In The Brain From Outer Space I introduced Dr. Dani Taylor, National Guard medic and girlfriend to my protagonist Steve Flanagan. I referenced her fighting something in Boston called the Devilfish, so for this story I decided to focus on that incident. That would also explain how she came to be a medic.
My template for the story was a straight 1950s SF: radioactive accident mutates lobsters, creates a race of humanoid Devilfish. They swarm into the city, killing and destroying. Dr. Danielle Taylor, daughter of Paul Taylor, distinguished founder of Taylor General, finds herself cut off with a young intern, a candy striper, a black doctor and her husband. They hole up in a department store; attempts to get anywhere invariably run into the Devilfish. Rather than run, they develop an improvised clinic for other strays — tourists, an injured National Guardsman, a pregnant woman.
As I fleshed out the story, it developed something of a Cloverfield tone. These aren’t the heroes fighting the monsters, they’re ordinary people struggling to stay alive and keep others alive. The battle we’d see in the movies is taking place somewhere off screen.
This gave me a much better handle on Dani’s character. She’s a daughter of privilege, her life clearly mapped out for her. She’s been following the map even though her parents died in the Invasion a couple of years earlier. Now, for the first time, she’s starting to see a different path, and she chooses to walk it.
She’s also very bad at triage. She wants to save everyone; as the story opens she’s given their last morphine to a dying guy instead of saving it for the living. That forces Dani to go out and scavenge for more. That’s definitely something I want to work into Brain From Outer Space when I rewrite it.
I’m also pleased with the period details in this one. Senator John F. Kennedy showing up. Smoking in hospital rooms. A passing reference to the then-current bestseller The Man in the Grey Flannel Suit. Dani’s awkwardness at working with a black doctor. Like I said in last week’s post, writing racist protagonists doesn’t come easily to me, but I try not to write them as too modern either.
I also included several continuity references showing how things have developed since Atoms for Peace: hearings confirming the AEC corruption, another rogue experiment with a nuclear powered rocket (the sort of thing that shows the need for Science Investigators). I’m pleased with it. Hopefully whoever buys the book is too.
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