When I saw Alfred Hitchcock’s SUSPICION (1941) in college, I found the ending frustrating and unsatisfying to the point the whole movie fell apart. Rewatching, I see I was right about the end (spoilers will follow) but the film up to that point is very good. Joan Fontaine plays Lina, the spinsterish daughter of a wealthy family (I’m impressed she’s able to come off quite different from her Rebecca spinster — smarter and more confident, though just as frustrated with her current role in life) who meets, falls for and marries the charming Johnnie (Cary Grant). Only after the wedding does Lina learn the downside: Johnnie’s a spendthrift who optimistically thought she had money enough to support them.
Johnnie doesn’t run out when he’s wrong, but he can’t stop spending money they don’t have, gambles compulsively and steals from his employer, lying to her all the while. Then Lina develops a suspicion that he’s found a solution: murder her for a life insurance payoff. She doesn’t want to believe it but after Johnnie’s best friend Nigel Bruce dies before reclaiming the money he loaned Johnnie for a failed investment scheme …
The original plot would have followed the novel Before the Fact: Lina lets Johnnie poison her but then he unwittingly mails a letter to Lina’s mother spelling out what he’s done. Justice will be served. However suicide was banned by the Production Code and RKO’s production head freaked out about Grant as a villain, even trying to cut out all the scenes that made him look bad (the 100-minute movie ended up 55 minutes before RKO put the footage back in). So we get an ending in which it turns out everything was in Lina’s head; Johnnie’s actually going to take the “honorable way out” and poison himself. She convinces him, instead, to come home, face the music and start over.
I’m sure that ending could have been made workable, but here it’s an unsatisfying anticlimax. Even if Johnnie’s not a murderer, he’s been a really bad husband — lying, irresponsible, selfish — and the ending doesn’t convince me he’s really changed. That said, it’s great looking and well acted, with Fontaine snagging an Oscar for her role. “I think I’m falling in love with you and I don’t quite like it.”
SUPERMAN DOOMSDAY (2007) was in my queue even before I started Alien Visitors (which will include a chapter on alien superheroes), though it won’t get more than a passing mention. The first in a line of DC Universe animated films, producer Bruce Timm deliberately broke with the DCAU in voice casting and visual style; Adam Baldwin plays Superman, who wages the fight of his life — and death — against the near-unstoppable alien juggernaut Doomsday, much to Lex Luthor’s horror (“Something I’ve dreamed of for years was taken away from me by an intergalactic soccer hooligan!”). After creating a Superman clone to serve as his proxy, Luthor feels better, but then the clone starts to develop ideas of its own … Some of the visuals didn’t work for me but overall very good; the fate of Toyman is a genuine shock. Anne Heche plays Lois, James Marsters voices Luthor and DCAU veteran Cree Summers plays Lex’s sidekick Mercy Graves. “At least I get to kill Superman after all.”
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