Stranger Things’ Millie Bobbie Brown is ENOLA HOLMES (2020), the teenage sister we never knew Sherlock Holmes (Henry Cavill) and Mycroft had. When mom Helena Bonham Carter disappears and Enola’s brothers seem disinterested in investigating, Enola sets out, counting on the training she’s received from Mom — everything from deduction to combat — to get her past any obstacles. She succeeds, of course, and in the process saves a young nobleman who’s been targeted for death. Based on a series of kids’ books by Nancy Springer, this is fun, and Brown is delightful but Cavill is too bland and too laid-back as Sherlock (not to mention he doesn’t smoke!). Mycroft is simply the requisite stuffy relative determined to make Enola conform to gender standards and eventually marry well (I’ve spent more than a few minutes thinking how I’d rewrite the brothers so they’d be more canonical without stealing the spotlight). So a mixed bag for me, but I’m in a minority. “Look for what’s there, not for what you want to be there.”
WHAT’S UP DOC? (1972) is one of those favorite films I’ve rewatched countless times, enjoying Barbra Streisand getting Ryan O’Neal to buy her a radio, Madolyn Kahn counting to five, Kenneth Mars cheating, Sorrell Booke using his charm and Jonathan Hillerman recommending O’Neal not hang out in the hotel lobby. This time I bought the DVD rather than rewatch my old off-air version, so I got to enjoy Peter Bogdanovich’s discussion of the film on the commentary track: Warner Brothers had offered him the chance to do a drama with Streisand but he’d pushed for a screwball comedy instead, though keeping the idea of Streisand as a brainy polymath. After he and two writers developed the initial script, they turned it over to Get Smart co-creator Buck Henry, who considerably complicated the script (instead of three identical travel bags they had four) but for the better. Always a pleasure. “This man is in unauthorized possession of secret government … underwear.”
THE STRANGER WITHIN (1974) is an excellent SF horror film with a Richard Matheson script that wouldn’t have been out of place on the Twilight Zone (except too much talk of sex, I guess). Barbara Eden is thrilled to discover she’s pregnant, but she and husband George Grizzard are less thrilled when it turns out that no, his vasectomy of three years ago did not fail. Eden insists she hasn’t been with another man, and everyone wants to believe her but … And why is she over-salting all her food, drinking literally gallons of coffee and reading everything she can get her hands on? Could it be that the baby is Not What It Seems?
Yep, it’s another alien pregnancy film, with artificial insemination, like Village of the Damned, taking place through an alien ray beam. While the script gets a little repetitious (Eden keeps going to the hospital for an abortion, the fetus keeps stopping her), Eden’s bizarre behavior creates a sense of something truly alien inside her. However once again the rape aspects get hand-waved. David Doyle (playing a hypnotherapist) declares at one point that there’s no reason to assume the aliens aren’t doing something good, as if Eden being impregnated without her consent and then mind-controlled isn’t the teensiest bit objectionable (you’d think her husband, at least, would have made that point). Overall, though, a good film. “I know what you’re thinking — but there is no other man.”
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7 responses to “Sherlock Holmes’ sister and other women of destiny”
I found Enola Holmes a delight from start to finish. Though I do have to temper that with saying after the hellish September I had, a couple hours of pure fun escapism was just what my overstressed, overwhelmed brain needed. I am sure it had faults, but it was a lovely bit of fun just when I needed it.
Oh, I’ve watched movies that had the same effect on me. I caught The Producers when I very badly needed a laugh, and it gave it to me. I’m glad you found Enola at the right time.
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