immediately starts dreaming of going back to the Big Apple.
The new setting, like the use of the shuttle in Moonraker reflects that the shuttle was insanely cool back when it was announced. Imagine, a rocket that can go back and forth into space, just like in movies, instead of launching a one-time-only missile with a capsule on it! Diana is on a training crew along with Stacy Macklin (The Female Friend), Mike Bailey (The Somewhat Macho Love Interest) and their gruff CO (The Gruff CO). And that’s about all there was to it, or to them, though that may reflect that Harris had little time to develop them. Mike puts moves on Diana, who despite just losing Steve, soon melts (after Stacy complains that Diana turned Mike down too fast). He’s written as much more forward than Steve so presumably Harris thought that would make a better romance for Di. But it felt awfully canned, in the tradition that the lead and the attractive member of the opposite sex must automatically get together.
In the opening arc, the grumpy male Olympians demand that Diana prove herself by competing again to prove she’s worthy of the Wonder Woman role. Diana wins, but gets denied on a technicality; another Amazon takes her place, Orana. Despite which, Diana flies back to Man’s World, not to be a superhero but to live her own private life.
It looked like this was going to be a running plot, like the Amazon Artemis replacing WW many years later, but we got that editorial change and zap, it was done (though that may have been the plan all along—I don’t actually know): Orana keeps screwing up, Diana intervenes to help out, Orana nonetheless dies and Diana reclaims the Wonder Woman mantle (Ares, declaring she’s acting purely from vanity, subsequently tries to punish her, working through her old foe Angle Man). There’s another two parter involving a long-lost sister of Hippolyta, then Paul Levitz takes over with #255. Diana visits the UN for a space conference, comes up against an assassin called Bushmaster, runs into Morgan Tracy again (she’s still PO’d at him for not looking out for Steve better) and triggers some sort of red flag which has the UN contacting NASA about her security clearance. She also spends a lot of time enjoying being back in New York.
The following issue, Diana runs into the second-banana crime team the Royal Flush Gang and discovers Mike is the current Ten of Spades. Frustrated, she quits the astronaut program (in a later story she wonders why a woman who’s traveled to the stars even thought space-shuttle pilot would be a fun gig) and in the very next issue is back at the UN. The security issues appear to have been dropped (we’ll see). It all had the feel of Levitz deciding “Well this reboot sucks, let’s go back to the UN!” (again, don’t know that for a fact).
On the plus side, Levitz is a better writer than Harris. I’ll be back to review his run as soon as we get to the next reboot. Sigh.