Goodness, it’s been a year since I last wrote about my Wonder Woman reread; I think you can blame work on The Aliens Are Here for sucking up so much time and blog posts until I simply forgot. To set the stage: at the end of William Messner-Loebs’ first year, Wonder Woman returns from space to discover Themyscira has vanished, her room at Julia’s house has been rented out and the JLA have reported her as KIA so she can’t get her paychecks opened up. Where will she go? How will she support herself?
Would you believe working at Taco Bell — er, Taco Whiz?
Superheroes stuck working crap jobs in their secret identity is not new. The Silver Age Shield got jobs, then had to blow them so he could rush off and fight crime. Nova in the New Warriors was constantly working minimum wage to support himself. WML, however, puts a completely different spin on it. Instead of grumbling about living in wage-slave hell, Diana’s grateful. Her boss Hoppy has given her a chance to put a roof over her head — she’s going to be the best darn employee the company ever had! She’s in it to win it. It’s very true to the post-Crisis Diana.
Dark clouds are forming in Boston, however. Mob boss Ari “Ares” Buchanan isputting increasing numbers of increasingly powerful weapons on the street, to the point of causing dangerous instability and a looming mob war. Diana doesn’t know that Buchanan’s nickname isn’t idly chosen. When the Olympian gods left Earth during the Perez run, Ares couldn’t let go of his desire to spread chaos and war. By filling Ari, a loser low-life thug, with part of his essence — in the god’s phrasing, Ari is the potato, Ares is the chili-cheese stuffing — Ares will be able to keep sewing discord without technically violating Zeus’s decree.When Buchanan’s assassin Mayfly almost kills Diana, things ironically turn around. Donna Milton, an attorney with a tragic backstory (left homeless by boyfriend after she got pregnant, sexually assaulted by boss), strikes up a friendship with Diana. She gets Wonder Woman’s paychecks restored and together they help Hoppy collect back child support from her mob-muscle ex, even though he’s under the protection of the Antonio Sazia crime family (the story where they squeeze the cash out of him is delightful).
Alas, Donna is not what she seems. She’s a calculating, power-hungry woman who met and fell in love with Buchanan — the man is, after all, raw power — and its his baby she’s carrying. Her job is to lure Diana into Ares’ clutches. She does, but when she sees Diana helpless before him, facing death, it isn’t as satisfying as she thought. She’s totally not turning soft, nope; she doesn’t like other women, couldn’t stand her time with those saps Diana and Etta, would never give up her position as consort to a man of power … ah, crap, who’s she kidding? When she tries to win over Buchanan by telling him about the baby he shoots her and tries detonating a black hole-based weapon. He winds up dead; Diana and Donna, against all odds, survive the black hole, falling a hundred feet into an ice cold underground river and being buried under tons of debris. Diana even delivers Donna’s baby in the midst of all that.
So everything’s fine … well, except that with Buchanan gone, it’s open gang war on the streets of the city. They have high-tech weapons and some of them have magic: Randolph Asquith, the White Magician who sent Diana into space in the previous arc, throws inn with Paulie Longo, providing him with demonic muscle. Sazia buys it but his widow, Julia Sazia, promptly takes the helm.
And then, as we’ll see in my next WW post, the Amazons return …
This was a good, fun run, though Wonder Woman’s failure to confront the White Magician after learning he’s a villain never made much sense.
#SFWApro. Covers by Brian Bolland, all rights remain with current holder.