CHASE by Dan Curtis Johnson and James H. Williams III was a 1998 DC comics series I wish had run longer (though Chase has been bouncing around the DCU ever since). Cameron Chase is an agent for the DEO (yes the inspiration for the one on Supergirl) which covertly watches over the metahuman community. Chase has some issues with the superhero set, but she’s a capable agent who does her job, whether it’s with them or against them; she also has a latent meta-power of her own that allows her to shut down other people’s abilities. The explanation for it was one of the things they never got around to, as well as the mystery about how reformed supervillain Mr. Bones wound up as head of the agency.
This includes the original series plus several short stories from various DC special editions. While I passed it up when it originally came out, I’m happy to have Cameron’s stories in TPB.
John Le Carré’s OUR KIND OF TRAITOR has a vacationing British couple befriended by a burly Russian money launderer who offers to turn over his treasure-trove of Russian Mafia secrets to the authorities if they’ll just get him and his family to England and his son into Eton (one of the prestige private schools) This works best in the opening chapters because of the unusual structure, alternating between the encounter and the couple undergoing grilling by British intelligence. It gets more stock near the end, and particularly in the finish — given Le Carré’s 21st century cynicism, it’s no surprise pervasive British corruption wins out over justice. Overall, though, good, and maybe his only novel where a happy couple live all the way to the end without getting torn apart.
ALPHA CENTAURI OR DIE! is a space opera from Leigh Brackett, without the exotic style of her Martian books (even the hardboiled Nemesis From Terra): with Earth’s oppressive government restricting space flight to robot ships (part of a general policy on controlling everyone’s movements), a pilot leads a group of rebels into space hoping to evade the ships and reach Alpha Centauri. However, after they succeed, it turns out there’s Something Powerful on the planet awaiting them. This is extremely sexist, the colonists’ wives being sniveling and timid without the energy Brackett’s Bad Girls exude; however it’s a good, tense read otherwise and I love the secret of the alien race.
THE UNWOMANLY FACE OF WAR: An Oral History of Women in World War II by Svetlana Alexievich is a spectacular collection of anecdotes by women who fought on the Russian front for various reasons (revenge, patriotism, a desire to be near their husbands) and lived through experiences that while certainly familiar (death, friend’s death, near death, scenes of brutality, rape and harassment) comes off fresh, whether because of the female point of view, the grimness of the Russian front or Alexievich having a good eye for a killer quote. The aftermath of the war was a real mixed bag for the interviewees, including those mired in PTSD, those who say they settled down happily, those who were treated as camp followers by their hometowns; a couple who had their husbands carted off by Stalin for getting captured instead of dying. Very good and a fantastic resource if you wants scenes of violence, starvation in sieges or the sounds of combat (like the constant crack of bones when the fighting gets close enough to hear).
#SFWApro. Cover by J.H. Williams III, bottom cover uncredited. All rights to both remain with current holders.