HALLOWEEN ENDS (2022) has an aging Laurie (Jamie Lee Curtis) fretting that even with Michael Myers dead and gone, years of dealing with his attacks have warped her hometown of Haddonfield into a paranoid, fearful mess. Case in point, everyone’s convinced that a local guy whose babysitting charge died accidentally, years ago, killed the kid and got off; that leaves him enough of an outcast to bond with Laurie’s granddaughter but also with the ghost (I think) of Michael Myers …
Despite the film’s efforts to show Michael has joined the choir invisible, gone to meet his maker, become an ex-parrot etc., the implication he can possess others leaves them a path to Halloween: A New Beginning if they want to take it. That aside, this is a mixed bag for me. Curtis gives an amazing performance (“Did you really think I’d kill myself?”) but the babysitter’s arc doesn’t quite work. Still, getting me to watch another movie in this franchise (my last was Season of the Witch) is no small accomplishment. “Did Michael Meyers let you live — or did you escape?”
A SNOW WHITE CHRISTMAS (2018) kicks off my annual deluge of Christmas treacle with a mediocrity in which heiress Bianca’s scheming stepmother using hypnosis to erase the young woman’s memory, thereby ensuring she won’t remember to claim her inheritance before the stepmom gets it. The actors are weirdly self-conscious and mannered, like they couldn’t get into the story, not that I blame them. “It’ll be alright, Bianca — I have a hunter to help me.”
HAUL OUT THE HOLLY (2022) has a recently dumped woman stay in her parents’ home over Christmas while they’re in Florida, only to fall afoul of the homeowners’ association’s Christmas rules which penalize people for not getting Christmassy enough. And which are, of course, enforced by the Most Obnoxious, Most Irritating Man She’s Ever Met. Talking lamp material. “The first thing you do is think of tigers.”
CHRISTMAS ON REPEAT (2022) was more fun, even though it recycles cliches from all the other Christmas time-loop films I’ve seen, such as the protagonist playing matchmaker for her elderly neighbors. The protagonist hopes that if the time-loop keeps repeating she can meet the demands of both her boss and her family and make everything perfect — but is perfection what she really needs? I’ll give them a point for not having her simply choose family over job, though I’m also reminded of the complaint that showing the conflict as Love Vs. High Powered, High-Paying Job ignores that people often end up working 60 hours a week at very low-powered job. Still, this was pretty fun. “If you were up all night, why are you so perky?”The sixth and penultimate season of YOUNGER was enjoyable but feels a lot like shuffling pieces around the board. Last season Liza’s (Sutton Foster) relationship with Charles (Peter Hermann) firmed up but he wound up stepping away from the publishing company, leaving it in Kelsey’s (Hilary Duff) hands. This season has Charles launch his own company before finally returning to Empirical, after which Kelsey leaves, then comes back. And Josh (Nico Tortorella) just wanders around pointlessly now that he and Liza are no longer together. The most interesting element was Charles’ ex freaking out when she learns Liza’s not a twentysomething (losing your husband to a younger woman is one thing but a woman your own age?) and exposes the truth. Overall, it’s probably a good thing there’s only one season left. “Ladies, there are bulging crotches in your face — please focus.”
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