I’ve frequently complained that DC super-hero trade paperbacks are hard to follow, so I was pleasantly surprised how easy it was to pick up PAPER GIRLS 2 by Brian K. Vaughn and Cliff Chiang without having read #1. It seems that in that one, a group of 12-year-old paper girls stumbled into a time war; in this volume, they wind up in the present, which has the usual cultural shocks (“Spencer’s Gifts is gone but that doesn’t mean the future is post-apocalyptic.”) plus Erin meeting her future self and being decidedly unimpressed. Plus there’s another Erin counterpart, time coming undone, a floating hockey stick … and it all makes for great reading. The 1980s references (“You look straight out of AIRWOLF!”) reminded me of Stranger Things but I liked this a lot better.
HARROW COUNTY: Countless Haints by Cullen Bunn and Tyler Crook is a good rural Gothic horror. The protagonist, Emmy, thinks she’s a normal girl despite some odd incidents, but her father, much as he denies it, sees a connection between Emmy and the witch the locals killed right before Emmy was born … Well done.
THE WICKED AND THE DIVINE: Fandemonium by Kieron Gillen and Jamie McElvie worked much better for me than the preceding The Faust Act as Laura tries to figure out what the ending of that volume means for her, and for the pantheon. Plus the gods have to deal with a crazed stalker fan who seems intent on picking them off — or is someone trying the Prometheus Gambit (kill a god, gain their power). Not really a lot happening, but this held me despite that.
WONDER WOMAN: Flesh by Brian Azzarello and Cliff Chiang is a big improvement over the previous volume, War, as the creators’ god-awful take on Orion only appears briefly. Here we get the history of the First Born of Zeus (quite good), Zola goes hunting for truffles (I was pleasantly surprised how that turned out) and the First Born making his move for the throne of Olympus. Unfortunately the scenes of Apollo torturing the First Born didn’t work for me for various reasons, which I’ll get into when I discuss the follow-up, Bones.
BANANA SUNDAY by Root Nibot and Colleen Coover has teenage Kirby struggling to fit in at her new school despite the awkwardness of having three genetically engineered talking monkeys following her around (actually it’s one monkey two apes). This is targeting a younger audience than me, I suspect, and the supporting human characters are weak, but the monkeys made this fun enough to keep reading — Go-Go the midget gorilla reminds me of Plushie with his priorities (“Banana! Nap”).
I interlibrary-loaned SEERS, WITCHES AND PSYCHICS ON SCREEN: An Analysis of Women Visionary Characters in Recent Television and Film by Karin Beeler under the assumption this McFarland volume would cover everything from Medium to Bewitched but I should have read the description: Beeler’s focus is specifically on psychics/clairvoyants (“witches” gets in because of precog Phoebe in Charmed). It’s also geared for a much more academic audience than me, so I couldn’t get into it (and I must admit, I don’t agree with her analyses).
OUR MAN IN HAVANA (cover by Geoff Grandfield) was the Graham Greene spy spoof that inspired Tailor of Panama. The protagonist Wormold is a British vacuum-cleaner salesman in Havana recruited by British Intelligence for insight into local politics; as he needs money, Wormold simply makes crap up, which his credulous superiors swallow whole (though unlike the later novel, it’s more them buying into their own fantasies than any calculating motive). Very funny, though Greene can deftly switch to grim or violent without missing a beat; odd to read now as Wormold’s claims of a big sinister military project being built read like a foreshadowing of the Cuban missile crisis.
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