(title taken from Alfred, Lord Tennyson). Which is to say, small problems can grow into big ones, which explains some of why my weeks feel like suet.
In theory, I take an hour for lunch. That includes walking the dogs (or co-walking if TYG’s available), eating and then reading, relaxing or doing useful around-the-house stuff. This works out fine if lunch hour is 11-12, but due to TYG’s new schedule, we frequently walk the dogs around 10-10:15. I’m not ready for lunch, but instead of relaxing after walkies I just go back to walk, intending to make it up when I sit and eat. Only instead I do the equivalent of eating at your desk — eat (taking my time, I note), then get back to work.(No, that cover has no thematic connection to my post, I’m just fond of it).
The result is that I don’t take much of a lunch break. Then around 2 PM I burn out for the day. This is not unusual: I’ve had the same experience in the past when I keep pushing without a pause. “I’ll get it all done, then break” isn’t as effective for me as regular small breaks. So I need to remind myself to take a full break at lunch, even if it’s chopped up into separate pieces.
That said, the week went well. I finished my rewrite and proofing of Southern Discomfort and read the first chapter to my writing group. The verdict: Starting with Maria’s story and putting it in first person really improved it. They made several other suggestions, such as giving readers her name sooner and making it clearer this is a fantasy; I made those corrections the next day and mailed it off. Wish me luck. Even if it doesn’t sell, it’s a better book for the added work.
I also completed another draft of The Adventure of the Red Leech. I think it’s done, so I’ll print it up next week and go over it in hard copy. That should get me a solid final draft and spot any typos. After that, off to the Holmes anthology I’m submitting to. Plus I once again submitted Fiddler’s Black to the umpteenth market.
And over at Atomic Junkshop, I ponder the appeal of trains and models as kids’ toys. I didn’t get it as a kid, still don’t get it now.
#SFWApro. Cover art by Dick Dillin, all rights remain with current holder.