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Batman, an escape artist and an athletic lesbian: graphic novels

The ninth volume of the Golden Age Batman Omnibus continues much as before, though the mediocre SF stories that so many fans hate about the 1950s are on full display (“Valley of the Giant Bees” is particularly weak). However we have several of the clever criminal schemes I blogged about at Atomic Junkshop and the returns of both Catwoman and Two-Face to active duty in the Rogue’s Gallery. Selina Kyle, however, would only have a couple more appearances in the 1950s — her last battle with Batman before the late 1960s should be out in Vol. 10 — and Two-Face wouldn’t return until 1971. The Comics Code has been given the blame (Catwoman too sexy a Ba Girl, Two-Face too close to a horror character) but DC was very cautious about not offending the anti-comics activists even when it was within the code.

In any event, this was overall a great one to read. There should be about one more after which they switch to a series of Silver Age omnibuses (the first one comes out this year).

THE INCREDIBLE ADVENTURES OF JANUS STARK by Tom Tully and Francisco Solano Lopez was a British comic strip set in the Victorian Age. Stark is an orphan with an uncannily rubbery body; after escaping from a cruel orphanage he learns the secrets of lockpicking from cunning old Blind Largo, then uses his skills and his amazing body (if this were DC or Marvel, he’d be a mutant) to become a star of the music halls, astonishing everyone with his impossible escapes. His real passion, though, is justice. Using his skills he helps punish the cruel and powerful while bringing aid to the poor and downtrodden.

This is the first volume of Stark’s exploits and entertaining, but it settles quickly into formula. We have a couple of “criminal frames Stark who must clear his name” plots and two involving Stark being forced to free a criminal from prison. Unlike some of the adventurers of the day, his stories are all one or two episodes long (British comics were weekly anthologies) which limits the range of plots. Still, I look forward to getting V2 eventually.

Alison Bechdel’s THE SECRET OF SUPERHUMAN STRENGTH is way more engaging than it has any right to be, given it’s the story of her lifelong obsession with physical fitness, even in the days when women weren’t supposed to want six-pack abs. This covers her experiences with gurus (like me, she watched TV fitness dude Jack LaLaine in the mornings before school) and her experiences with running, yoga, skiing and weight lifting. All of which interweaves with her love life and her career, from her career-making strip Dykes to Watch Out For through her career-redefining Fun Home. While Are You My Mother? didn’t work as well as Bechdel’s other books, Superhuman Strength is a winner.

#SFWApro. Cover image for Batman by J. Winslow Mortimer, other covers by Bechdel, all rights remain with current holders.

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Batman and Anti-Heroes: A couple of comics collections

BATMAN: The Golden Age Omnibus Vol. 8 takes us up to the end of 1952 and includes a number of great stories. There’s “The Man With the License to Kill,” about a vigilante with angle. In “The Joker’s Millions,” the Crime Clown gets rich and retires only to discover … but why spoil it? Like that one, “The King of the Cats,” introducing Catwoman’s brother, is another I’ve wanted to read for years. There’s also a lot of no-frills Batman-fights-smart-crooks stories that were thoroughly enjoyable (as always YMMV with older comics).

The villain situation in this era is a little odd. The Joker makes lots of appearances but the Penguin only a couple and Catwoman only the one. Both the Bird and the Cat would make more appearances but they’d vanish for several years after the mid-fifties. A couple of fake Two-Faces show up, then in 1954 Harvey Dent returns to his life of crime … and disappears again until the 1970s. We do get a number of one-shot villains: The Executioner, Mr. Hydro, the Human Magnet and the Renter (a better crook than his name — he rents guns to crooks, then melts them down for recasting, thereby making it impossible to identify them). I have no idea why.

SECRET SIX: Friends in Low Places by Gail Simone, Ken Lashley and Dale Eaglesham revived Simone’s antihero team for the New 52 — or Rebirth, or Convergence or whichever of the endless reboots it ties to. Much as I liked the pre-New 52 S6, this one is like meeting someone you half know but they’re very different than you remember, and it feels frustrating talking to them; the characters and the set-up are different enough to be disorienting and a couple are too damn different. Plus I really hate the Riddler as a dangerous, homicidal badass but apparently that’s now the canon version. There’s lots of great scenes, but the whole is less than the sum of the parts.

#SFWApro. Cover by Dick Sprang, all rights to image remain with current holder.

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