Which is to say the week went well. Okay, Obolus got its first rejection but I’ve never sold anything to Fantasy and Science Fiction and have no reason to think this one would do any better. But why not start with an A-list market? To their credit, they always respond fast. I submitted two stories to other markets; perhaps they’ll do better.
I’m having fresh challenges with Wisp as she’s decided my lap on the couch is preferable to her pillow on the back of the couch. That’s fine in itself but if Trixie’s there too she’ll demand equal petting time so I wind up with both hands on my pets and none free to write with. No hostility beyond that, even when I get up and leave them on the couch.
First, I am now officially the publisher Behold the Book, having filed a “doing business as” certificate with Durham County. I have made that official on all my published books at Draft2Digital but haven’t figured out how to do it with the Amazon paperbacks yet.
I got some more work done on my Doc Savage nonfiction book, including rereading The Red Skull; despite the relatively low stakes (land containing valuable deposits) it’s a dynamic, action-packed adventure and a pleasure to reread. There are no scenes as cool as the James Bama cover though.
I got around 3,000 words done on Let No Man Put Asunder. It’s going a lot slower now but I think that’s necessary. As I mentioned earlier this week it’s lost focus along the way and I need to get that back. Part of that is that I’m having to think through What Comes Next a good deal more. But I’m pleased with the results so far.
I read the book’s second chapter to the writer’s group. I’d been concerned they’d find it too slow-paced as the section I read is heavy on talk and not much action. Instead they thought it was a little too fast and needed more moments for Paul and Mandy to pause and reflect (see this post from last month about speed in fiction). Good information to have.
I also got further on the rewrite of The Impossible Takes a Little Longer. It’s also slowing down as I get out of the opening chapters (frequently rewritten) into terra relatively incognita.
I worked on rewriting Oh the Places You’ll Go — feedback from the group was way helpful there — and rewrote The Cheap Assassin, getting it much closer to what it needs to be. If the next draft improves as much, it might be ready for beta-reading. The big problem is that I haven’t come up with an ending that works yet; I may just take it to group with a bad ending and ask for suggestions (I’ve done that before. It helps).
I worked on proofing 19-Infinity and I have a meeting with a possible cover artist next week.Over at Atomic Junkshop I look at Marvel in ’66 and rewrote and reposted and old blog entry here about DC’s Guy Gardner. I’m also over on YouTube in a Con-Tinual panel about the future of pandemic fiction. You can see one of the Marvels I mention, Millie the Model reuniting with the hip Liverpool band, the Gears.
Oh, and someone bought a copy of Undead Sexist Cliches on Amazon! Thanks, stranger (if you are, in fact, a stranger).#SFWApro. All rights to images remain with current holders, Millie cover by Stan Goldberg, Undead Sexist Cliches cover by Kemp Ward.