THE SAINT: A Complete History in Print, Radio, Film and Television 1928-1992 by Burl Barer looks at the career of Simon “The Saint” Templar, gentleman adventurer, troubleshooter and “Robin Hood of modern crime,” a man who took down criminals the law couldn’t catch while also using their loot to cushion his bank account. Barer tracks the Saint’s growth from the early 1930s novels to international popularity and an expansion into movies, radio, comic strips, hardback reprints, TV and mystery magazines. He parallels this with a look at creator Leslie Charteris’ career, which came to focus entirely around the Saint after The Saint In New York became a best-seller. Unlike many authors, Charteris was quite protective of Simon Templar in other media, aggressively complaining if he thought their treatment hurt the brand. He also worried surprisingly about whether Simon’s age as the series progressed made his adventures ridiculous; I just accept that kind of agelessness as a gift of the fictional gods.
The book ends right as work on the 1997 Val Kilmer Saint film was beginning which left Barer optimistic it would launch a whole new franchise. Instead it tanked, and I suspect Simon Templar is very much now a “dad hero” in the sense that while he was huge for my generation (particularly when Roger Moore played him on TV), I doubt he means anything for Gen X, Y, etc., any more than the characters referenced in Clubland Heroes mean to me. Damn, I’m old.
ZEALOT: The Life and Times of Jesus of Nazareth by Reza Aslan acknowledges in the introduction that trying to capture a historical image of Jesus isn’t really possible, then blithely asserts that he’s done it anyway. Aslan’s version is that Jesus was one of the countless Jewish Messiahs out to free Palestine from the yoke of Rome with the help of Jehovah: he came to bring not peace but a sword (Aslan concludes Jesus gentler admonitions were all meant for Jews on how to deal with each other, not outsiders). This is no worse than most other biographies of this sort I’ve read, but no better; Aslan suffers the usual dilemma of having to separate the parts of the Gospels imposed on Jesus’ life by later Christians with the ones that capture authentic history, and his unsurprising conclusion is that whatever fits his thesis is historical.
THE GOLDEN-AGE BATMAN Vol. 6 pretty much continues the style and spirit of the previous volume which despite the increasing number of time-travel stories is, I think a good thing. We have more Joker and Penguin, the introduction of the Riddler and less well remembered villains such as the Gong and the Pied Piper (not the Flash foe, a criminal who uses pipes as an MO). There’s also the debut of Vicki Vale: having only known her as a rather annoying Lois Lane-clone who was either trying to marry Batman or unmask him (Lois at her best was much better than that) it was quite a surprise to see her in her first story as a determined photojournalist with no qualms about taking a risk to get the right photo. Among the standout stories are “The Case of the 48 Jokers” for how Batman and Robin wrap it up by playing practical jokes on the Joker, and “The Man With the Fatal Hands,” a clever riff on the old Hands of Orlac horror plot. I’ve already started volume #7.
#SFWApro. Batman cover by Dick Sprang; all rights to both cover images remain with current holders.