Laini Taylor’s writing style on her Y/A DAUGHTER OF SMOKE AND BONE is really clunky (too much head-hopping, for instance) but it got me interested in the early chapters for the sheer amount of weird stuff, such as a nonhuman sorcerer collecting necklaces of teeth, a stalking angel and a teleporting blue-haired girl living in Prague. It got less imaginative as it went along, and switching to another POV character, Madrigal, for several chapters didn’t work at all for me. But the weird bits were memorably weird.
ROOK by Sharon Cameron is set in a post-apocalyptic world that happens to resemble France and England during the Reign of Terror (which doesn’t really make sense, but I’m willing to grant the premise), with the mysterious Red Rook — AKA impoverished English noblewoman Sophia — rescuing prisoners sentenced to die under “the Razor” (Cameron acknowledges the Scarlet Pimpernel influence). This starts off well, but runs too long to keep up the energy. A bigger problem is that while Sophia starts off daring and swashbuckling, once her fiancé gets involved Cameron gives him the leadership role and reduces Sophia to sidekick (as this is part romance, I wonder if Cameron was trying to create a romantic figure and just went over the top). Disappointing
WONDER WOMAN: Heart of the Amazon by Shea Fontana (and other writers and artists) suffers from some really poor art that doesn’t work at all (maybe a lighter, sweeter story). The story is stretched out too far, but the scheme to use Wonder Woman’s blood for sinister purposes isn’t bad, and the various writers play up her compassion, which the New 52 tends to forget about. Not a winner, but far from the worst WW I’ve read.
DEPT H. by Matt Kindt has a great concept — female protagonist investigating a murder at a deep-sea lab — but it really didn’t work for me. Too much time spent fleshing out the protagonist and establishing the set-up rather than getting going. It would work as the first couple of chapters in a mystery novel, but not as a standalone.