Books (#SFWApro)

(In case you’re wondering, we had house guests last week so no movies to review just now.)
ATOMS AND EVIL shows Robert Bloch’s funnier side, starting with the first story (“Once there was a sane scientist who had an ugly daughter.”) though in a lot of cases, it hasn’t aged well—the satirical comparison of marriage to buying a car in “Wheel and Deal” now comes across as painfully sexist. “You Could be Wrong,” however is a great one as the protagonist begins questioning not only the truth in advertising (advertising during the 1950s was regarded with a kind of morbid fascination by people as it became obvious how much it influenced our purchases) but the truth of everything. “Dead-End Doctor” may be unique in having a psychiatrist as the good guy, Bloch not being a fan of the profession. Overall, a good collection.
CRUCIBLE OF GOLD: A Temeraire Novel by Naomi Novik has Laurence and Temeraire no sooner get reconciled to their exile in Australia than they’re recalled to stop Napoleon waging war on Brazil (thereby pressuring Portugal to prevent Wellington landing there). Even getting from Australia to South America proves difficult, and their landing has them mired in Inca politics (the imperial dragons having massacred the conquistadors, the Incans are still doing fine in 1800). A good entry in the series, which Novik has announced has only two books left to run.
WHERE ARE THE CUSTOMERS’ YACHTS or A Good Hard Look at Wall Street by stockbroker Fred Schwed Jr. is a 1940 Anti-Investment Guide that concludes, as countless later books would that there’s absolutely no miracle secret, strategy or predictive skill for mastering the stock market, despite the claims of countless pros (“A depressing number of people study the past thousand spins of the roulette wheel on the assumption that they can divine a pattern. Worse, they usually find it.”). Schwed’s conclusion is that the further you stray from conservative investments, the greater the certainty you’ll lose your shirt, though he argues it’s more a matter of incompetence than outright fraud (“A great many losers in the crash of ’29 found it more plausible their money went to their broker than that it simply disappeared.”). Enjoyably wry, and still relevant.
SWORDS OF MARS is one of Burroughs more conventionally SF stories as John Carter’s efforts to root out the Assassin’s Guild of Zodanga (by going undercover as a wandering sell-sword) is almost immediately forgotten in favor of a space flight to one of Mars’ moons in a computer-operated space-ships. Though of course, ERB doesn’t avoid the usual thrills of swordfights, kidnapped women (I must say I’m surprised the princess who falls for John doesn’t show the usual insane jealousy) and weird alien races. A standard entry for the series, but standard here was never as low as in Tarzan (maybe because the setting had much more flexibility)
ARCHITECTURE: A Crash Course by Hilary French jumps rapid-fire from Egyptian pyramids through Greece, Rome, Gothic, Palladian, Neoclassical, Neogothic, Baroque and Rococo architecture and on into the modern area as architecture constantly careens between Formal and Rational principles and Natural and Free-Flowing ideas. There are lots of spots where the details aren’t as clear as they should be (or the visual examples should be better) but as a condensed reference, pretty good.

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One response to “Books (#SFWApro)

  1. Pingback: Books and Comic Books (#SFWApro) | Fraser Sherman's Blog

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